Robert Schumann Piano Concerto in A minor, Op. 54 Videos
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2024-03-24
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Robert Schumann Sviatoslav Richter Witold Rowicki Lohse Weber Michna Warsaw National Philharmonic Orchestra National Philharmonic Orchestra 1959 1995
Provided to YouTube by Universal Music Group Schumann: Piano Concerto in A Minor, Op. 54 - I. Allegro affettuoso · Sviatoslav Richter · Warsaw National Philharmonic Orchestra · Witold Rowicki Schumann: Piano Concerto; Introduction & Allegro appassionato; Waldszenen ℗ 1959 Deutsche Grammophon GmbH, Berlin Released on: 1995-01-01 Producer: Wolfgang Lohse Producer: Hans Weber Producer: Helmut Najda Producer: Hans-Peter Schweigmann Studio Personnel, Balance Engineer: Harro Hell Michna Studio Personnel, Balance Engineer: Heinz Wildhagen Composer: Robert Schumann Auto-generated by YouTube.
Krzysztof Penderecki Graciane Finzi Finzi Alma Mahler Mahler Clara Schumann Schumann Igor Stravinsky Wolfgang Amadeus Mozart Stille Philharmonie Paris 2022
#ANNASULKOWSKAMIGON #LAMAESTRA Un programme éclectique dirigé par la cheffe polonaise Anna Sułkowska-Migoń et interprété par le Paris Mozart Orchestra. Née à Cracovie, Anna Sułkowska-Migoń étudie actuellement la direction d’orchestre et la direction de chœur au sein de l’Académie de musique Krzysztof Penderecki. Jeune cheffre d’orchestre prometteuse, l’artiste est déjà titulaire de bourses d’études prestigieuses, a collaboré avec de grands noms de la musique classique et a brillé au sein de grandes masterclasses. Définitivement une artiste à suivre ! Ce programme baptisé « L’Existence du Possible et autres pièces » associe des œuvres interprétées sur quatre jours à la Philharmonie de Paris. Son point d’orgue, L’Existence du Possible de la compositrice contemporaine Graciane Finzi, est présentée ici en création mondiale. Entourant cette œuvre contemporaine, des compositions de Mozart, Alma Mahler, Clara Schumann ou encore Stravinsky montrent toute la palette musicale d’Anna Sułkowska-Migoń et du Paris Mozart Orchestra. Programme : Wolfgang Amadeus Mozart – Don Giovanni, ouverture Alma Mahler – 3 Lieder, Die stille Stadt – Waldseligkeit – Bei dir ist es traut Clara Schumann – Concerto pour piano en la mineur, 3ème mouvement Graciane Finzi – L’Existence du Possible (création mondiale) Igor Stravinsky – Suite de Pulcinella Images filmées entre le 3 et le 6 mars 2022 à la Philharmonie de Paris. Photo Masha Mosconi / [AVAILABLE UNTIL 24/04/2024] / More concerts on our website : (http•••) You can also find us on : Facebook : (http•••) Twitter : (http•••) Instagram FR : (http•••) Instagram DE : (http•••)
Davide Cabassi Robert Schumann Gustav Kuhn Haydn Trento 2011
Davide Cabassi plays Robert Schumann: Piano Concerto in A minor, op.54 First movement: Allegro Affetuoso - Andante Espressivo - Allegro molto Gustav Kuhn conducts Haydn Orchestra of Bolzano and Trento Live recording (2011, Col legno)
Edvard Hagerup Grieg Leif Ove Andsnes Jean Sibelius Bedřich Smetana Robert Schumann Clara Schumann Edmund Neupert Holger Simon Paulli Niels Gade Anton Rubinstein Rubinstein Rikard Nordraak James Huneker Franz Liszt Johan Svendsen Wilhelm Backhaus Junichi Hirokami Norrköping Symphony Orchestra 1843 1858 1868 1869 1870 1872 1874 1900 1907 1909
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively. Please support my channel: (http•••) Piano Concerto in A minor, Op. 16 (1868) 1. Allegro molto moderato (0:00) 2. Adagio (12:51) 3. Allegro moderato molto e marcato (19:00) Leif Ove Andsnes, piano and Bergen Philharmonic conducted by Ole Christian Ruud Watch live performance here: (http•••) The work is among Grieg's earliest important works, written by the 24-year-old composer in 1868 in Søllerød, Denmark, during one of his visits there to benefit from the climate. The concerto is often compared to the Piano Concerto of Robert Schumann: it is in the same key; the opening descending flourish on the piano is similar; the overall style is considered to be closer to Schumann than any other single composer. Incidentally, both composers wrote only one concerto for piano. Grieg had heard Schumann's concerto played by Clara Schumann in Leipzig in 1858, and was greatly influenced by Schumann's style generally, having been taught the piano by Schumann's friend Ernst Ferdinand Wenzel. Grieg's concerto provides evidence of his interest in Norwegian folk music; the opening flourish is based on the motif of a falling minor second followed by a falling major third, which is typical of the folk music of Grieg's native country. This specific motif occurs in other works by Grieg, including the String Quartet No. 1. In the last movement of the concerto, similarities to the halling (a Norwegian folk dance) and imitations of the Hardanger fiddle (the Norwegian folk fiddle) have been detected. The work was premiered by Edmund Neupert on April 3, 1869, in Copenhagen, with Holger Simon Paulli conducting. Some sources say that Grieg himself, an excellent pianist, was the intended soloist, but he was unable to attend the premiere owing to commitments with an orchestra in Christiania (now Oslo). Among those who did attend the premiere were the Danish composer Niels Gade and the Russian pianist Anton Rubinstein, who provided his piano for the occasion. Neupert was also the dedicatee of the second edition of the concerto (Rikard Nordraak was the original dedicatee), and James Huneker said that he composed the first movement cadenza. The Norwegian premiere in Christiania followed on August 7, 1869, and the piece was later heard in Germany in 1872 and England in 1874. At Grieg's visit to Franz Liszt in Rome in 1870, Liszt played the notes a prima vista (by sight) before an audience of musicians and gave very good comments on Grieg's work which would later influence him. The work was first published in Leipzig in 1872, but only after Johan Svendsen intervened on Grieg's behalf. The concerto is the first piano concerto ever recorded—by pianist Wilhelm Backhaus in 1909.[9] Due to the technology of the time, it was heavily abridged and ran only six minutes. Grieg revised the work at least seven times, usually in subtle ways, but the revisions amounted to over 300 differences from the original orchestration. In one of these revisions, he undid Liszt's suggestion to give the second theme of the first movement (as well as the first theme of the second) to the trumpet rather than to the cello. The final version of the concerto was completed only a few weeks before Grieg's death, and it is this version that has achieved worldwide popularity. The original 1868 version has been recorded, by Love Derwinger, with the Norrköping Symphony Orchestra under Junichi Hirokami.
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