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Tarkhov Rozhdestvenskaya Vinogradov Lisovsky Taneyev Maschera Rubinstein Golitsyn Bolshoi 1890 1908 1918 1928 1936 1966
Dmitri Fyodorovich Tarkhov Tarkhov was born on March 30, 1890 in Penza in an engineer family (civil engineer). In 1908, after graduating from the Penza secondary school, Tarkhov entered the juridical department of Moscow University. Since his youth, he was fascinated singing (especially in dramatic tenor); therefore in parallel Tarkhov studied singing at the Moscow conservatory with V. M. Zarudnoï. During the fourth year, after making a final decision in favor of opera, he left the university. Dmitri Tarkhov made his debut in Saratov in 1918. Tarkhov sang in different theaters of Moscow (Narodnyï Dom, Svobodnaya Opera, Stanislavsky-Nemirovich- Danchenko) and other cities like Perm, Sverdlovsk +••.••(...)), Astrakhan, Saratov, and Baku during the next 20-30 years. Since 1936/7, Tarkhov sang mainly in Moscow. Tarkhov participated in operatic performances on the Moscow All-Union radio. Earlier weekly USSR radio performances acquainted the listeners with opera. Operatic performances were either transmitted from the Bolshoi, or were especially recorded for the radio. Therefore the radio had its own opera troupe, made of first-class singers, among them were N.Rozhdestvenskaya, G.Sakharova, V.Zakharov. Among the tenors were D.Tarkhov, G.Vinogradov, and later Lisovsky. Rarely heard operas were put on by the radio. D.Tarkhov sang in Oresteya by Taneyev, Manon Lescaut, The Legend of the invisible city of Kitezh and the maiden Fevronia, Askoldov's tomb by Verstovskiy, Oprichnik, Kamennnyï gost (Stone guest), Noch peryed Rozhdyestvom (Night before Christmas), Tosca, May night, Francheska da Rimini, Fidelio, la Gioconda, Un ballo in maschera, Kyltsa kalashnikova (by Rubinstein), .... His repertory included: Lensky, Sinodal, Gregori, Golitsyn, Radames, José, Alfredo, Duca, Canio, Berendaï, Prince, Vladimir Igoryevich, ... Tarkhov died on October 5, 1966 in Moscow. He is burried at the Novodevichy cemetery.
Popov Modest Mussorgsky Nicolai Ghiaurov Mikhailov Golitsyn Bodurov Nicola Ghiuselev Sharkova Petrov Dimitrov 1975
Khovanshchina by Modest Mussorgsky performed in Russian Conductor Atanas Margaritov - 1975(LI) Orchestra - Orchestra Chorus - Chorus Ivan Khovansky - Nicolai Ghiaurov Andrey Khovansky - Lyuben Mikhailov Vasily Golitsyn - Ljubomir Bodurov Shaklovity - Stoyan Popov Dosifey - Nicola Ghiuselev Marfa - Boika Kosseva Susanna - Nadia Sharkova Emma - Maria Dimchevska Kuzka - Verter Vrachovski Streshniev - Petar Petrov Varsonofiev - Dimiter Dimitrov
Bolshoi Theatre Opera Ballet Theatre Burden Joseph Starzer Volkonsky Mikhailov Golitsyn 1776 1780 1796 1802 1804 1805 1806 1808 1812 1819 1820 1822 1911
The Bolshoi Theatre began its life as the private theatre of the Moscow proseсutor Prince Pyotr Urusov. On 28 March 1776, Empress Catherine II signed and granted the Prince the 'privilege' of organizing theatre performances, masquerades, balls and other forms of entertainment for a period of ten years. It is from this date that Moscow's Bolshoi Theatre traces its history. At first, the Bolshoi Theatre's Opera and Dramatic Troupes formed a single company. Company members came from very diverse backgrounds – all the way from serf artists to guest stars from abroad. Moscow University and its gymnasium, both of which provided a good musical education, played a major role in the formation of the Opera and Drama Company. Theatre classes were organized at the Moscow Foundling Home which was also a source of recruits for the new Company. The organization of theatre performances and 'entertainments' involved a heavy financial burden and Prince Pyotr Urusov shared his 'privilege' with a business partner, the Russophile Englishman and theatrical entrepreneur Michael Maddox. The latter was also an equilibrist, theatre mechanic and 'lecturer', who demonstrated various types of optical equipment and other 'mechanical' marvels. The Theatre's first building was erected on the right bank of the River Neglinka. It stood on Petrovka Street, whence the Theatre derived its name Petrovsky (it was subsequently to be called the Old Petrovsky Theatre). The Theatre opened on 30 December 1780. The opening performance consisted of a solemn prologue The Wanderers written by Alexander Ablesimov and a big pantomime ballet The Magic School, produced by Leopold Paradis to music by Joseph Starzer. Later on the Theatre repertoire consisted for the most part of Russian and Italian comic operas with ballet interludes, and separate ballets. The Petrovsky Theatre, which was built in record quick time – less than six months, was the first public Theatre building of such size and beauty to be erected in Moscow. True, by the time the Theatre opened, Prince Urusov had already ceded his rights to his business partner and, in the future, the 'privilege' was renewed in the name of Maddox alone. However, the latter's expectations too were dashed. Constantly forced to request loans of the Government Loan Office (Board of Trustees), Maddox was steeped in debt. Added to which, the authorities' opinion – which to begin with had been very positive - of the quality of his entrepreneurial activities underwent radical change. In 1796, the lease of Maddox’s personal 'privilege' ran out and so both Theatre and its debts were transferred to the Government Loan Office. In 1802-03 the Theatre was farmed out to Prince M. Volkonsky, who owned one of Moscow's best private theatre companies. But in 1804, when the Theatre was transferred back to the Government Loan Office, Volkonsky was in effect appointed its salaried director. In 1805 it was decided to set up a theatre directorate in Moscow "along the lines" of the Directorate of Imperial Theatres in Petersburg. And in 1806 this project was realized and the Moscow Theatre acquired the status of imperial, coming under the joint Directorate of Imperial Theatres. In 1806 the Petrovsky Theatre School was reorganized into the Moscow Imperial Theatre College for the training of opera, ballet and theatre artists and theatre orchestra musicians (in 1911, it became the Moscow School of Ballet). In the autumn of 1805, the Petrovsky Theatre building burnt down. The Company began to appear with different private theatres and from 1808 at the new Arbat Theatre, designed by Carlo Rossi. During the 1812 war against Napoleon this wooden building also went up in flames. In 1819 a competition for designs for a new theatre was announced. It was won by Andrei Mikhailov, a professor at the Academy of Arts. His design, however, was declared to be too expensive. Therefore, the Governor of Moscow Dmitry Golitsyn commissioned architect Joseph Bové to alter it, which the latter did, considerably improving it in the process. In July 1820 work started on building the new theatre which was to become the central feature in the architectural composition of the projected (Theatre) square to be laid out in front of it and adjacent streets. The facade, decorated by a massive eight columned portico surmounted by a pediment on which stood a large sculptural group – Apollo in a chariot drawn by three horses, 'surveyed' Theatre Square which was under construction, greatly adding to the latter's beauty. In 1822-23 the Moscow theatres were removed from the joint Directorate of Imperial Theatres and handed over to the Moscow Governor General who was given the power to appoint the directors of the Moscow imperial theatres.
Modest Mussorgsky Rimsky Korsakov Golitsyn Evgeni Svetlanov 1975 1987
Modest Mussorgsky. Three Excerpts from the opera "Khovanshchina" Edited by N. Rimsky-Korsakov / Introduction "Sunrise over the Moskva River" Dance of the Persian Maidens (Act 4, Scene 1) Golitsyn's Departure (Act 4, Scene 2) / Academic Symphony Orchestra of the USSR Conductor - Evgeni Svetlanov USSR, Melodia (Aprelevka Record Plant), stereo, recorded 1975, edition 1987 / Support: PayPal - paypal.me/VynilReacords
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