Antanas Dvarionas News
Lithuanian opera singer (1899-1950)
- organ, voice
- Lithuania
- opera singer
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2024-03-25
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Faces of classical music
2019-02-19 14:56:00
Francis Poulenc: Concerto for two pianos and orchestra in D minor – Alexandеr Malofeev, Sandro Nebieridze, State Academic Symphony Orchestra "Evgeny Svetlanov", Alexander Sladkovsky (HD 1080p)
[…] Foundation and Mstislav Rostropovich Foundation.Source: alexander-malofeev.com Sandro Nebieridze was born on January 7, 2001, in Tbilisi, Georgia. He began studying music at the age of five piano with professor LaliSanikidze and composition at the age of nine, with professor Maka Virsaladze. In June 2018 graduated Music Seminary of Tbilisi State Conservatoire. From September 2018 is a student of Tbilisi State Conservatoire.Sandro is the winner of several international piano competitions including "Musica Sepashvili Klavierwettbeweb", the B. Dvarionas Piano Competition, the International Piano Competition "Sberbank-Debut", the International Piano Competition "Astana Piano Passion", and Grand Prize winner of the First International Piano Competition "Grand Piano Competition".At the age of 9, Sandro began studying composition. In addition to works for solo piano, he has composed "The Solar System" for quartet, the chamber opera "Once", a piano concerto with symphonic orchestra, two piano trios, a sonata for cello and symphony ballad. Sandro won the "Best […]
2012-04-16 19:56:19
Barbican, LondonNeeme Järvi was originally to conduct this concert in the BBC Symphony Orchestra's Sibelius series. When he withdrew, two short tribute pieces to the Finnish composer were dropped from the programme, though another substantial rarity was retained.This was the Violin Concerto by Balys Dvarionas; written in 1948, it's apparently the first ever produced by a Lithuanian composer. Dvarionas was born in Latvia, in 1904, and studied in Germany. He later made a significant contribution to musical life in Vilnius, where he died in 1972. Formally, his Concerto follows the standard template, though its style must have seemed retro even when it was new. Its thematic material relies heavily on folk music, both in its straightforward arrangements and its variations, with linking passages offering opportunities for display. The problem is that the folk-tunes themselves are forgettable, despite the keen advocacy of the Ukrainian-born Israeli violinist Vadim Gluzman, whose tone offered consistent […]
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