Maria Fiselier News
Dutch opera singer
- mezzo-soprano
- Kingdom of the Netherlands
- opera singer
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2024-03-28
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2022-04-22 13:12:00
Orpheus/L'Orfeo, Komische Oper, 16 April 2022
(sung as Orpheus in German translation by Susanne Felicitas Wolf) Orfeo – Dominik Köninger Euridice – Josefine Mindus Amor – Peter Renz Sylvia/Proserpina – Maria Fiselier Plutone, Caronte – Tijl Faveyts Figures of Orpheus and Eurydice – Alexander Soehnle, Helen Schumann Dancers - Meri Ahmaniemi, Martina Borroni, Ana Dordevic, Zoltan Fekete, Michael Fernandez, Paul Gerritsen, Claudio Greco, Marcel Prét, Tara Rendell, Lorenzo SoragniBarrie Kosky (director)Katrin Lea Tag (designs)Katharina Tasch (costumes)Ulrich Lenz (dramaturgy)Otto Pichler (choreography)Alexander Koppelmann (lighting) Chorus (chorus master: David Caevlius) and Orchestra of the Komische OperMatthew Toogood (conductor)Amor (Peter Renz), Orpheus (Dominik Köninger)Images: Iko Freese / drama-berlin.deBarrie Kosky’s advent as Intendant of the Komische Oper in 2012 was marked by a twelve-hour ‘Monteverdi Trilogy’, in which the three extant Monteverdi operas were given in new productions and in newly composed realisations by Elena Kats-Chernin (also new German translations by Susanne Felicitas Wolf). Avid Monteverdian, especially in non-‘period’ guise, though I be, […]
2019-04-09 06:11:02
Barrie Kosky’s stylish production of Leonard Bernstein’s Candide at Komische Opera was carefully crafted and performed by a superb cast
[…] gathering together in small gossiping groups to enjoy the macabre spectacle set before them. It was Spanish Inquisition stuff wrapped up in a French Revolutionary parcel!Overall, it was a well-cast show directed with great flair and imagination by Barrie Kosky who had the wisdom of casting Anne Sofie von Otter in the role of The Old Lady. She put in a fine and well-disciplined performance as did the likes of Dániel Foki as Maximilian, Maria Fiselier (Paquette) and Emil Ławecki (Cacambo).The well-loved scene of El Dorado (the lost city of gold) was well staged with an idyllic-designed set conjured up by Rebecca Ringst while Alessandro Carletti’s soft-lighting effects highlighted the myriad of golden-coloured glitter flakes raining down from the gridiron offering the scene an ethereal-looking picture of this fabled city stuffed with riches beyond the dreams of avarice.Mr Kosky’s creative team proved more than their worth in so many ways […]
2018-12-22 10:33:45
The Dead City: Robert Carsen's new production of Korngold's masterpiece in Berlin
[…] cut through Korngold’s score like a knife through butter. And in Marietta’s Lied, Ms Uhl’s voice - luminous to the extreme especially in the upper register - was crystal clear.But excellent performances emanated, too, from German baritone Günter Papendell in the dual role of Frank/Fritz the Pierrot. Harbouring a rich and warm baritone voice he was heard to good effect in the lovely and romantic ballad ‘Mein Sehnen, mein Wähnen’ while the Dutch mezzo-soprano, Maria Fiselier, as Brigitta, organised, dutiful and respectful to Paul, excelled in her role delivering a brilliant performance musically as well as dramatically speaking.Robert Carsen came up trumps with a compelling and satisfying production that clearly identified the imaginary elements of the opera whilst the big and emotional scene re-enacting the Procession of the Holy Blood (dating back to the early 14th century and held every year in Bruges on Ascension Day) was medieval mysticism at […]
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