Emmy Loose News
Austrian soprano (1914-1987)
Commemorations 2024 (Birth: Emmy Loose)
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2024-04-25
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2024-04-08 03:30:00
A Jazz Musician on Classical Music and Jazz
by Karl NehringIn a recent review of a CD that paired the Duruflé Requiem with Four Lenten Motets by Poulenc (review to be found here), I appended an interview with the late jazz saxophone player Jackie McLean in which he spoke of borrowing chords from Poulenc and then going on to discuss the influence of classical composers on other jazz musicians. Those who have followed Classical Candor for any length of time may recall that we have offered occasional reviews of jazz releases, justifying those reviews with the argument that there is a sense in which some forms of jazz can reasonably be regarded as examples of chamber music. One jazz musician who holds strong views about the relationship between jazz and classical music is the pianist Ethan Iverson (see photo), two of whose albums we have reviewed previously: Every Note Is True (see review) and his latest, which includes a formal piano sonata of his own composition, Technically Acceptable (reviewed […]
2024-03-27 08:09:00
Revisiting Staatsoper Berlin’s Ring cycle proved a thrilling experience: Dmitri Tcherniakov's production returns to Unter den Linden with conductor Philippe Jordan
Wagner: Das Rheingold - Staatsoper Berlin, 2022 (Photo: Monika Rittershaus)Wagner: The Ring of the Nibelungen; Tomasz Konieczny, Rolando Villazón, Johannes Martin Kränzle, Robert Watson, Vida Miknevičiūtė, René Pape, Claudia Mahnke, Anja Kampe, Andreas Schager, Stephan Rügamer, dir: Dmitri Tcherniakov; Staatskapelle Berlin, cond: Phillipe Jordan; Staatsopernchor, dir: Dani Juris, Staatsoper Berlin, Germany Reviewed by Tony Cooper, 26 March 2024True to form, Dmitri Tcherniakov drifts miles away from Wagner’s original intentions but, nonetheless, comes up with an interesting and extremely rewarding productionThe current Ring at Staatsoper Berlin came into being in October 2022 directed by Russian director Dmitri Tcherniakov due to be conducted by Daniel Barenboim. Sadly, though, Maestro Barenboim, had to pull out of the production because of severe health issues, a great blow to all but so disappointing for Barenboim in his 80th year. All change, please! Therefore, it’s musical chairs at Staatsoper with Maestro Barenboim, who has held […]
2024-03-15 17:51:00
New Jersey Symphony. Xian Zhang, conductor; Tom Borrow, piano. March 14, 2024.
NJPAC, Newark, NJ. Orchestra (Seat H101, $46).At the conclusion of the concert. Notice on the far right the regular principal bass.ProgramNightVision (2001, rev. 2002) by Ludwig (b. 1974).Piano Concerto No. 24 (1786) in C Minor, K. 491 by Mozart (1756-1791).Symphony No. 5 in E Minor, Op. 64 by Tchaikovsky.It was a nice spring day. The cherry blossoms are in bloom.The Program Notes contains much praise for the two "classical" pieces for this after (concert start 1:30 pm). And its description of NightVision is quite interesting also. My first thoughts were the concert had the potential of being "great," but would the NJ Symphony be able to deliver?Ludwig's name is David Serkin Ludwig. He is Peter Serkin's nephew, and Rudolf Serkin's grandson. So quite a musical heritage. He is no slouch either, as he is Dean of Music at Julliard. (The others Deans head up dance and drama.) This 7-minute piece […]
2024-03-08 09:15:00
A vivid account of Szymanowski's rarely performed Harnasie from the LPO, with a visual installation from Wayne McGregor & Ben Cullen Williams that never quite matched the terrific music
Wayne McGregor & Ben Cullen Williams: A Body For Harnasie - London Philharmonic Orchestra, Edward Gardner - Royal Festival Hall (Photo: Mark Allan)Tania León: Raíces, Ravel: La Valse, Wayne McGregor & Ben Cullen Williams: A Body for Harnasie (based on Szymanowksi's Harnasie); London Philharmonic Orchestra, Edward Gardner, Robert Murray, Vlaams RadiokoorReviewed 6 March 2024Szymanowski's rarely performed late ballet-pantomime in a terrific performance that vividly brought out the work's colour and symphonic depth, with a visual installation that did not always match thisKarol Szymanowski's Harnasie is one of his late, folk-imbued works inspired by the music of the Polish Tatra mountains. Harnasie, the ballet-pantomime which Szymanowski worked on from 1923 to 1931, not only uses the music but sets its story in the Tatra mountains too. It remains, however, an unjustly neglected work. On 6 March 2024 at the Royal Festival Hall, Edward Gardner and the London Philharmonic Orchestra gave us […]
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