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French pianist
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2024-03-29
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2017-12-02 00:00:00
The Genius Francis Poulenc [7 CD's]
Francis Poulenc (1899-1963) Complete Chamber Music with Winds Claire Désert, Emmanuel Strosser - piano Les Solistes de l'Orchestre de Paris Label: Indésens! INDE013 (2CD) Recorded in 2009 [flas & scans] Download Francis Poulenc Keyboard Concertos Jean-Bernard Pommier - piano Maggie Cole - harpsichord Gillian Weir - organ City of London Sinfonia Richard Hickox - direction Label: Virgin 5 45067 2 Recorded February 1988 [flac & scans] Download Francis Poulenc Stabat Mater, Gloria, Litanies à la vierge noire Choeur Régional Vittoria d'Ile-de-France Orchestre de la Cité Michel Piquemal - direction Label: Naxos 8.553176 Recorded October 1992 [flac & scans] Download Francis Poulenc Sacred Choral Music Netherlands Chamber Choir Eric Ericson - direction Label: Globe 5185 Recorded February 1998 [flac & scans] Download Francis Poulenc Chamber Music Vol.1 […]
2015-11-12 20:30:05
Strosser/Dahler/Cantoreggi/Hilliard Ensemble (ECM)Heinz Holliger is the latest composer to be drawn into the intricacies of the works of the 14th-century French poet and musician Guillaume de Machaut, and to use it as a springboard for his own music. While the Machaut-influenced works of other composers, such as Peter Maxwell Davies and Harrison Birtwistle, have generally remained rooted in their own 20th-century musical worlds, Holliger’s transcriptions, assembled between 2002 and 2009, are a dialogue between past and present in which his own music coexists with the pieces on which it is based. Three Machaut settings, two ballades and the famous Hoquetus David, are sung with great poise by the Hilliard Ensemble and interleaved with Holliger’s paraphrases for three violas, which use the procedures of the originals to create a music of fragile harmonics and buzzing dissonances. In the final three numbers, Holliger allows the two worlds to collide – first in […]
2015-11-12 19:30:02
Strosser/Dahler/Cantoreggi/Hilliard Ensemble (ECM)Shostakovich’s Suite on Poems by Michelangelo has recently become a calling card for Dmitri Hvorostovsky and his pianist Ivari Ilja, and their recording is a notable addition to the handful of versions available. The work dates from the year before the composer’s death, when he was battling with arthritis and cancer; every note was an effort to write down, which perhaps explains why, in the piano part at least, he wrote so few. Hvorostovsky and Ilja capture the right degree of bleakness, anger and intensity. There is something of the iron fist in a velvet glove to Hvorostovsky’s voice here, and that velvet thins just often enough to reveal the edge beneath. His baritone may now be a touch too craggy for Liszt’s Petrarch Sonnets, but he and Ilja shape them stylishly, and in their warmth and relative sweetness they are a fitting foil for the Shostakovich. […]
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