Masashi Ueda Videos
japanischer Fagottist und Dirigent
Gedenken 2024 (Geburt: Masashi Ueda)
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2024-05-21
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Gibson Edwards Siegel Hobson Gavin Gordon O Connor Connor Cary Bergman Olsen Ueda Mifune Mori Ekberg Egan Broderick Elwes Freeman Varney Potts Madsen Dreyfus Chiba Kuriyama 1925 1935 1946 1950 1960 1971 1989 1995 2003
25 Greatest Films From Each Decade Silent, 30s, 40s, 50s, 60s, 70s, 80s, 90s, 00s The selection process is based from the many notable audience polls, critic's polls, surveys and 'Best Films lists' that have been compiled in print publication and online media. The film's performance from major award-giving bodies (e.g. Oscars, Golden Globes), and the movie's Box Office sales both adjusted and unadjusted, were also taken into consideration. A specialized methodology was used to determine the results. Due to the source materials, majority of the selected films are from the United States, however, a significant number of foreign films were also included. PHANTOM OF THE OPERA, THE – 1925 dir. Rupert Julian Lon Chaney Mary Philbin Norman Kerry Arthur Edmund Carewe Gibson Gowland John St. Polis Snitz Edwards Virginia Pearson Bernard Siegel BRIDE OF FRANKENSTEIN - 1935 dir. James Whale Boris Karloff Academy Award nominee Elsa Lanchester Colin Clive Valerie Hobson Ernest Thesiger Gavin Gordon Douglas Walton Una O'Connor E. E. Clive Academy Award winner Walter Brennan NOTORIOUS - 1946 dir. Alfred Hitchcock Academy Award nominee Cary Grant Academy Award winner Ingrid Bergman Academy Award nominee Claude Rains Leopoldine Konstantin Academy Award nominee Louis Calhern Moroni Olsen Ricardo Costa Reinhold Schünzel Ivan Triesault Eberhard Krumschmidt RASHOMON - 1950 dir. Akira Kurosawa Takashi Shimura Minoru Chiaki Kichijiro Ueda Toshiro Mifune Machiko Kyō Masayuki Mori Noriko Honma Daisuke Katō LA DOLCE VITA - 1960 dir. Federico Fellini Academy Award nominee Marcello Mastroianni Anita Ekberg Academy Award nominee Anouk Aimée Yvonne Furneaux Magali Noël Alain Cuny Nadia Gray Lex Barker Valeria Ciangottini Walter Santesso FRENCH CONNECTION, THE - 1971 dir. William Friedkin Academy Award winner Gene Hackman Fernando Rey Academy Award nominee Roy Scheider Tony Lo Bianco Marcel Bozzuffi Frédéric de Pasquale Bill Hickman Eddie Egan André Ernotte Ann Rebbot GLORY - 1989 dir. Edward Zwick Matthew Broderick Academy Award winner Denzel Washington Cary Elwes Academy Award winner Morgan Freeman Cliff De Young Andre Braugher Jihmi Kennedy Alan North John Finn Academy Award nominee Jane Alexander TOY STORY - 1995 dir. John Lasseter Academy Award winner Tom Hanks Tim Allen Don Rickles Jim Varney Wallace Shawn John Ratzenberger Annie Potts John Morris Erik von Detten R. Lee Ermey KILL BILL VOL. 1 - 2003 dir. Quentin Tarantino Academy Award nominee Uma Thurman Lucy Liu Vivica A. Fox David Carradine Daryl Hanna Michael Madsen Julie Dreyfus Sonny Chiba Chiaki Kuriyama Gordon Liu
Chiang Wen Yeh Yeh Kō Koh Ueda Nagano Yoshie Fujiwara Yamada Kunihiko Hashimoto Alexander Tcherepnin Tcherepnin 1910 1923 1932 1933 1936 1938 1945 1966 1978 1983 1995
Score Maker/Music Chat Discord Server: (http•••) Original BiliBili Upload: (http•••) Composer: Jiang Wen-Ye +••.••(...) ) Chiang Wen-yeh or Jiang Wenye (Chinese: 江文也; pinyin: Jiāng Wényě, June 11, 1910 – October 24, 1983) was a Taiwanese composer, active mainly in Japan and later in China. While often known in the West by renditions of his Chinese name, the three Chinese characters that form his name are pronounced Kō Bunya (こう ぶんや) in Japanese, and thus he is also known as Koh Bunya in the West. In his compositions, which range from for piano to choral and orchestral works, he merged elements of traditional Chinese, Taiwanese, and Japanese music with modernist influences. Due to the political turmoil surrounding his life, he came to be largely forgotten during the latter part of his life. After his death, however, his work has started to gain new recognition in East Asia as well as in the West. Chiang was born in 1910 to Chinese parents in Tamsui, Taiwan – a Japanese territory at the time, and so his nationality was Japanese from birth. He is of Yongding, Fujian Hakka ancestry. In 1923, he went to Ueda, a small town in the prefecture of Nagano, Japan, to attend secondary school. He later proceeded to the Tokyo Engineering and Commerce Advanced School (presently Musashi Institute of Technology) where his major was electrical engineering. At the same time he also started to attend evening classes at the Tokyo Music School (today part of the Tokyo National University of Fine Arts and Music). Initially, he was active as a singer, and in 1932, discovered by his choir leader, he became a baritone singer for the Columbia Record Company. A few years later he would become a member of the Opera Company led by one of Japan's foremost opera singers, Yoshie Fujiwara. In 1933 he married his first wife, a Japanese woman. Around this time, he also started studying composition under prominent composers Kosaku Yamada and Kunihiko Hashimoto. Soon he started to earn laurels as a composer himself, and a breakthrough came in 1936 when he submitted the orchestral work Formosan Dance to the art competition of the Berlin Summer Olympics, which was honourably mentioned. Alexander Tcherepnin who was visiting China and Japan at the time recognized Chiang's talent and published his works in Europe, the United States, and China. In 1938, in the midst of the Second Sino-Japanese War, Chiang was appointed professor of musical arts at the Teacher's College in Beijing, which was then under Japanese control. The Japanese government considered him a valuable tool to gain the appeal of the general public of both nations. In the ensuing years, he commuted between Beijing and Tokyo, where his family still resided. During this time, he was one of the most frequently played composers in Japan. However, that was to change as the Japanese surrender in 1945 deprived him of his Japanese nationality; he became a composer of the People's Republic of China, and his name soon vanished from the Japanese music scene. In Communist China, Chiang's cultural and political bonds to Japan and his aesthetic affinity with European modernism led him to be regarded as a traitor and a bourgeois. In order not to be expunged he was forced to recast his style of composition to comply with the more moderate taste of the government party. Events such as the Anti-Rightist Movement in the 1950s and early 1960s, and the Cultural Revolution in 1966 made him a political target. Some of his compositions, including three symphonies with opus numbers, seem to have disappeared in the midst of these charges. In 1978 his honor was finally restored. By that time, however, he was afflicted with disease, and he died in Beijing in 1983. Piano Trio "In Taiwan's Highlands" ( 1995 ) This piano trio has 6 parts, played without interruption: I. Prelude: Largo maestoso - II. Pastoral: Andante pastorale - III. Bonfire: Allegro vivace con fuoco - IV. Folk duet: Andante sostenuto (quasi andante) - V. Children's Dance: Allegro giocoso - VI. Weeding: Allegro feroce, e ben ritmico The recording is suboptimal but it is what it is. Instrumentation Piano, Violin 7 Cello Performer: Unknown The music published in my channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be my care to immediately remove the video accordingly. Your collaboration will be appreciated.
Smirnov Matsuo Rus Tzu Ueda Hayes Firsova Nani 1680 1684 1686 1689 1690 2003 2009
6 February 2009 Premiere performance Dream Journey op140 2003-4 (17 Haiku by Matsuo Basho). For voice, flute clarinet, violin, cello and piano 40'. Texts by Matsuo Bashō (Jap/Rus/Eng). FP: 6 Febr 2009, Duke’s Hall, RAM, London, Erika Colon, soprano, Tzu Kao, flute, Lucy Downer, clarinet, Lisa Ueda, violin, Jessica Hayes, cello, Alissa Firsova, piano, Ian Anderson, conductor. Publ: MP Мацуо Басё /Matsuo Bashô ГРЁЗЫ СКИТАНИЙ 夢は枯野を YUME WA KARENO WO DREAM JOURNEY Перевод с японского Дмитрия Смирнова Часть I/ Part I 1 古池や 蛙飛こむ 水のをと (1686) ふるいけや かはづとびこむ みづのをと [HK] Furuike ya kawazu tobikomu mizu no oto Старый-старый пруд; прыгнула лягушка вглубь – одинокий всплеск. At the ancient pond look: a little frog jumps in – just a gentle splash… (1686) 2. 頓て死ぬ けしきは見えず 蝉の聲 (1690) やがてしぬ けしきはみえず せみのこゑ [HK] Yagate shinu keshiki wa miezu semi no koe Как их жизнь кратка! Хоть казалось – нет конца стрёкоту цикад... Soon they have to die, but there is no sign of it in cicadas’ cries. (1690) 3. 蜘何と 音をなにと鳴 秋の風 (1680) くもなんと ねをなにとなく あきのかぜ [HK] Kumo nan to ne wo nani to naku aki no kaze Не пойму, паук, что ты хочешь мне сказать – ветер так шумит! Spider, say again! It’s so hard to hear your voice in the autumn wind. (1680) 4. 行はるや 鳥啼うをの 目は泪 (1689) ゆくはるや とりなきうをの めはなみだ [HK] Yuku haru ya tori naki uo no me wa namida Кончилась весна плачут птицы в небесах, рыбы слёзы льют... Spring comes to an end birds are crying in the skies fish eyes are in tears… (1689) 5. 海くれて 鴨のこゑ ほのかに白し (1684) うみくれて かものこゑ ほのかにしろし [HK] Umi kurete kamo no koe honokani shiroshi (5-5-7) Меркнет океан – лишь утиный крик тускло светит в небесах… Ocean waves are dark, only calls of ducks faintly lighten in the sky… (1684)
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