Wiener Karlskirche Videos
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Anton Bruckner Abt Johann Joseph Fux Karlskirche Wien 1660 1698 1740 1741 1756 1791 1824 1842 1896 1970 2015 2019
Hochamt am 3. November 2019, Patrozinium St. Karl Borromäus - Karlskirche Wien. ZUR ERÖFFNUNG: (00´00) Ricardo Luna (*1970): „Fanfare der Karlskirche Wien“ op. 19 (2015) (05´47) KYRIE: Anton Bruckner +••.••(...)): Messe in C-Dur (1842) „Windhaager Messe“; Bearb. Kajetan Schmidinger, Joseph Messner, Ricardo Luna (07´43) GLORIA: Anton Bruckner: Messe in C-Dur RUF VOR DEM EVANGELIUM: (11´16) Ricardo Luna: „Halleluja-Patroziniums-Fanfare“ (2019) Feierliche Einsetzung einer RELIQUIE des SELIGEN KAISERS KARL VON ÖSTERREICH; KÖNIGS VON BÖHMEN, UNGARN und KROATIEN, durch den Hochmeister des Deutschen Ordens, Abt P. Frank Bayard (13´16) Johann Joseph Fux +••.••(...)): Suite in C-Dur, N 83 (Marche) (15´43) CREDO: Anton Bruckner: Messe in C-Dur (21´00) Anton Bruckner: Präludium in C-Dur - Graduale „Locus iste“ (25´43) SANCTUS-BENEDICTUS: Anton Bruckner: Messe in C-Dur (28´45) AGNUS DEI: Anton Bruckner: Messe in C-Dur (30´57) Wolfgang A. Mozart +••.••(...)): Ave verum corpus KV. 618 (33´57) Johann Joseph Fux* +••.••(...)): Suite in C-Dur, N 83 (Entrée) *Hofkompositor und Hofkapellmeister der Kaiser Leopold I, Joseph I, und Karl VI, von 1698 bis 1740 Ausführende: Davide Mariano, Orgel WIENER KLASSIK QUINTETT ENSEMBLE WIEDEN (Spiros Laskaridis, Wolfgang Mair, Trompeten; Adina Radu, Pauke) CHOR der KARLSKIRCHE WIEN Ricardo Luna, Dirigent (Kapellmeister und Kantor) Copyright: Ricardo Luna 2019 www.ricardo-luna.net (http•••) (http•••)
Franz Joseph Haydn Cappella Istropolitana Karlskirche 2021
Franz Joseph Haydn - Violin Concerto no. 1 in C Major Cadenzas by Aubree Oliverson Aubree Oliverson, violin František Macek, conductor Cappella Istropolitana 19.09.2021 - Karlskirche, Vienna Subscribe to VideoClassica (http•••) (http•••) #Haydn #violin
André Raison Karlskirche 1923 1930 1976 2005
The Mass is recorded at the E.F. Walcker organ from 1923 in St. Charles Church of Tallinn (Kaarli kirik, Karlskirche). This instrument is still the largest one in Estonia. The recording is taken from now historic series of LPs called "Eesti orelid" ("Organs of Estonia"). The plate no. 7 of the serie was released in 1976. Rolf Uusväli +••.••(...))
Georg Matthias Monn Jean Guihen Queyras Georg Christoph Wagenseil Josef Starzer Leopold Mozart Mozart Johann Sebastian Bach Johann Joseph Fux Joseph Haydn Arnold Schoenberg Pablo Casals Pré Freiburger Barockorchester Karlskirche 1717 1726 1750
GEORG MATTHIAS MONN +••.••(...)) Concerto for cello, strings and basso continuo in G minor 3. Allegro non tanto Performed by the Freiburger Barockorchester Featuring Jean-Guihen Queyras, cello Conducted by Petra Mullejans *Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music. Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later. We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old. Monn's brother Johann Christoph Mann (never Monn, 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn. The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation. Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point. The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was freely transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in D major has been recorded by Yo-Yo Ma and many other cellists. Schoenberg also wrote "continuo realizations" for several works by Monn, including a cello concerto in G minor, which was recorded by Jacqueline Du Pré.
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