Giacomo Antonio Perti News
Italian composer (1661-1756)
- violin
- opera
- Italy
- opera composer, violinist, chapelmaster, music teacher, composer
Last update
2024-04-23
Refresh
2023-04-04 23:00:00
Passion Music 2023 [23 CDs]
[…] Siedlaczek, soprano; Nathan Medley, alto;Colin Balzer, Jason McStoots, tenor;Christian Immler, baritone; Jonathan Woody, bass-baritoneBoston Early Music Ensemble/Paul O'Dette, Stephen StubbsRecorded: 2017label: CPO 555 204-2Download 1fichier uptobox pixelMarc-Antoine Charpentier (1643-1704)Le Reniement de St Pierre, Stabat materand other sacred worksHarmony of Voices, SwedenFredrik malmberg - directionRecorded September & October 2003Label: Proprius PRCD 2031Download 1fichier uptobox pixelAlessandro Scarlatti (1660-1725)Lamentations for Holy WeekLa Parlement de MusiqueMartin Gester - directionRecorded 1 October 1992Label: Opus 111 OPS 30-66Download 1fichier uptobox megaGiacomo Antonio Perti (1661-1756)Oratorium Gesù al SepoleroCapella Musicale di S. PetronioSergio Vartolo - directionRecorded April 1990Label: Tactus TC 661601Download 1fichier uptobox pixelFrancois Couperin (1668-1733)3 Lecons de Ténèbres du MercredyEnsemble Il Seminario MusicaleGérard Lesne - directionRecorded May 1991Label: Harmonic Records HCD 9140Download 1fichier uptobox pixelAntonio Maria Bononcini (1677-1726)Stabat MaterCantata Dio e la VergineCamerata LigureEsteban Velardi - directionRecorded April 1989Download 1fichier uptobox pixelJohann David Heinichen (1683-1729)Lamentationes, PassionsmusikMusica Antiqua KölnReinhard Goebel - directionRecorded October 1994 & January 1995Archiv Produktion […]
2019-04-29 05:00:00
A. Scarlatti & Contemporaries
[…] a reissue[flac, cue, log, covers] Download link"Se con stille frequenti"Agostino SteffaniAntonio LottiGiovanni BononciniDuetti da cameraSara Mingardo, Francesca Biliotti, Loriana Castellano, Lisa Castrignanò, Giorgia Cinciripi, Lea Desandre, Silvia Frigato, Lucia NapoliCenacolo MusicaleArcana A 424 (2016)[flac, cue, log, scans] Download link Alessandro Scarlatti (1660-1725)Cantate da cameraCristina Miatello soprano, Gloria Banditelli contraltoEnsemble AuroraTactus TC 661905 (1999). Recorded 1989[flac, cue, log, covers] Download link Alessandro ScarlattiCantata natalizia "Abramo, il tuo sembiante"Alessandro Stradella ConsortEsteban VelardiNuova Era CDC119 (1992)[flac, cue, log, covers] Download link Giacomo Antonio Perti (1661-1756)Sacred MusicGhislieri Choir & ConsortGiulio PrandiAmadeus AM 246-2 (2010)[flac, cue, log, scans] Download link Arcangelo Corelli (1653-1713)Sonate per violino e basso continuo op. 5Stefano Montanari violinAccademia BizantinaOttavio DantoneAmadeus AM 169-2 (2003)[flac, cue, log, scan] Download link part 1 - part 2Arcangelo CorelliConcerti grossi op. 6n. 1, 4, 5, 6, 8, 11, 12Accademia BizantinaOttavio DantoneAmadeus AM 328-2 (2017). Live recording[flac, cue, log, scan] Download link
2019-04-02 20:05:43
Anglais - London’s Sixth Ever Performance of Handel’s Berenice at the Royal Opera House, Covent Garden
[…] us to entirely the opposite conclusion. Similarly, the thesis that if one remains true to love good political outcomes will follow represents a development in thinking on the vast majority of operas that present the same original dichotomy. Nevertheless, it is possible to see why Berenice was not more popular in the eighteenth century. Handel’s starting point was the libretto of Antonio Salvi’s Berenice, regina d’Egitto which had been set to music by Giocomo Antonio Perti in 1709. During the process of adaptation, however, recitatives were pruned and around ten arias cut. What remains feels very much like a series of episodes in which each character in turn indulges in their personal dilemma, following the latest plot twist. This, in crude terms, is actually the underlying formula to every Handel opera, but usually there seems to be a little more integrity in the way in which the whole is […]
2019-04-02 08:36:54
Brilliant re-invention: Handel's Berenice from London Handel Festival & Royal Opera
[…] work can be far more effective on stage than seems on the page.Directed by Adele Thomas with designs by Hannah Clark, the production featured Claire Booth as Berenice, Rachael Lloyd as Selene, Jacquelyn Stucker as Alessandro, James Laing as Demetrio, Patrick Terry as Arsace, Alessandro Fisher as Fabio, and William Berger as Aristobolo, with Laurence Cummings conducting the London Handel Orchestra. Antonio Salvi's libretto to Berenice was originally written in 1709 for composer Giacomo Antonio Perti at the Medici court theatre at Pratolino in October 1709, when it is possible that the young Handel saw it. We don't know why he chose the opera for his 1737 season, or who adapted it for him. Winton Dean suggests that Handel adapted Salvi's libretto himself and Dean regards the adaptation (or rather extreme compression) as a botched affair as the removal of so much dialogue made the characters' actions almost risible. […]
or
- timeline: Composers (Europe). Conductors (Europe). Performers (Europe).
- Indexes (by alphabetical order): A...