Jevgenija Sotnikova News
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2018-08-02 19:52:00
Munich Opera Festival (3) - From the House of the Dead, 30 July 2018
Nationaltheater Images: Wilfried Hösl Alexandr Petrovič Gorjančikov – Peter MikulášAljeja – Evgeniya SotnikovaLuka Kuzmič (Filka Morozov) – Aleš BrisceinSkuratov – Charles WorkmanŠiškov – Bo SkovhusBig Prisoner, Prisoner with the Eagle – Manuel GüntherLittle Prisoner, Bitter Prisoner – Tim KuypersGovernor – Christian RiegerOld Prisoner – Ulrich ReßČekunov – Johannes KammlerDrunk Prisoner – Galeano SalasCook – Boris PrýglSmith – Alexander MilevPope – Peter LobertProstitute – Niamh O’SullivanDon Juan (Brahmin) – Callum ThorpeKedrill, Young Prisoner – Matthew GrillsŠapkin, Happy Prisoner – Kevin ConnersČerevin, Voice from the Kirghizian Steppes – Dean PowerGuard – Long LongFrank Castorf (director) Aleksandar Denić (set designs)Adriana Braga Peretski (costumes)Rainer Casper (lighting)Andreas Deinert (video, live camera)Stefanie Katja Nirschl (live camera)Jens Crull (video, live editing)Miron Hakenbeck (dramaturgy)Martha Münder (revival director)Bavarian State Opera Chorus (chorus master: Sören Eckhoff) Bavarian State OrchestraSimone Young (conductor) Frank Castorf might have been born to direct From the […]
2018-05-27 01:19:00
The Undead ! Janáček Aus dem Totenhaus, Bayerische Staatsoper
[…] at the end. As a device, it's rather too obvious, but blame Dostoyevsky, not Janáček or Carstorf. Some productions treat the Eagle as the symbol it is, but Carstorf and dramaturgist develop it as a fully fledged character on its own terms. They use a dancer, garbed in brightly coloured exotic feathers at once an object of fantasy and a real personality. To complicate matters,the Eagle seems to be played by the same woman (Evgynia Sotnikova) who sings Aljeja and the Prostitute and plays Akulka, the woman Luka loved and Šiškov murdered. This might seem confusing but is in fact consistent with several underlying themes in the opera, so we'd do well to pay attention. The prison is all-male. a reversal of natural order. he strage play the prisoners piut on for entertainment unleashes dark memories : women are brutalized because they're thought unfaithful. Women have no status other than […]
2015-04-23 07:00:42
Classical music: Even as the school year winds down, there are several noteworthy events and concerts at the University of Wisconsin-Madison School of Music this weekend.
[…] experience their masterpieces through the prism of Russian music , language and visual images. By attempting to combine literature, music and art. participants hope to recreate the atmosphere of St. Petersburg’s culture (as recreated in the museum photo below). Participants include: Oxana Khramova, piano, DMA candidate, School of Music, where she is a student of Christopher Taylor with Yana Groves, piano, DMA candidate, School of Music Nicole Heinen, soprano, MM candidate, School of Music Ilona Sotnikova, visual images and literature, PhD candidate , Department of Slavic Languages and Literature Conor Ryan, narrator, Undergraduate Student, Department of Slavic Languages and Literature At 4 p.m., in Mills Hall, the All-University String Orchestra will give a FREE concert under the baton of director Janet Jensen (below, in a photo by Katrin Talbot). Sorry, no word on the program. From 4 to 6 p.m. the Wingra Woodwind Quintet will hold […]
2012-05-07 03:11:18
It might as well be Einspring
[…] be heard much of the time. (She has withdrawn sick from the rest of this run, with the metallic Laura Tatulescu jumping in.) Kevin Conners faltered amusingly as lawyer Curzio while veteran Ulrich Reß relished his job as music-master, leading the chorus to Keenlyside’s palpable annoyance. Veteran of veterans Alfred Kuhn—an erstwhile institution here as Frank in Die Fledermaus and alas not scheduled to sing the role this coming December—sputtered gloriously as the gardiner. Evgeniya Sotnikova simpered con dolcezza in the brief duties of his Barbarina. Dieter Dorn’s aging staging uses stretched white fabric over wooden frames. Though not deep, this setup dampened the voices on Thursday instead of projecting them, causing an all-evening imbalance with the orchestra. This problem had me wondering anew about those production roles. Was it, is it, ultimately Dorn’s fault or his set designer’s? In the ways the staging worked well—the werktreu characters and properly […]
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