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Debussy Ravel Bach Shostakovich Ramos Cayabyab Bautista Sims Montenegro 1830 1909 2021
Bedroom Concerto #1 2021, Dominic Laxamana. All rights reserved. In partial fulfillment of the requirements of MuP 196 Playing time: 47 minutes Bedroom Concerto #1 is a seven-movement opus for orchestra, granulated samples, and synthesized melodic and percussion instruments. It is a work that can be performed live in the concert hall, but due to limited resources accentuated by the Covid-19 lockdown, the recording for my graduation recital is created with MIDI programming and sampled playback. The accessibility of computer programs and recording equipment allows one to create his/her own cost-efficient large work created specifically for listening at home or on the go. The melodic weaving between synthesizer presets and orchestra is an extension of the impressionist orchestration innovated by Debussy and Ravel. Klangfarbenmelodie (tone-color melody) is also incorporated. Melodic synthesizers are assigned modulating timbres for smoothly shifting instrumentation via mod wheel automations. Regarding other elements of music, polyrhythms are used to create time-based textures. Chromaticism is employed for tonal obfuscation. The structure of the piece is a dialogue between musique concrète and a more familiar convention of orchestral music. A recurring motif, based on the pelog scale of the Indonesian gamelan, is heard throughout the whole opus in various transmutations. The theory of evolution serves as my narrative basis, with a specific focus on mankind’s struggle to live in harmony with nature. I. Prologue (02:17) The first movement prologue starts in the key of G# minor but the latter part is a musique concrète work created with the same orchestral renderings of the first part of the prologue, only to be cut, stretched, spliced, pitch-shifted, and filtered through various granular synthesizer effects (I used Hadron Granular Synthesizer). II. Sonata (06:45) Keeping with the tradition of symphonies and concertos (though not placed as the first movement), a sonata form in D# minor takes form as the second movement. III. Interlude 1 (18:30) The third movement, a concrète interlude, still utilizes the same orchestral samples as the prologue, but spliced and pitch shifted to anticipate motifs of the other movements (such as the subject of the succeeding fugue). The interlude ends with samples that are spliced to mimic the interlocking patterns of the Philippine gangsa commonly heard in the Cordillera highlands. IV. Fuga (23:56) The fourth movement is a fugue in C# minor. The contrapuntal basis for the fugue has a subject and three countersubjects. The four voices are spread across the performing groups. Instead of keeping a constant time signature like the fugues of Bach and Shostakovich, this fugue has shifting time signatures with callbacks to established motifs. The structure of the movement is one mise-en-scène exposition and eleven episodes of free counterpoint interjected with several codettas and strettos. V. Interlude 2 (34:16) The fifth movement, which is the second concrète interlude, is a recap of the primordial listening of the previous concrète sections after an exhibition of harmonies that humans have evolved to develop and appreciate. The inclusion of this interlude is a mere reflection of humanity being a synthesis of the past and present, whose future is determined by both its willpower and its uncontrollable probabilities. VI. Time Mandala (37:04) The sixth movement, Time Mandala, is chronologically the first conceived movement of the concerto. It is based on a derived pelog scale of the Indonesian gamelan and the idea had been expanded into the other orchestral movements. VII. Epilogue (48:16) The final movement is a concrète epilogue that features the whole orchestral recording of the prologue, albeit the recording being spliced and reversed, signifying the work has come full circle. Credits: Public domain clips provided by Pixabay.com Public domain photos of the cosmos by NASA Bob’s Electric Theatre (1909), dir. Segundo de Chomón Recital poster by Patricia Ramos Instagram: (http•••) Facebook: (http•••) Acknowledgements: UP College of Music, Diliman, Quezon City UP CMu College of the Office Secretary UP Conemus Prof. Josefino “Chino” Toledo Dr. Verne de la Peña Dr. Maria Christine Muyco Dr. Marie Jocelyn Marfil Prof. Mary Katherine Cabral Dr. Jonas Baes Dr. Beverly Shangkuan-Cheng Ms. Cristina Maria Cayabyab Kuya Jec Bautista Sims family Bongosia family Montenegro family Dr. Rodel Noreli E. Lorenzo Dr. Albert Magcalas Mang Fred’s MusiKolektibo Mga tambay sa gilid ng College of Music Last but not least, my family
► Single Track Studios & Sajjan Duhan Presenting New Punjabi Songs 2022 Bindrakhiya By Gurkaran Hans So Must Watch, Like, Share & Leave Your Valuable Comments. #LatestPunjabiSongs2022 #Trending #Bindrakhiya ► Subscribe To Our Channel For Upcoming Songs :- youtube link : (http•••) / Song Credits :- ☞ Title - Bindrakhiya ☞ Singer/ Lyrics - Gurkaran Hans @Gurkaranhxns_ ☞ Starring :- Gurkaran Hans, Megha Sharma, Money Romana, Sukh D, Vikk Cheema ☞ Composer - SYNC @Synworldwide1 ☞ Producer - Sajjan Duhan @Sajjanduhan ☞ Makeup - Navi Sidhu ☞ Editor - Monty ☞ Makeup - Navi Sidhu ☞ D.O.P - Ali Khan ☞ Post Production - Studio Moviedom ☞ Project - Jatinder Singh Sohal @jatindersingh_5 ☞ Poster - AM Art's @Amartss11 ☞ Director - Sukh D @iamsukhd ☞ Team Management - Tarun Rishi @tarun_rishi ☞ Digital Partner - Coin Digital ((http•••) ☞ Label - Single Track Studios / For Digital enquiries: Coin Digital Snapchat - (http•••) Youtube - (http•••) Facebook - (http•••) Instagram - (http•••) / ► Record Label - Single Track Studios ► Enjoy & Stay Connected with us ● Follow Us ON INSTAGRAM - (http•••) ● Follow Us ON FACEBOOK - (http•••)
Sheng Yee Zaidi Ming Ching Kee Fei Ling Lam Abdullah Koh Handy Dickson Foley
Synopsis: A young man, Richard is joining a national secondary school 400 metres race competition. He has to get the champion to get the opportunity to study abroad in order to make his father proud. Unfortunately, his father is fallen into a coma the day before the competition. He suffered great depression and he determined to win the competition, not just because he wants to get the scholarship to study abroad but to wake his father up from a coma. CASTS: RICHARD TAN CHZE PING RICHARD’S DAD CHUNG TECK HUA COMMENTATOR NEHEMIAH YAP JIA SHENG SPRINTER 001 ANTHONY SALEH NGAU SPRINTER 002 FEBVIAN BIN IDIUM SPRINTER 004 MARCUS YEE SUET YANN SPRINTER 005 ZULKARNAIN BIN MOHD. HARUN YOUNG RICHARD THEODORIC GOH QING EN YOUNG RICHARD’S DAD GOH TUO LUH AUDIENCE 1 MUHD. FARRIES WONG AUDIENCE 2 MUHD. SYAZWAN BIN SALIMEE AUDIENCE 3 MUHD. ZULHISYAM BIN MOHD. AUDIENCE 4 FAREED AMER BIN MOHD. ZAN AUDIENCE 5 DYG. SITI NURFARA ATIKA BT. ABG. AHENG AUDIENCE 6 NURAIDAHA BT. MOHD. ZAIDI AUDIENCE 7 NURUL AKMAL BINTI CHE HUSSIN AUDIENCE 8 MING YENG TING AUDIENCE 9 CHUNG HUI ZHEN AUDIENCE 10 SITI IZZATUL SYAHIRAH BT. KHAIRUDIN SHAH AUDIENCE 11 TEY JIA HONG AUDIENCE 12 CHAN CHING SIANG AUDIENCE 13 HERYANI SU AUDIENCE 14 SUET YEE AUDIENCE 15 CAMALLIA SAMUEL AUDIENCE 16 ARIFAH AZLI AUDIENCE 17 MOHD. HAFIZI BIN GAFARHADI AUDIENCE 18 SYAHWUR ASYIKIN KEE CHARLES AUDIENCE 19 LIEW YAO WANG AUDIENCE 20 NURUL HIKMAH BEGUM AUDIENCE 21 KEVIN SIA SIAN LOONG AUDIENCE 22 NURLINA BT. MUSA AUDIENCE 23 TING FEI XIA AUDIENCE 24 VIVIAN WONG YU YIN AUDIENCE 25 LING LEH SHIAN AUDIENCE 26 LEONG SIAO LAM AUDIENCE 27 HERALD NYUMBANG AK NYULIM PRODUCTION MANAGER BONG CHIN WOON SET DESIGNER NUR ASIKIN BT. ABDULLAH SANI DRONE PILOT MOHD. ISMAIL ‘PUTAT’ IBRAHIM POSTER DESIGNER CHAI KOH KHAI MOTORCYCLIST NUR IKMAR BIN SARBINI HANDY CAM OPERATOR NUR IKMAR BIN SARBINI OFFICIAL PHOTOGRAPHER BONG TED ONN GAFFER CHAI KOH KHAI/DICKSON NG FOLEY ARTIST CHAI KOH KHAI/DICKSON NG STORYBOARD ARTIST CHAI KOH KHAI MUSIC COMPOSER NEHEMIAH YAP DIRECTOR OF PHOTOGRAPHY CHAI KOH KHAI/DICKSON NG SPECIAL EFFECT CHAI KOH KHAI EDITOR CHAI KOH KHAI STORY/SCREENPLAY/PRODUCER/DIRECTOR DICKSON NG
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