Justino Diaz Videos
Letzte Aktualisierung
2024-06-15
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Michael Brown Rosenfeld 1500 1719 1912 1949 2006 2008 2014 2018
This is a conversation between Shamika Klassen and host, Johannes Castner, about Shamika's original concept Techno Womanism, what influenced her to create the concept and many other related ideas, such as identity. Shamika's paper on Techno womanism can be downloaded here: (http•••) Here is her paper, with Dr. Xeturah Woodley: (http•••) In our discussion we referred to a number of people and books: (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••)ign/PDF/speculative-everything.pdf (http•••) 00:00 Techno Womanism 00:00 theme song (written, performed and mixed by Neal Rosenfeld, sang by Jennifer Youngs) 00:35 welcoming message 00:47 introducing Shamika Klassen 02:04 introduction to Techno Womanism 02:30 what is Womanism 03:48 the three waves of Womanism 04:53 how Shamika came to create Techno-Womanism 08:02 Liberation Theology 10:06 theology and ethics 11:12 the tenets of Techno-Womanism 15:00 biases and the need for intersectionality 17:19 Foucault's critique of human categories as domination 19:12 is removing categories cultural erasure? 19:49 can AGI (Artificial General Intelligence) force us to rethink our identites as humans? 20:48 where does identity come from? 21:51 human identity after the white supremacist system falls 31:57 technological perpetuation of the white suprimacist system 32:59 biases and blind justice, the case of recidivism 41:47 technologists must understand whom they are building things for 43:58 what does scaling mean for diversity; is Techno Womanism a global concept? 45:03 the need to teach humanities alongside computer science 45:46 the Black Mirror Writer's Room exercise 46:33 Speculative Design 49:24 the ethical dimension of Speculative Design 52:18 Augmented Intelligence 55:19 who is and who will be in the driver's seat, AI, corporate leaders, or most of us? 58:33 user experience research to bring marginalized peoples into the process of building the future 59:44 how to keep up with Shamika's work 01:00:30 call to keep the conversation going 01:00:50 what's next on the show
Orquesta Filarmónica Gran Canaria Günther Herbig Morales 2016
Orquesta Filarmónica de Gran Canaria Conductor: Günther Herbig Composer: Gonzalo Díaz Yerro Freely inspired by poems by Tomás Morales. Commissioned by Fundación SGAE and AEOS. Premiere: 30.09.2016 Tonmeister: Antonio Miranda Video: Jesús Pérez Movements: I- Sobre el sonoro Atlántico: (http•••) II- Lo nfinito del agua y el infinito aéreo: (http•••) III-Era el mar siencioso: (http•••) IV-Como un cristal inmenso: (http•••) V-En el confín perdido: (http•••)
Marin Marais Jordi Savall Pierre Hantaï Philippe Pierlot Pierlot Rolf Lislevand Latorre 1717 2006
Provided to YouTube by The Orchard Enterprises La Reveuse, IV.82 (Marais) · Jordi Savall · Pierre Hantaï · Philippe Pierlot · Rolf Lislevand · Xavier Díaz-Latorre · Andrew Lawrence-King · Pedro Estevan Marin Marais: Suite D'Un Goût Etranger / Pièces De Viole Du IV Livre, 1717 ℗ 2006 Alia Vox Released on: 2006-01-01 Auto-generated by YouTube.
Tchaikovsky Ferrando Casa Música 2016 2019
Juan Amadeo Composición poético-musical "El Minnesang de Viena" (2016) Partes 5 y 6 (after Mozart's Piano Fantasia and Tchaikovsky's Quartet 'Night') Maria Diana Molchanova, soprano Miroslava Gúseva, mezzo-soprano Christian Lindsey, tenor Radomir Zavalin, tenor Miguel Ferrando, bajo Grupo CANTORES DE MINNÉ Clarinete - Maria Diaz Director - Teo Leónov. Auditorio Casa de la música Las Cigarreras, Alicante, 20-04-2019
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- Zeitleiste: Lyrische Sänger (Nordamerika).
- Indizes (in alphabetischer Reihenfolge): D...