Jewgeni Alexandrowitsch Mrawinski Videos
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Yevgeny Aleksandrovich Mravinsky Shostakovich Yevgeniya Mravina Tchaikovsky Schubert Brahms Lugansky Mariinsky Theatre Bolshoi Royal Festival Hall 1903 1918 1923 1929 1931 1938 1946 1956 1960 1973 1984 1987 1988
Yevgeny Aleksandrovich Mravinsky (Russian: Евге́ний Алекса́ндрович Мрави́нский) (4 June [O.S. 22 May] 1903 / 19 January 1988) was a Soviet-Russian conductor. Mravinsky was born in Saint Petersburg. The soprano Yevgeniya Mravina was his aunt. His father died in 1918, and in that same year, he began to work backstage at the Mariinsky Theatre. He first studied biology at the university in Leningrad, before going to the Leningrad Conservatory to study music. He served as a ballet repetiteur from 1923 to 1931. His first public conducting appearance was in 1929. Through the 1930s he conducted at the Kirov Ballet and Bolshoi Opera. In September 1938, he won the All-Union Conductors Competition in Moscow. In October 1938, Mravinsky took up the post that he was to hold until 1988: principal conductor of the Leningrad Philharmonic Orchestra, with whom he had made his debut as a conductor in 1931. Under Mravinsky, the Leningrad Philharmonic gained a legendary reputation, particularly in Russian music such as Tchaikovsky and Shostakovich. During World War II, Mravinsky and the orchestra were evacuated to Siberia. But members of the Leningrad Philharmonic's reserve orchestra and the Leningrad Radio Orchestra were left behind in the siege of Leningrad, so it fell to Karl Eliasberg to conduct the surviving musicians in the Leningrad premiere of the Symphony No.7 "Leningrad" by Shostakovich. Mravinsky first went on tour abroad in 1946, including performances in Finland and in Czechoslovakia (at the Prague Spring Festival). Later tours with orchestra included a June 1956 itinerary to West Germany, East Germany, Austria and Switzerland. Their only tour to Great Britain was in September 1960 to the Edinburgh Festival and the Royal Festival Hall, London. Their first tour to Japan was in May 1973. Their last foreign tour was in 1984, to West Germany. His last concert was on 6 March 1987 (Schubert, Symphony No. 8, and Brahms, Symphony No. 4). Mravinsky died in Leningrad in 1988, aged 84. Recordings reveal Mravinsky to have an extraordinary technical control over the orchestra, especially over dynamics. He was also a very exciting conductor, frequently changing tempo in order to heighten the musical effect for which he was striving, often making prominent use of brass instrumentation. Surviving videos show that Mravinsky had a sober appearance at the podium, making simple but very clear gestures, often without a baton. The critic David Fanning has memorably described some of Mravinsky's Tchaikovsky performances: 'The Leningrad Philharmonic play like a wild stallion, only just held in check by the willpower of its master. Every smallest movement is placed with fierce pride; at any moment it may break into such a frenzied gallop that you hardly know whether to feel exhilarated or terrified'.... (http•••) A link to this wonderful artists personal Website: (http•••) Please Enjoy! I send my kind and warm regards,
Alexander Gauk Beethoven Mravinsky 2006
Provided to YouTube by The Orchard Enterprises I Allegro con brio · Alexander Gauk · Ludwig van Beethoven · USSR State Radio and Television Symphony Orchestra Gauk vs. Mravinsky: Two Takes On Beethoven's Fifth ℗ 2006 Pipeline Music Released on: 2006-11-30 Auto-generated by YouTube.
Franz Liszt Alexander Gauk Berlioz Schuller Svetlanov Mravinsky 1828 1857 1954
Franz Liszt A Faust Symphony S.108 (In Three Character Pictures) Original Version 1. Faust (00:08) 2. Gretchen (25:06) 3. Mephistopheles (41:28) Alexander Gauk, conductor Grand Symphony Orchestra Recorded Live on April 24, 1954 Franz Liszt was quite immersed in Goethe's drama of "Faust" since he was first introduced to it by Berlioz in an 1828 French translation. Originally scored for orchestra, it premiered in Weimar with the composer conducting, on September 5, 1857 for a presentation of a monument to Goethe and Schuller. Liszt would later expand the scoring by adding a tenor, Male Choir, and pipe organ. Liszt dedicated the work to Berlioz. The music has three sections, and may best be described as a Symphony in name only, as it employed a wide range of formal elements to create the portraits he intended. In "Mephistopheles", he introduced some of his most significant music with regards to atonalism, of which he was one of the earliest advocates. This is one of the fastest performances of the work ever recorded, and the pace is often blistering. most performances of this symphony average around an hour and fifteen minutes. Gauk's comes in at less than 58 minutes. The teacher of some of the greatest conductors of the Soviet Era, Gauk's pupils included such giants of the podium as Svetlanov and Mravinsky He leaves a rich legacy of recordings to prosperity, although most are currently out of print. The first thing that one notices about his conducting is the impeccable quality of his orchestral sound. He is often considered to be the one of the greatest orchestra builders that Russia ever produced, and his influence on Russian music in performance can still be felt today.
Pyotr Ilyich Tchaikovsky Yevgeny Mravinsky Furtwängler Sviatoslav Richter Con Anima 1840 1844 1893 1960
Pyotr Ilyich Tchaikovsky +••.••(...)) Symphonies n°4,5,6 Pathetique by Yevgeny Mravinsky. Listen to our latest mastering update: (http•••) Qobuz (http•••) Tidal (http•••) Spotify (http•••) Youtube Music (http•••) Apple Music (http•••) Amazon Music (http•••) Deezer (http•••) Soundcloud (http•••) Napster (http•••) Awa日本 (http•••) LineMusic日本 (http•••) QQ音乐 (http•••) *Click to activate the English subtitles for the presentation* (00:00-06:15) Symphony #4 In F Minor, Op. 36 1. Andante Sostenuto, Moderato Con Anima (00:00) 2. Andantino In Modo Di Canzona (18:44) 3. Scherzo_ Pizzicato Ostinato, Allegro (28:02) 4. Finale_ Allegro Con Fuoco (33:52) Listen to our latest mastering update: Youtube Music (http•••) Symphony #5 In E Minor, Op. 64 1. Andante, Allegro Con Anima (41:50) 2. Andante Cantabile, Con Alcuna Licenza (56:23) 3. Valse_ Allegro Moderato (1:08:18) 4. Finale_ Andante Maestoso, Allegro Vivo (1:13:45) Listen to our latest mastering update: Youtube Music (http•••) Symphony #6 In B Minor, Op. 74, _Pathétique 1. Adagio, Allegro Non Troppo (1:24:49) 2. Allegro Con Grazia (1:42:28) 3. Allegro Molto Vivace (1:50:35) 4. Finale_ Adagio Lamentoso, Andante (1:58:57) Listen to our latest mastering update: Youtube Music (http•••) Leningrad Philharmonic Orchestra Evgeny Mravinsky Recorded in 1960 FOLLOW US on SPOTIFY (Profil: CMRR) : (http•••) Download CMRR's recordings in High fidelity audio (QOBUZ) : (http•••) COMMENTAIRE COMPLET : VOIR PREMIER COMMENTAIRE ÉPINGLÉ. Depuis la publication originale de ces enregistrements, l'interprétation des trois dernières symphonies de Tchaikovsky par Mravinski fait autorité. Il y a beaucoup à dire sur les qualités musicales et techniques de ces précieux enregistrements. Mravinski utilise à fond les ressources dynamiques de son orchestre, exigeant le maximum des instruments à vent. Les cordes sont chauffées à blanc » ou, au contraire, d'une couleur sombre très Après avoir entendu la Philharmonie de Leningrad dans ces conditions, l'auditeur a du mal à entendre autre chose. Il a surtout cet art inimitable d'associer les attaques les plus tranchantes à un rubato d'une hardiesse extrême. Aucune distance, mais au contraire un engagement total, une volonté d'assumer jusqu'au bout ce que cette partition peut avoir d'exubérant, voire de redondant. Devant la sonorité miraculeuse, et inimitable elle aussi, des cordes dans le début du second mouvement (les violoncelles !), les dernières réticences que l'on pouvait encore avoir vis-à-vis de l'œuvre tombent définitivement. Ce second mouvement est un miracle, de poésie; c’est une fresque épique que Mravinski déroule lentement, la domptant avec douceur et autorité et qui aboutie à une explosion totale (à la manière de Furtwängler) lors du Climax. Comment entendre mieux cette terrible procession morbide, ce requiem pour lui-même que Tchaïkovski a composé avec la/ Sixième Symphonie*** ? L'implication émotionnelle de Tchaïkovski dans sa musique atteint son sommet dans la dernière année de sa vie, dans la magnifique et profondément émouvante Symphonie « Pathétique », composée en 1893. « Foncièrement subjective », selon les termes mêmes de Tchaïkovski, c'était une symphonie à programme au thème si poignant et si douloureux qu'il versait souvent d'amères larmes en la composant : le mouvement final est un cri de détresse. Ce fut la dernière musique que Tchaïkovski écrivit jamais. Moins d'une semaine après la première il mourut. Mravinski empoigne et subjugue d'emblée l'auditeur. Le drame est présent à tout moment, sans relâche. Son troisième mouvement est une marche fantastique, écrasante, visionnaire. Le mouvement finale est un véritable sombre chant de lamentations, similaire, dans son intensité glaciale, à l’Ile des morts de Böklin. Mravinski est véritablement le seul chef à donner une unité organique au triptyque des trois dernières Symphonies. La trilogie ainsi réalisée, marquée par le thème du Destin, comme on l'a rarement entendu exprimé aussi absolument, constitue non seulement un des sommets de la discographie tchaïkovskienne mais un des plus beaux enregistrements de l'histoire. Tchaikovsky - Piano Concerto No.1 / REMASTERED (Century's record : Sviatoslav Richter / Evgeny Mravinsky): (http•••) Pyotr Ilyich Tchaikovsky PLAYLIST (reference recordings): (http•••)
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