Conrad Thibault News
singer
Commemorations 2024 (Death: Conrad Thibault)
- baritone
- United States of America
- opera singer
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2024-04-25
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2022-11-23 03:51:30
Scat C.A.T.Vodova DaySelf-produced, 2022 If a record cover telegraphs its content, this is the one. Behind the Scat C.A.T. stage name is one Claude Arnold Thibault, a jazzer at heart. Full marks to him for his flawless diction; you don’t miss a word. Next, he has recruited quite a team of sidemen, several being [...]
2022-09-21 19:37:00
[…] "Villanelle," Mozart’s “Das Veilchen” (“The Violet”) and the Kazakh folk song "A Lovely Rose." Though Zhang’s journey as an opera singer began in Chengdu and continued in Shanghai, she also has a strong foundation in San Francisco, where she was a Merola Opera Program participant in 2018. After Merola, Zhang was selected to join the Metropolitan Opera’s Lindemann Young Artists Development Program. This spring, she reprised Barbarina in Mozart’s Le Nozze di Figaro at the Met and appeared as Thibault in that company’s new production of Verdi’s Don Carlos. Other recent credits include Pamina in Die Zauberflöte at the Verbier Festival, concert appearances with the Sichuan Symphony Orchestra on tour throughout China and Beethoven’s Ninth Symphony at Beijing’s National Centre for the Performing Arts. Zhang joins the cast for Orpheus and Eurydice, which features countertenor Jakub Józef Orliński in his highly anticipated Company debut as Orpheus and soprano Nicole Heaston as Love (Amore). San Francisco Opera’s new production of Gluck’s setting of the Orpheus […]
Norman Lebrecht - Slipped disc
2022-08-28 09:59:49
The French conductor Thibault Back has recorded an... The post A Beethoven concerto with strings alone appeared first on Slippedisc.
2022-08-14 09:30:00
Anglais - Bruno de Sá: “Opera business doesn’t reflect the discussions we’re having in our society”
[…] When we bring these feelings into our lives, it’s so powerful. The people in the baroque period expressed their emotions a certain way. Nowadays, we would say it differently, but the root is exactly the same. My mum and Maria are both mums. Their pain is different, but none is stronger or weaker than the other. Pergolesi shows his version of pain and I always hope the audience can feel this journey. Interview by Thibault Vicq Photo credit: © Warne Classic / Laure Bernard
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