Thomas Loud Videos
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- England, Vereinigte Staaten von Amerika
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2024-06-01
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Frédéric Chopin Gagliano Franz Liszt Staple 2020
FRÉDÉRIC CHOPIN Sonata No. 2 in B-flat minor, Op. 35 Avery Gagliano, piano Performed on Wednesday, February 5, 2020 Field Concert Hall, Curtis Institute of Music, Philadelphia Frédéric Chopin wrote his second piano sonata in his late twenties. Born in Poland, Chopin was a child prodigy, wrote primarily for solo piano, and built a solid reputation during his short life as a leading composer of the Romantic era. This sonata became a quick favorite among the public. Particularly, the “Marche funèbre” (“Funeral March”) instantly captivated audiences. Franz Liszt, a friend of Chopin, called it a movement “of such penetrating sweetness that we can scarcely deem it of this earth.” It was performed at Chopin’s funeral, and has also been a part of the funerals of Winston Churchill, John F. Kennedy, and Margaret Thatcher. The sonata immediately grabs attention in the its first movement (Grave) with slow, dramatic octaves, foreshadowing the weight of emotion to come. The movement quickly shifts into double time, introducing the first theme with a constant stream of notes. A serene second theme provides relief, and Chopin continues to develop this movement until it concludes with three very loud, fortississimo B-flat major chords. The Scherzo’s whirlwind of octaves, chromatics, and leaping chords gives way to sublime beauty in its middle section. The Funeral March, composed two years before the rest of the sonata, displays a dramatic character ranging from deep tragedy to heartbreaking beauty. The finale (Presto) ushers in a flurry of octaves, sweeping over the keyboard in a technical feat until the B-flat minor chord of its final destination. This sonata has long been a staple of the piano repertoire and is frequently performed in concert halls and piano competitions. Just this past month, Curtis student Avery Gagliano won first prize at the National Chopin Competition and, in preparation, performed this sonata as a part of the Curtis Student Recital Series. —Hannah Horine Learn more about this work: (http•••) #CurtisIsHere Have you been following Curtis Is Here? Take our short survey, make your voice heard, and help us make our music posts even better! (http•••)
This one wasn’t too frustrating to record! Might be a lil loud, sorry. Ravel actually intended for this to be sightread *laughs in worked on this for three weeks* From what I heard, the anti-trans Arkansas bill passed, overriding the governor’s surprising veto. It was a small victory followed by a great loss. I’m praying for trans youth in Arkansas right now. Stay safe. Recorded April 9th, 2021.
Swanson Ortiz Corsini Mueller Salazar Fried Napier Lockhart
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David McFerrin McFerrin Benjamin Britten 1893 1918 2021
"After the Blast" from Benjamin Britten's War Requiem with Brian Moll, piano Recorded at Futura Productions, Roslindale MA March 2021 Text: adapted from The End by Wilfred Owen +••.••(...)) After the blast of lightning from the east, The flourish of loud clouds, the Chariot throne, After the drums of time have rolled and ceased And from the bronze west long retreat is blown, Shall Life renew these bodies? Of a truth All death will he annul, all tears assuage? Fill these void veins of life again with youth And wash with an immortal water age? When I do ask white Age, he saith not so,— “My head hangs weighted with snow.” And when I hearken to the Earth she saith “My fiery heart sinks aching. It is death. Mine ancient scars shall not be glorified Nor my titanic tears the seas be dried.”
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- Zeitleiste: Komponisten (Europa).
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