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Nicola Zerola Verdi Rossetti Ruggero Leoncavallo Oscar Hammerstein I Hammerstein Mariette Mazarin Marguerite Alvarez Emma Trentini Giacomo Meyerbeer Maschera Henry Février Teatro Comunale Florence Teatro Comunale Bologna Philadelphia Opera House Scala Manhattan Opera Company Philadelphia Opera Philadelphia Opera Company Chicago Grand Opera Company Baltimore Opera Company Metropolitan Opera Philadelphia Grand Opera Company 1876 1898 1903 1907 1908 1909 1910 1911 1912 1920 1921 1928 1936
Nicola Zerola - Pagliaccio - Non Pagliaccio non son - Victor 74247 eenregistré le 10 mars 1911 Nicola Zerola (1876 – 21 July 1936) was an Italian operatic tenor who had an active international career from 1898-1928. He began his career in his native country, but was soon heard in concerts and operas internationally during the first years of the 20th century. In 1908 he relocated to the United States where he was active with important opera companies in New York, Chicago, and Philadelphia up into the late 1920s. In 1910 he recorded several selections from Verdi's Otello for the Victor Talking Machine Company. He also made 11 solo recordings and one duet for the Gramophone and Typewriter Company in 1910-1911 Born in Naples, Zerola began his career as a baritone and made his professional opera debut in 1898 at the Teatro Rossetti in Trieste as Tonio in Ruggero Leoncavallo's Pagliacci. This was soon followed by performances at the Teatro Comunale Florence and at other opera houses in the Italian provinces. He made his debut as a tenor in 1903 in the role of Canio in Pagliacci.[2] He soon after undertook performances in Belgium, Egypt, France, Spain, Holland, and South America.[2] In November 1908 he had a great success at the Teatro Comunale di Bologna as Radamès to the Aida of Lucia Crestani In 1907 Zerola traveled with a small touring company to the United States where he was lauded by critics and audiences. This led to his appointment to New York City's Manhattan Opera Company by Oscar Hammerstein I in 1908. He made his debut with the company in January 1909 at the Manhattan Opera House under conductor Giuseppe Sturani as Radames to the Aida of Mariette Mazarin and Amneris of Marguerite d'Alvarez. He remained there until the company went bankrupt in 1910; singing such roles as Manrico in Verdi's Il trovatore and the title role in Verdi's Otello. He also sang with Hammerstein's Philadelphia Opera Company in 1909-1910. He made his debut with that company as Canio in Pagliacci with Emma Trentini as Nedda at the Philadelphia Opera House on November 25, 1909. On 21 November 1910 Zerola sang Radames again for his debut with the Chicago Grand Opera Company with Jeanne Korolowicz as Aida. He actively performed with the company through May 1911 in performances in both Chicago and Philadelphia. His other roles with that company included Raoul de Nangis in Giacomo Meyerbeer's Les Huguenots, Manrico, and Otello. In January 1911 he opened the Baltimore Opera Company's new season as Radames. In 1911-1912 he was committed to the Royal Opera House in London where he performed the roles of Riccardo in Verdi's Un ballo in maschera, Canio, Manrico, Otello, Radames, and Raoul de Nangis. In 1920-1921 Zerola was heard at the Metropolitan Opera in New York City as Canio. and at the Philadelphia Grand Opera Company as Otello. He was also active with the Philadelphia La Scala Opera Company in the 1920s. In 1928 he sang the role of Prinzivalle in the New York premiere of Henry Février's Monna Vanna.[9] He died in New York City in 1936. Source: Wikipedia
Orville Harrold Puccini Oley Oscar Hammerstein I Hammerstein Victor Herbert Jack Harrold Metropolitan Opera 1878 1906 1910 1911 1912 1913 1916 1920 1922 1924 1933
ORVILLE HARROLD sings Rudolph's Narrative beautifully from Puccini's La Boheme, played on Dr. Walter Grace's Victor V talking machine at Limekiln (Oley Line, PA). The April 1920 Victor disc # 74624 was lent by Jim Shulman of the Philadelphia area. (From Wikipedia): Orville Harrold +••.••(...)) was an American operatic tenor and musical theatre actor. He began his career in 1906 as a performer in operettas in New York City, and was also seen during his early career in cabaret, musical theatre, and vaudeville performances. With the aid of Oscar Hammerstein I, he branched out into opera in 1910 as a leading tenor with Hammerstein's opera houses in New York City and Philadelphia. While his career from this point on primarily consisted of opera performances, he periodically returned to operetta and musical theatre throughout his career. He notably created the role of Captain Dick Warrington in the world premiere of Victor Herbert's operetta Naughty Marietta in November 1910. As an opera singer, Harrold specialized in the lyric tenor repertoire of the Italian and French languages. In 1911-1912 he performed with Hammerstein's opera house in London. From 1912-1922 he was one of the leading opera tenors in Chicago; performing with a variety of companies in that city. He spent the last 6 years of his opera career performing at the Metropolitan Opera in New York City; giving his last opera performance there in 1924. He continued to perform in vaudeville entertainments up into the late 1920s. He died in 1933 in Norwalk, Connecticut. His son Jack Harrold was a buffo tenor with the New York City Opera. Harrold made recordings for Edison Records, Columbia Records +••.••(...)) and the Victor Talking Machine Company +••.••(...)).
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