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2024-05-01
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Carl Friedrich Abel Robert Rønnes Christian Ferdinand Abel Johann Sebastian Bach Johann Adolph Hasse Merlin Johann Christian Bach Haydn Theresa Cornelys Wolfgang Amadeus Mozart 1723 1725 1748 1758 1759 1762 1764 1765 1775 1782 1785 1787 2013
+••.••(...)) Carl Friedrich Abel: Sonata in e minor for Bassoon and Harp. (Original for Viola Da Gamba) Arranged and performed for Bassoon and Mac Playback Harp by Robert Rønnes, 1st June 2013. / About the composer: ( From Wikipedia) Carl Friedrich Abel (22 December 1723 / 20 June 1787)[1] was a German composer of the Classical era. (The Chambers Biographical Dictionary gives his year of birth erroneusly as 1725.)[2] He was a renown player of the viola da gamba, and composed important music for that instrument. Abel was born in Köthen, the son of Christian Ferdinand Abel, the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomaschule, where he was taught by Bach. On Bach's recommendation in 1748 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for ten years. In 1759 (or 1758 according to Chambers),he went to England and became chamber-musician to Queen Charlotte. He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin. In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart—evidently for study purposes—while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7.
Owens Gershwin Pasquier Flückiger Ricci Rolle Prinz Utah Opera Teatro Grattacielo Victoria State Opera English National Opera National Opera Studio New Israeli Opera Metropolitan Opera 2008 2012 2014 2015 2016 2018 2021
(http•••) "Lieder & Worte" Shea Owens - Bariton Claire Pasquier - Fazioli 278 Matthias Flückiger - Moderation 15. Mai 2021 bei opus278 - die Konzerte mit dem Fazioli Klang : (http•••) SHEA OWENS - Biographie Shea Owens begann seine Karriere als Young Artist an der Utah Opera von 2012 bis 2014. In der Saison 2015/16 folgten Engagements u.a. als Cascada in Die lustige Witwe an der Utah Opera und als Colonel Ricci in Stephen Sondheims Musical Passion am Théâtre du Châtelet in Paris. Seit 2016 ist er regelmässig an der Wolf Trap Opera aufgetreten, u.a. als Junius in The Rape of Lucretia und in der Titelrolle von John Mustos Bastianello. In der Saison 2016/17 war er als Kynaston in Carlisle Floyds The Prince of Players (Little Opera Theatre of New York), als Egisto in Vittorio Gnecchis Cassandra (Teatro Grattacielo in New York) sowie als Marcello in La bohème am Gran Théâtre de Genève zu erleben. Mit dieser Rolle gab er auch sein Debüt am Theater St.Gallen, wo er seit der Spielzeit 2018/19 Ensemblemitglied ist und u.a. als Belcore (L’elisir d’amore) und Prinz Iwan (Der unsterbliche Kaschtschei) aufgetreten ist. www.sheaowens.com CLAIRE PASQUIER- Biographie Claire Pasquier ist seit über 20 Jahren als Musikerin erfolgreich tätig. Sie tritt solistisch als Pianistin auf, und war Preisträgerin verschiedener Kammermusik Wettbewerbe. Als Korrepetitoren genoss Sie Engagements an der Victoria State Opera in Melbourne, am English National Opera Studio und am Royal Opera House in London, an der English National Opera in Glyndebourne bei der Pariser Fondation Royaumont, beim Israeli Vocal Arts Institute Tel Aviv in Zusammenarbeit mit der New Israeli Opera und der Metropolitan Opera New York, am Theater St.Gallen und bei den Bregenzer Festspielen.Heute arbeitet Claire Pasquier europaweit als freischaffende Pianistin und Begleiterin mit verschiedenen Ensembles und Sängern zusammen, u. a. mit dem Sinfonieorchester St. Gallen, den Wiener Symphonikern und den Musik Kollegium Wintherthur. In 2008 hat sie die Künstleragentur für private Anlässe und Konzerte“Absolutely Classical“ gegründet die sie finden können unter www.absolutelyclassical.ch.
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