Julian Grant News
British composer
- opera
- composer, journalist
Last update
2024-03-29
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2024-03-22 12:00:00
The 2022 Cliburn finalist has been awarded a 2024 Avery Fisher career Grant
The Boston Musical Intelligencer
2024-02-29 22:25:01
Visiting Aucoin’s Underworld
[…] | 7:30PMSunday, March 10, 2024 | 3PM Tickets HERE. Sung in English dialogue with English surtitlesRunning time: 2 hours and 20 minutes, including one 20-minute intermission EurydiceMusic by Matthew AucoinLibretto by Sarah RuhlBased on the play by Sarah Ruhl A new arrangement commissioned byBoston Lyric Opera and Opera Grand RapidsOriginal Orchestration Commissioned by The Metropolitan Opera and Los Angeles Opera. Developed by The Metropolitan Opera/Lincoln Center Theater New Works Program with support from the Opera America Repertory Development Grant. Eurydice SYDNEY MANCASOLA, Orpheus ELLIOT MADORE, Father MARK S. DOSS, Orpheus Double NICHOLAS KELLIHER, Hades DAVID PORTILLO, Little Stone/Ensemble MAGGIE FINNEGAN, Big Stone/Ensemble ALEXIS PEART, Loud Stone/Ensemble NEAL FERREIRA, Ensemble JUNHAN CHOI *A Grammy Award winner, Doss has been performing for 35 years, an activity that has taken him to more than 60 international opera houses, including La Scala, Covent Garden, San Francisco Opera, Lyric Opera Chicago, Berlin Staatsoper, Wiener Staatsoper, Teatro Real Madrid, […]
2024-02-14 14:55:14
[…] The post appeared first on World's Leading Classical Music Platform.
2024-01-30 12:30:00
Salzburg Mozartwoche (3) - Mozart and Salieri, 28 January 2024
Grosser Saal, MozarteumMozart: Die Zauberflöte, KV 620, Overture; Andante for flute and orchestra in C major, KV 315/285e; Rondo for flute and orchestra in C major, KV 373/285c (arr. Pahud) Salieri: Concerto for flute and oboe in C major Mozart: Symphony no.38 in D major, KV 504, ‘Prague’Emmanuel Pahud (flute)Camerata SalzburgFrançois Leleux (oboe/conductor)Images: Wolfang Lienbacher This was an interesting concert of music by Mozart and Salieri, the lesser known music faring better for me than the celebrated symphony on the programme. There is nothing unusual in that, of course, especially in repertoire in which very different aesthetics are in play—and ultimately, it may be of greater importance to Grant an opportunity to rarely heard music than to present a Prague Symphony to rival Karl Böhm or Daniel Barenboim. The Magic Flute Overture, well known though it may be, stood somewhere in between. Tempi were apt and François Leleux took […]