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2024-04-24
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2024-03-26 10:14:00
Young Lovers: Louise Alder and Joseph Middleton in an entrancing evening at Wigmore Hall
Joseph Middleton & Louise Alder at Wigmore Hall in 2022Young Lovers: Fauré, Nadia Boulanger & Raoul Pugno, Mahler, Copland, Ned Rorem, Rogers & Hammerstein; Louise Alder, Joseph Middleton; Wigmore HallReviewed 25 March 2024Young love in all its forms in an entrancing recital from this duo partnership which took is from France to settings of a Belgian symbolist to intimate Mahler, then evocations of a New England poet and an American composer in Paris, before ending with a damned good song from musical theatreSoprano Louise Alder and pianist Joseph Middleton returned to Wigmore Hall on Monday 25 March 2024 with Young Lovers, a programme that moved from French song to German, to American, beginning with Fauré and Nadia Boulanger, then Mahler's Rückert Lieder followed by Copland's 12 poems of Emily Dickinson, two songs by Ned Rorem and ending with Hello, Young Lovers from Rogers & Hammerstein's The King and I.We began […]
2024-03-15 17:51:00
New Jersey Symphony. Xian Zhang, conductor; Tom Borrow, piano. March 14, 2024.
NJPAC, Newark, NJ. Orchestra (Seat H101, $46).At the conclusion of the concert. Notice on the far right the regular principal bass.ProgramNightVision (2001, rev. 2002) by Ludwig (b. 1974).Piano Concerto No. 24 (1786) in C Minor, K. 491 by Mozart (1756-1791).Symphony No. 5 in E Minor, Op. 64 by Tchaikovsky.It was a nice spring day. The cherry blossoms are in bloom.The Program Notes contains much praise for the two "classical" pieces for this after (concert start 1:30 pm). And its description of NightVision is quite interesting also. My first thoughts were the concert had the potential of being "great," but would the NJ Symphony be able to deliver?Ludwig's name is David Serkin Ludwig. He is Peter Serkin's nephew, and Rudolf Serkin's grandson. So quite a musical heritage. He is no slouch either, as he is Dean of Music at Julliard. (The others Deans head up dance and drama.) This 7-minute piece […]
2024-02-04 11:53:00
The Golden Cockerel, Komische Oper, 3 February 2024
SchillertheaterKing Dodon – Alexander Roslavets Prince Guidon – Pavel Valuzhin Prince Aphron – Hubert Zapiór General Polkan – Alexander Vassiliev Amelfa – Margarita Nekrasova Golden Cockerel – Julia Muzychenko, Daniel Daniela Ojeda Yrureta Queen of Shemakha – Kseniia Proshina Astrologer – James Kryshak First Boyar – Taiki Miyashita Second Boyar – Jan-Frank Süße Dancers – Michael Fernandez, Lorenzo Soragni, Silvano Marraffa, Kai Chun ChungDirector – Barrie KoskyAssistant director – Denni SayersSet design – Rufus DidwiszusCostumes – Victoria BehrChoreography – Otto PichlerDramaturgy – Olaf A. Schmitt, Meike LieserLighting – Franck Evin Orchestra and Chorus of the Komische Oper (chorus director: David Cavelius)James Gaffigan (conductor)Images: Monika Rittershaus Two productions, very different, of Rimsky-Korsakov’s last opera, The Golden Cockerel, within two years: James Conway for English Touring Opera, which I saw in Hackney, and now Barrie Kosky’s new production for Berlin’s Komische Oper in its temporary home in Charlottenburg. Both are experienced, though neither […]
2023-12-06 07:44:00
A lifetime's experience: John Nelson finally records Messiah in a finely engaged performance, with a fantastic quartet of soloists
Handel: Messiah; Lucy Crowe, Alex Potter, Michael Spyres, Matthew Brook, the English Concert & Choir, John Nelson; EratoReviewed 4 December 2023Superb musicality and a life-time's experience from John Nelson make this a finely engaged performance, with a fantastic quartet of soloists and an appendix with eight alternative readingsHandel wrote Messiah in 1741 for performances in Dublin in 1742. Unusually for Handel, the work was written without knowing quite who the soloists would be. The enthusiastic reception in Dublin was not repeated when Handel presented the work in London in 1743 and the work was only intermittently revived until Handel's charity performances for the Foundling Hospital began in 1750. From then on, Foundling Hospital performances of Messiah were a part of the London scene, and it is to these later performances that we owe the version of Messiah generally performed today.Handel constantly adjusted the work, revising and tweaking. For the 1749 revival the castrato Gaetano […]
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