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Classical Music on Past Daily
2019-10-07 04:25:20
The Hungarian Quartet Play Music Of Kodaly – 1953 – Past Daily Weekend Gramophone
Patrons can get this for free: Become a Patron! The Hungarian String Quartet, one of the great performing ensembles throughout the 1930s through to the 1970s when the group disbanded, in 1972. The Quartet was originally brought together with Sándor Végh (a pupil of Jenő Hubay and Zoltán Kodály at... The post appeared first on Past Daily.
2019-01-08 05:02:18
Budapest, Hungary; January 7, 2019—The internationally acclaimed Hungarian violinist, András Keller, founder and leader of the world-famous Keller Quartet, music director of Concerto Budapest, holder of the Béla Bartók Chair at the Guildhall School of Music in London has recently announced the formation of a new musical ensemble called Hungarian Quartet There is no music lover […]
2014-07-29 00:01:00
[…] We should also credit various colleagues and librarians who have helped us locate some rather rare musical materials. 6. Have you considered performing some of the less-well-known classical and early romantic composers? Cherubini, Hummel, Dussek, Sor, Auber, Moscheles, for example? Certainly! At the request of one of our Palo Alto fans we played Cherubini's 2nd Quartet, and we have played some of Hummel's music, to pick from your list. We have recently recorded the Quatuor Hongrois of the 19th century composer Imre Székely, and we have ventured so far into Romanticism as to emerge out the other side, with Schönberg's Quartet in D from 1899 and Bartók's First Quartet from 1908. 7. Tell us how the Hillside Club came to be the quartet's East Bay home. Bruce Koball contacted us about playing a concert there. The ambiance and the audience were so congenial that we have happily […]
Kenneth Woods- A View From the Podium
2012-10-02 20:42:44
Reblogged from Broken Thirds, the Epomeo Blog It’s been a few months since I sat down for a rehearsal with my colleagues in Ensemble Epomeo, but next week we begin a busy two-week tour of the East Coast, with a mountain of repertoire to learn- four huge programs in all. Central to most of our concerts is Beethoven’s first String Trio, opus 3 in E flat. It’s a big piece in six movements (it’s really a Serenade, although Beethoven apparently didn’t call it one) and a huge undertaking for any group that takes its challenges seriously. Although all of us had performed opus 3 at various times in our individual careers, we first played it as Epomeo last April. Among the many issues that brought up spirited discussions was the question of tempo. Perhaps since we all had played it before, we each came in with fairly […]
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