Dorothee Mields News
German soprano
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2024-04-25
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2024-03-28 04:00:00
EASTER PASSION MUSIC 2024 [24 CDs]
[…] century NaplesSilvia Frigato, sopranoTalenti Vulcanici, Emanuele Cardi - directionRecorded 2015Label: Arcana A437Download 1fichier gofile workuploadGiovanni Battista Sammartini (1700-1775)Della Passione di Gesù CristoL'addorata Divina MadreSymphonica Ensemble & soloïstsDaniele Ferrari - directionRecorded March 2005Label: Naxos 8.570254Download 1fichier pixel workuploadGiovanni Battista Pergolesi (1710-1736)Stabat MaterSalve Regina for sopranoSalve Regina for contraltoDorothea Röschmann - sopranoDavid Daniels - countertenorEuropa Galante, Fabio BiondiVirgin Classics 0946 3 63340 2 8 (2006)Download mega 1fichier pixelGeorg Anton Benda (1722-1795)Carl Friedrich Gessel (1724-1793)Philipp Heinrich Erlebach (1657-1714)CantatasDorothee Mields, Klaus Mertens and other soloistsTelemann-Kammerorchester MichaelsteinLudger Rémy - directionRecorded April 1998Label: CPO 999 650-2Download 1fichier pixel workuploadFranz Joseph Haydn (1732-1809)Seven Last Words of Christ on the Cross1840 version for flute & string quartet (F.A. Barbieri)Rafael Ruibérriz de Torres - traversoEnsemble La Spagna (period instruments)Recorded November 2019Label: brilliant Classics BC 96659Download 1fichier pixel workuploadJohann Baptist Vanhal (1739-1813)Stabat mater in f minorSymphony in D majorNatalia Melnik - sopran, marta Benackova - altPrager Kammerorchester and -chorVáclav Neumann […]
2020-04-03 08:08:39
A new recording of Handel's first version of Messiah (Dublin 1742) with a largely German speaking cast
Handel Messiah; Dorothee Mields, Benno Schachtner, Benedikt Kristjansson, Tobias Berndt, Gaechinger Cantorei, Hans-Christoph Rademann; Accentus Reviewed by Robert Hugill on 1 April 2020 Star rating: 4.0 (★★★★) The quirky first, Dublin version of Handel's masterpiece from a German choir with a long history of performing Baroque musicAnyone with a moderately long memory will associate the name of the Gaechinger Cantorey with the conductor Helmut Rilling who directed the choir (then called the Gächinger Kantorei) for several decades and developed an impressive pedigree in Baroque music albeit in a style which was larger scale and less attuned to period practice than is the case nowadays. Founded in 1954 by Rilling, since the 2013 the ensemble has been directed by Hans-Christoph Rademann and the choir was refounded and re-named as a smaller ensemble with a period instrument orchestra, rather more in the contemporary historically informed style. Whilst Bach remains the ensemble's […]
2020-02-23 05:30:43
[…] a completely gripping picture of the Passion story. The rising chromatic choruses of part two, as the crowd calls for crucifixion, are absolutely electrifying, while the chorales, mostly done quietly and simply, are moments of wistful personal reflection amid the tumult. One shock to a purist early-music approach will be the use of the eloquent tenor Maximilian Schmitt as a thoroughly operatic Evangelist, but he matches well the dramatic approach of the whole. Soprano Dorothee Mields is unsurpassed in Zerfliesse, mein Herze, while Herreweghe’s choir Collegium Vocale Gent, replenished over the years, is ever fresh and precise.
2019-12-12 07:43:24
Christmas CD Round up
This year's Christmas round-up has carols old and new, alongside music from the Spanish golden age, Bach's Christmas Oratorio, a disc of contemporary music by Ben Parry, and even arrangements by Rick Wakeman. A poignant tribute to Sir Stephen Cleobury is King's College, Cambridge's recording of the Centenary Service of Nine Lessons & Carols. Young voices are particularly prominent, not only the trebles at King's, but the girls choir from Ely Cathedral, and the choirs of both Westminster School and Benenden School, plus of course the Thomanerchor Leipzig. Christmas Oratorio: This has a nicely balanced lyric quartet of young soloists (Dorothee Mields, soprano, Elvira Bill, alto, Markus Schafer tenor arias, Klaus Hager - bass) plus Patrick Grahl as the Evangelist, with some admirably straight toned singing but what strikes most is the performance of the boys (or rather young men and boys) of the Thomanerchor Leipzig. A large, all male-voice […]
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