Joseph Paul Skelly Videos
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Marga Richter William Bergsma Vincent Persichetti Rosalyn Tureck Fischer Skelly 1885 1926 1945 1951 1956 1971 1972 2011 2012 2020
Marga Richter +••.••(...)) Ode to the Grand Canyon for solo oboe (2011) William Wielgus, oboe Lockdown recording, February 12, 2020 Marga Richter was born in Reedsburg, Wisconsin, the daughter of the American soprano Inez Chandler (1885–1956) and a German army captain, Paul Richter. She studied piano at the MacPhail School of Music in Minneapolis with Irene Hellner and with Helena Morsztyn in New York. She entered the Juilliard School of Music in 1945 and studied composition with William Bergsma and Vincent Persichetti and piano with Rosalyn Tureck, graduating with a BS and then MS degree in 1951. After completing her studies, she taught music appreciation at Nassau Community College from 1971–72, and later began working as a composer full-time. Richter composed several works for the Harkness Ballet in the early 1950s. Her music was also performed, recorded, and produced on numerous albums by MGM recordings at this time. During the 1970s, two of Richter's Large-scale orchestral works Landscapes of the Mind I and Blackberry Vines and Winter Fruit received significant performances, and she received a publishing contract from Carl Fischer. During the 1980s, Richter composed vocal and choral music in addition to symphonic and chamber works. Richter's only opera Riders to the Sea was composed in the 1990s. Deeply connected to those in her personal world, Richter composed works to honor various individuals important to her, such as Lament for her mother, Threnody for her father, and numerous others. Richter co-founded the Long Island Composers Alliance in 1972 with Herbert Deutsch and served as its co-director, president and vice-president. Richter has a son, pianist Michael Skelly and a daughter who is a nurse. A full-length biography of Richter was published in 2012 by the University of Illinois Press as part of their series on Women Composers. She died on June 25, 2020 at Barnegat, New Jersey. Marga Richter's musical style emphasizes chromaticism, a free use of dissonance, ostinatos, layering, rhythmic excitement, and dramatic pacing. She favored much use of seconds and sevenths. Her music often draws upon American, Irish, and Asian sources for inspiration. While she taught only a handful of students, she inspired many later women composers, including composer Dianne Goolkasian Rahbee. Richter is noted for being one of the few women composers from her time who composed music for large-scale forces: orchestra, ballet, and ensembles. She composed one opera, Riders to the Sea. Source: Wikipedia
Jacobs Nat Hicks Shakespeare McCormack Laing Ingram Moss Singleton Bentley Skelly Craven Hammond
00:00 I. Someone Like Him // 08:15 II. Medicate Me // 11:47 III. Full Circle // 17:58 IV. Intervals // 19:20 V. Razor's Edge Original song by Dream Theater Recorded, Filmed and Mixed at the Institute of Sound Recording, University of Surrey, as part of the Tonmeister Course. This video has been completed by all involved without any funding, purely with the end goal of creating a cover of a song we all enjoy, to the highest quality we can. // Production Crew // Video Director - Andy Land Mix Engineer - Andy Pearce Session Audio Engineer - Oli Jacobs Session Audio Engineer - Nat Mason Audio Editor - Andy Pearce Audio Editor - Nat Mason Mastering Engineer - Andy Pearce Director of Photography - Andy Land Assistant Cameraman - Wes Hicks Assistant Cameraman - Oliver Bowring Assistant Cameraman - Jonjo Keefe Audio Producer - Andy Pearce Orchestration - Tom Kilworth Additional Synthesiser Production - Ru Kojo Lemer Additional Synthesiser Production - Dan Tarbuck Vocal Coach - Tim Pennells Graphic Design and Visual Effects - Andy Land // Band // Vocals - James Martin Backing Vocals - Finlay Shakespeare Backing Vocals - Cain McCormack Electric Guitars - Andy Pearce Acoustic Guitars - Cain McCormack Synthesisers - Finlay Shakespeare Piano & Synthesisers - Stefano Civetta Additional Synthesisers - Dan Tarbuck Bass Guitar - Adam Porter Drums - Charles Bines Lap Steel - George Godwin Flute Solo - Lizzie Ng // Orchestra // Conductor - Tom Kilworth 1st Violins - Faye Cullen (Leader) - Kye Voce - Ellie Newey 2nd Violins - Kim Bourlet - Christina Laing - Michael Land Violas - Owen Ralph - Noemi Foski Cellos - Oliver Roberts - Hannah Whitmore - Matt Ingram Double Bass - Dan Bryant Piccolo & Flute - Abi Munson Flute - Lizzie Ng Oboes - Willow Swiatek - Clemmie Curd Clarinets - Alice Hunter - Lawrence Moss - Lawrence Singleton Bassoons - Tom Moss - Jack Wensley French Horns - Grant Bentley - Catherine Thomas Trumpets - Seb Skelly - Sam Williams - Rhys Nord Trombones - Robert Craven - Nick Smith Tubas - Hazel Boxall - James Lackovic Percussion - Sam Max - Dan Marks - Richard Hammond - Stefano Civetta Please subscribe for more videos! I'm always working on new projects! Follow me for updates on future projects: Facebook: (http•••)
Mule Hartman Skelly 1922 1928 1938 1942 1967
With the discovery of oil in what would become known as the Burbank Field, oil companies rushed to the area, anxious to establish leases and begin drilling. Other than a few existing small towns, little infrastructure existed in the area. The pay was good and people flocked to the area, but living was primative, roads were non existent, and housing was nowhere to be found. Many of the oil companies hastily constructed camps for their workers. At first, many of the camps were little more than tent cities and clap board one room shacks. The shacks were describes as boiing in the summer and freezing in the winter. There were so many gaps in the construction, that snow would often drift into the room. As the field matured, better homes were built. Two room row houses of better quality were constructed, along with roads. The Carter Oil Company had initially wanted to build it's camp at the town of Burbank, but the cost was to high, so it decided to construct its camp on section nine of it's lease, hence the name, Carter Nine. The camp was originally constructed in 1922 and consisted of a fenced and gated area for its workers. Inside the gated area of the camp were as many as 50 company houses built for contractors, tank builders, mule skinners — men who drove the freighters and other equipment pulled by mule — and extra labor force. Originally there were two rows of homes, with a third added later. At least another 50 private homes were built outside the main camp. The camp had a post office, large general store, service station, company offices and a large naphtha plant operated nearby. AT&SF railway constructed a spur line to serve the refineries at Carter Nine and Denoya. As the population grew, Carter nine was large enough to be incorporated as a town. The postal service officially opened a post office on August 14th, 1928. The Carter Oil Company sponsored a 12-year school which excelled in sports and academic competition including basketball, track and tennis. Children from the smaller camps as well as from area farms and ranches also attended school at Carter Nine. In 1938, The Shidler Review described the rows of Carter Nine cottages as being "modern in all respects and the camp presents a most attractive appearance." "Here is located a most excellent school embodying the grades and high school. The faculty consists of eight teachers, each with college or university degree. James H. Dial is now entering upon his seventh year as superintendent of the school and Glen F. Hartman his seventh year as principal. The school is doing good work and would be a credit to most any town or community," stated The Shidler Review. Despite the above reviews, the oil field was in a steady decline and the glory days were over. Skelly was now operating the plant at Carter Nine, and the spur rail line was abandoned. The high school was annexed by nearby Shidler in 1942 and from a high af approximately 500 homes in the area, it had dropped to less than 50. As oil production continued to decline, the plant was finally closed in the mid 1950s, with production transferring to nearby LEP. At the time it was dismantled, 39 houses remained in the area, though today, nothing remains. Strangely, the post office lingered, officially closing in 1967. Equally strange is that Carter Nine still shows up on maps, though the town nor refinery still exist, other than chunks of concrete and sidewalk hidden in the grass and trees of the prairie. Thanks to Mary Jane Lindaman for sharing her family photos of Carter Nine!
This is DavidsTV's Huge 82 Animatronic Collection! We just wanted to share how much our collection of Spirit Halloween Animatronics and Halloween Express Animatronics and animated Halloween props has grown. Jagger and Dylan just love to play with all of the Halloween props. Jagger loves to set them up and run around and play with them and talk to them. We aim to make the Halloween Zombies, Ghosts, Reapers, and other monsters kid friendly! We create family friendly Halloween content and make light of Zombies, Witches, Animated Props and creatures. Jagger is only 5 and he just loves to collect and play with all the Spirit Halloween & Halloween Express, and Tekky Toys Halloween animatronics and Halloween animated props. We buy most of our stuff from either Spirit Halloween or Halloween Express. We can't wait to show you what sort of Halloween Decor, animated props and animatronics come out for 2016. The Spirit Halloween Giant Werewolf and the Halloween Express Ghost Trio unboxing are coming next! We also love the Gemmy animated props. Halloween Animatronics Playlist (http•••) Here is a playlist of our popular Halloween Videos: (http•••) Lil Skelly Bones (http•••) Ghost Trio (http•••) Sitting Scarecrow (http•••) Spirit Local Tour (http•••) Spirit Halloween Flagship Store Tour (http•••) 2016 Animated Props and Fun Moments (http•••) Here are some other Halloween Animatronic Videos you might enjoy: Lurching Werewolf Man (http•••) Zombie Horde: (http•••) Jagger gets the Crawling Zombie (http•••) Our Collection Grows Again (http•••) Our Collection So Far: (http•••)
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