Templar Saxe Videos
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Gedenken 2025 (Geburt: Templar Saxe)
- Vereinigtes Königreich, Vereinigtes Königreich Großbritannien und Irland
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2024-05-02
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Johann Bernhard Bach Bach Sassonia 1524 1676 1749
Brano per organo di J.B.Bach, cugino di secondo grado di Johann Sebastian, figlio e padre anch'egli di musicisti e clavicembalista di corte presso Giovanni Guglielmo di Sassonia-Eisenach all'inizio del XVIII secolo. Il corale si ispira ad uno dei primi inni di Martin Lutero, la cui melodia risaliva al 1524, chiamato a volte anche "l'inno del giudizio di Lutero". Score/Partitura: (http•••) A choral by J.B.Bach, second cousin to Johann Sebastian, son and father himself of musicians and cembalist at John William III, Duke of Saxe-Eisenach's court. The choral takes inspiration from one of the first hymns by Martin Luther, often referred to as "Luther's judgement hymn". Here's the translation of the text of the hymn: 1. Dear Christians, one and all rejoice, With exultation springing, And with united heart and voice And holy rapture singing, Proclaim the wonders God hath done, How his right arm the victory won; Right dearly it hath cost him. 2. Fast bound in Satan's chains I lay, Death brooded darkly o'er me; Sin was my torment night and day, Therein my mother bore me. Deeper and deeper still I fell, Life was become a living hell, So firmly sin possessed me. 3. My good works could avail me naught, For they with sin were stained; Free-will against God's judgment fought, And dead to good remained. Grief drove me to despair, and I Had nothing left me but to die, To hell I fast was sinking.
Bach Herbert Collum Prince Johann Ernst Saxe Weimar Frommer
1) Toccata and Fugue in D Minor, BWV 565 2) Organ Concerto No. 4 in C Major, BWV 595 (arr. of Concerto by Prince Johann Ernst of Saxe-Weimar) 3) Fantasia and Fugue in G Minor, BWV 542 4) Pastorale in F Major, BWV 590 5) Partita diverse sopra O Gott, du frommer Gott, BWV 767
Après l'aventure du film-covid "le Rêve de Monsieur Offenbach", Cécile Picault-Eck a tenu à rencontrer Daniella Coelho qui avait permis de réaliser avec ses jeunes élèves les masques fantastiques de ce spectacle. (http•••) Ici, la caméra s’invite dans l’atelier de Daniella, véritable passeuse de Lumière, dans un décor aux mille couleurs, (http•••) dans un univers musical intime avec Chahrazade Bel Air (http•••) et Little Saxe (Karine)
Johann Baptist Joseph Maximilian Reger Karl Straube Goode Healey Willan Bercken Saxe Meiningen Centennial Hall 1873 1901 1902 1907 1908 1911 1913 1914 1916
Key: E minor Dedication: Karl Straube The work is structured in three sections: the introduction, a passacaglia with 26 variations that build in intensity towards the double fugue. The organist David Goode wrote that the introduction begins with dense chromaticism and flourishing figuration. The passacaglia is based on a theme which uses eleven of the twelve notes of the chromatic scale. The 26 variations are grouped in the sections: a first, intensifying speed and texture, a second as a meditative centre, and a third, again intensifying towards the fugue. He notes Reger's "effective control of pace and excitement". The Canadian composer Healey Willan heard the work, played by his friend Dalton Baker. When Baker said "that such a work could only have been composed by a 'German philosophical mind'" Willan was challenged to write a composition of the same structure, completed in 1916. Reger composed the work in 1913. He wrote the organ piece with the intent for it to be performed for organ concerts, rather than for church services, called "in grand style". Reger composed the work on a commission for the opening celebrations of a new concert hall in Breslau, the Jahrhunderthalle (Centennial Hall). Reger revived organ concert music which had become unfashionable. Karl Straube was an organist and a friend, able to play technically difficult music, and to influence the composition (the markings for expression are believed to have been influenced by him). The first performance happened in Breslau on 24 September 1913, where Straube played. Johann Baptist Joseph Maximilian Reger, commonly known as Max Reger, was born in Germany in 1873. He started composing chamber music and lieder from a young age, then he became a concert pianist and a teacher and wrote for piano and organ. In 1901 he moved to Munich, where is fame started rising, and in 1902 he married Elsa von Bercken and was excommunicated from the Catholic Church, since she was a divorced Protestant. Thanks to his friendship with Karl Straube, he directed the Leipzig University Church and taught at the Royal Conservatory in Leipzig in 1907-1908. In 1911 he became Music director at the court of Georg II of Saxe-Meiningen - position he held until 1914, when he suffered a breakdown due to his problems there. He moved with the family to Jena, commuting once a week to Leipzig for teaching. Reger died of heart attack while in Leipzig in 1916. Performer: Ludger Lohmann Original audio: (http•••) Score: (http•••)
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