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Moore Sutton Patterson Bateman Edmonds Drake Pierce Jameson Mock 2022
The regular season is almost here, and Joey P., DBro and The Oracle have come to tell you exactly who you NEED to draft through each of the first 15 rounds! Listen in as the analysts go toe-to-toe with each other, choosing their favorite value plays in every single round. Who do YOU need to target on draft day? The Pros will tell you! Which analyst chose the better team of must-haves? YOU DECIDE! / Timestamps: Introduction - 0:00:00 Round 1, Christian McCaffrey vs. Dalvin Cook – 0:02:52 Round 2, Aaron Jones vs. D’Andre Swift – 0:05:35 Round 3, Tee Higgins vs. A.J. Brown – 0:08:09 Round 4, DJ Moore vs. Mike Williams – 0:11:08 Round 5, Brandin Cooks vs. Courtland Sutton – 0:15:25 Round 6, Gabriel Davis vs. Jalen Hurts – 0:19:00 Round 7, Cordarrelle Patterson vs. Rashod Bateman – 0:22:05 Round 8, Brandon Aiyuk vs. Chase Edmonds – 0:25:37 Round 9, Trey Lance vs. Drake London – 0:29:17 Round 10, Brian Robinson Jr vs. Dameon Pierce – 0:32:40 Round 11, Cole Kmet vs. Russell Gage – 0:37:44 Round 12, George Pickens vs. Skyy Moore – 0:41:00 Round 13, Julio Jones vs. Rondale Moore – 0:45:40 Round 14, Jahan Dotson vs. Jalen Tolbert – 0:48:28 Round 15, David Njoku vs. Jameson Williams – 0:52:55 / Sponsors: OwnersBox - The NFL season is right around the corner, and OwnersBox is going bigger than ever this year! They just launched their $100k Sunday Smash contest for Week 1 and are giving every user a FREE $10 entry! OwnersBox Week 1 NFL daily fantasy contest offers a grand prize of $20,000 to the first-place winner and over $100K in total prizes. Head over to (http•••) to sign-up and claim your free entry! Miller Lite - Picking your fantasy team is a crapshoot, picking your beer isn't. Miller Lite. More taste. Only 96 calories. Order now at (http•••) AirMedCare - If a medical emergency arises, AirMedCare Network provides members with world-class emergency air transport services to the nearest hospital with NO out-of-pocket expenses. Visit (http•••) and use offer code FANTASYPROS to get up to a $50 Visa or Amazon gift card with a new membership. Fantasy Football Mock Draft Simulator - Practice for your draft with fast mocks against realistic opponents: (http•••) Win a Signed Davante Adams Jersey - Here’s your chance to score this signed Davante Adams jersey for free, courtesy of our friends at Pristine Auction: (http•••) / Subscribe: Apple Podcasts: (http•••) Google Play: (http•••) Spotify: (http•••) Stitcher: (http•••) Helpful Links: Perfect Draft Challenge: (http•••) 2022 Rankings: (http•••) Dynasty Rankings: (http•••) Dynasty Podcast: (http•••) FantasyPros Shop: (http•••) Follow Us! YouTube: (http•••) Twitter: (http•••) Facebook: (http•••) Instagram: (http•••) Discord: (http•••) TikTok: (http•••) @FantasyPros @NFL @BettingPros @Fantasy Flock Network @The Fantasy Footballers @The Fantasy Headliners @BDGE Media @Pro Football Focus @Fantasy Football Advice @Sal Vetri #fantasyfootball #top10 #sleepers #fantasypros #NFL #highupside #fantasyfootballadvice #fantasyfootballtips #mockdraft #fantasyfootballmockdraft #fantasy #nfl #2022fantasyfootball #widereceiver #widereceivers #fantasyrankings #runningback #runningbacks #musthave #podcast #busts
Charles Draper Spencer Dyke Tomlinson Patterson Brahms Yvonne Printemps Eulenburg Padding Schubert Kreisler 1401 1754 1926
MOZART: Clarinet Quintet in A major - (K. 581) Charles Draper (clarinet) Spencer Dyke Quartet: Spencer Dyke and Edwin Quaife (violins), Ernest Tomlinson (viola), B. Patterson Parker (‘cello) Released on National Gramophonic Society Records XX, YY, ZZ, AAA. Size: 12” Sides: 7; Speed: 80 rpm Manufactured by: Vocalion Matrices: NGS. 20, 21X / 22X, 23 / 24X, 25X / 26X, 28 Recording date: c. May to August 1926 Issue date: September 1926 Time Side - Title Record 0.05 No. 1 - Allegro XX 2:51 No. 2 - Allegro (concluded) XX 6:50 No. 3 - Larghetto YY 10:09 No. 4 - Larghetto (concluded) and Menuetto YY 14:01 No. 5 - Menuetto (concluded) ZZ 17:54 No. 6 - Allegretto con Variazioni ZZ 21:58 No. 7 - Allegretto con Variazioni (concluded) AAA The Gramophone, September 1926. National Gramophonic Society Notes Mozart. Clarinet Quintet in A major (K-V. No. 581) IT is difficult to imagine a more complete contrast than that afforded by a comparison of Mozart's A major with Brahms' B minor clarinet quintets. The happy, irresponsible feeling of the former is the very antithesis of the deeply thoughtful and profound tone of the latter work. As well compare Yvonne Printemps and Eleonora Duse! Such comparisons, however interesting, are not my present purpose; so, to Mozart's work without further ado. First Movement.-Allegro. Score (Eulenburg, 3s.): first side, page 3 to bottom of page 8. Second side, page 9 to page 18, end. The first subject of the quintet is pleasure to eye and ear in its lay-out, and its gradual descent through the scale. The clarinet entering, as it did in the Brahms, with an arpeggio, gives a little flourish of happy sound before the repetition of the first subject. The second subject is a most graceful tune for the first violin, chromatically treated immediately afterwards by the clarinet which imparts to it a tinge melancholy, soon, however, dispersed. Just before the double bar a reminiscence of the first subject appears in a coda-like manner. This section is now repeated. It must be confessed that the working out, which begins on side 2, is rather mechanical. After the semi-fugal passages near the start, the up-and-down arpeggi on clarinet and strings sound flat and barely escape the suspicion of padding. But interest returns with the recapitulation, in the course of which may be heard a delightful variant, for the clarinet, of the second subject. Notice also the beautiful rhythmic variety in the parts at the bottom of page 17. Second Movement.-Larghetto. Score: third side, page 19 to page 23, line 3, bar 1; fourth side, page 23, line 3, bar 2, to page 26, end. Third Movement.-Menuetto. Fourth side, page 27 to page 28,line 2. Fifth side, page 28, line 3 to end. Against a background of muted strings, as in Brahms again, the clarinet sings such tranquil phrases as Mozart, and Schubert, alone hold the secret of. A long duologue between clarinet and first violin, based on the second subject, forms the section of contrast. Jets of notes are tossed from one instrument to another, until the clarinet leads us back into the elysian fields of the first tune. This proceeds on its way just as before with the exception of some triplet passages near the close and a coda. There are two trios to the minuet, the first of which fulfils the true function of the trio-one of contrast-by giving us a rest from the voice of the clarinet. The latter takes his revenge by predominating in the second trio. The minuet is heard three times, an ordeal which its charm easily survives. Fourth Movement.-Allegretto con Variazioni. Sixth side. Score: page 34 to page 42, line 1, end. Seventh side, page 42, line 2, to end. The last movement, as in the case of the Brahms' work, is cast in the form of an air with variations. The perky little air is first elaborated by the clarinet (Variation 1), and then by the first violin with a triplet accompaniment (Variation 2). The third variation, in the minor key, is ingeniously contrived. After the sad wail of the violins the viola has a persistent sobbing figure to play, which is again heard at the end of the variation. This is not the grief of an adult, but of a child, whose toy has been broken! In case we have gone astray a bit, Mozart takes us by the hand again in the fourth variation; a clear reference to the theme with much chattering from the clarinet. An adagio and allegro (side 7) really forming variations 6 and 7 (but not so marked in the score) conclude the movement. (The following repeats are not observed: second half of air; second half of variations 1, 2, and 4.) The fine art of Charles Draper, Kreisler of clarinettists, together with the splendid support of the Spencer Dyke Quartet, make this recording a veritable treasure. The adagio from the DUET IN G FOR VIOLIN AND VIOLA by Mozart occupies the last (eighth) side. The tonal contrasts of the instruments are well exploited. The music is too clear to call for any analytical comment. N. P.
Odyssey Opera Gluck Patterson Jennifer Holloway Holloway Hite Gil Rose Suk
Featuring: Randall Scotting…Valentiniano Brenda Patterson…Ezio Jennifer Holloway…Fulvia William Hite…Massimo Jesse Darden…Varo Erica Petrocelli…Onoria Odyssey Opera Orchestra Conducted by Gil Rose Production Team Director: Joshua Major Costume Designer: Rachel Padula Shufelt Scenic Designer: Jian Jung Lighting Designer: Jeanette Oi-Suk Yew Video by Kathy Wittman | Ball Square Films Audio by Joel Gordon
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