Francesco Antonio Bonporti News
Italian priest and composer (1672-1749)
- violin
- classical music
- Italy
- composer, priest, religious, university teacher
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2024-04-25
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2019-05-05 07:50:00
Vivaldi & Contemporaries
Francesco Antonio Bonporti (1672-1749)Concerti a quattro op. 11Ensemble AuroraEnrico GattiEMI Music Italy / CD Classica CDC126 (1999)[flac, cue, log, scans] Download linkTomaso Albinoni (1671-1751)Concerti a cinque from op. 10Harmonices MundiClaudio AstronioAmadeus AM 182-2 (2005)[flac, cue, log, scans] Download linkGiovanni Mossi (1680-1742)Sonate a Violino, e Violone, O Cimbalo op. 1Leila Schayegh violinIlze Grudule violoncelloJörg Halubek harpsichordPan Classics PC 10212 (2009)[flac, cue, log, scans] Download link"Virtuosi italiani nell'Europa del '700"Giuseppe Tartini (1692-1770)Francesco Geminiani (1687-1762): Pietro Antonio Locatelli (1695-1764)Francesco Maria Veracini (1690-1768)Sonate per violino e bassoDomenico Scarlatti (1685-1757)Sonate K. 18, 159, 532Marco Serino violinFrancesco Cera harpsichordAmadeus AM 263-2 (2011)[flac, cue, log, scans] Download linkAntonio Vivaldi (1678-1741)Sonate da camera from op. 1L'Estravagante(Stefano Montanari violin, Stefano Rossi violin, Francesco Galligoni violoncello, Maurizio Salerno harpsichord/organ)with Franco Pavan theorbo/guitar, Pietro Pasquini organAmadeus AM 256-2 (2011)[flac, cue, log, scans] Download link Antonio Vivaldi (1678-1741)Il Cimento dell'Armonia e dell'Inventione op. 8Stefano Montanari violinAccademia BizantinaOttavio DantoneAmadeus AM 136-2 (2000)[flac, cue, log, scans] Download link […]
2016-12-04 08:20:07
Thibault Noally (violin), Les Accents (Aparte)From the first shimmering arpeggios across the strings, mirroring the waters of Venice, in Torelli’s previously unrecorded E minor sonata, it is clear that this is something special: a highly characterised, sharply imagined feast of baroque violin playing. Thibault Noally’s command of this improvisational style, whose flights of fancy are far removed from the regularity imposed by Corelli, is complete. Discoveries by Dall’Abaco and Bonporti sit next to more formal sonatas by Albinoni and Vivaldi, and Noally is perfectly matched in two glorious chaconnes by fellow violinist Claire Sottovia. Maybe a harpsichord piece or two would have been welcome for variety, but this is a compelling evocation of a vanished era. Continue reading...
2015-04-23 04:19:13
In the cross-currents of history: An interview with musician and author Alberto Nones about the life and work of Italian composer Riccardo Zandonai.
[…] whose love for classical music extends well beyond Paris of the early-to-mid 20th century. [Even better for me, Alberto Nones was kind enough to share his thoughts and perspectives in English!] PLN: How did you first become interested in Riccardo Zandonai, and why did you decide to write a book about him? AN: The composer Riccardo Zandonai was born in the Trentino region of Italy, which is also my home. Along with Francesco Antonio Bonporti , he is considered ‘the’ Trentino composer. But since Bonporti was a 17th century composer, Zandonai is much closer to us in time – and a witness and participant in the major events of the first half of the 20th century. And yet, even in his home region, Zandonai is known more by name rather than through true knowledge of his life and music. This is why I became interested in studying more […]
2013-11-12 08:25:00
Ritratto di [Portrait of] Jean-Marie Leclair
Jean-Marie Leclair · Ensemble Ricreation d'Arcadia · Ouvertura II in ré majeur · Sonata VI en si bémol majeur Op. 12-6 · Sonata IV en fa majeur Op. 4-4 · Sonata VII en sol majeur [Op.1-8] · Première Récréation de Musique en ré majeur Total Playing Time 78' 28" Ayaku Matsunaga (Violino) - Yukie Yamaguchi (Violino) Takashi Kaketa (Violoncello) Takashi Watanabe (Clavicembalo) [Flac & Scans] Ensemble Ricreation d’Arcadia was formed by four leading Japanese musicians who regularly play with several baroque ensembles and orchestras in both Europe and Japan. The group’s aim is to explore the diverse instrumental and vocal music of the 17th and 18th centuries, particularly focusing on the vast repertoire for the “trio sonata”. In 2004 they won the first prize at “Premio Bonporti” (President of Jury: Gustav Leonhardt) and also received the Audience prize and ORF recording prize.
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