Jack Stamp Videos
US-amerikanischer Komponist, Dirigent und Musikpädagoge
Jahrestage 1954 Jahrestage (Geburt: Jack Stamp)
- Vereinigte Staaten
- Dirigent, Musikwissenschaftler, Musikdirektor, Komponist
Letzte Aktualisierung
2024-05-05
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Beethoven Yeo Max Bruch Zhao Canetti Kok
In July, the klpac Orchestra dives into the classical repertoire with a dash of local flavour. The concert begins with Yeo Chow Shern’s stirring “Celebration and Dance (Perayaan)”. It moves on to Bruch’s “Scottish Fantasy in E-Flat Major op. 46” featuring renowned violinist Zhao Tian (2nd prize winner at the Canetti International Violin Competition) and talented harpist Bryan Lee. It wraps up with one of Beethoven’s most celebrated work – “Symphony No. 3 in E-Flat Major op. 55”. Program Celebration and Dance (Perayaan) | Yeo Chow Shern Scottish Fantasy in E-Flat major op. 46 for Violin and Orchestra | Max Bruch Solo Violinist, Zhao Tian & Featured Harpist, Bryan Lee Symphony No. 3 “Eroica” in E-Flat major Op.55 | Ludwig van Beethoven Music Director and Resident Conductor: Lee Kok Leong Presented by: The Kuala Lumpur Performing Arts Centre (klpac) Music Director and Resident Conductor: Lee Kok Leong Date & Time: 27 – 29 •••@••• Venue: Pentas 1, klpac Tickets: Regular: RM66 Concession 1: RM46 (TAS Card Members, Senior Citizen, Disabled) Concession 2: RM36 (Student) Ticket Promo: School Booking Promotion: Buy 10 free 1 (Concession 2 – Student Price) Buy 2 Free 1 (only valid via walk-in or phone call: 03 4047 9000) Stamp Card Collection only applicable to Regular tickets. You can also purchase tickets via www.ticketpro.com.my
Crooks Rosen Onslow Stevens 1314 1936
After his brother becomes involved with insurance swindlers, a district attorney vows to bring the crooks to justice. Director: Phil Rosen Writers: Arthur T. Horman, Paul Perez Stars: Onslow Stevens, Kay Linaker, Noel Madison Genres: Crime, Drama, Romance CCC CHAPTERS: in the general comments, tell us your favorite scene or line in the movie, with a time stamp & we will add it here! 00:00 Full Length Movie 07:12 District Attorney turns insurance investigator 13:14 Getting out of the racket 20:30 Scam revealed 27:23 Trotti goons sent to "talk" to Dan @CultCinemaClassics: (http•••)
Karol Szymanowski Leif Ove Andsnes Simon Rattle Arthur Rubinstein Grzegorz Fitelberg Béla Bartók City Birmingham Symphony Orchestra 1806 1882 1914 1921 1932 1937 1945 1996
Karol Szymanowski +••.••(...)) - Symphony No. 4, Op. 60, "Symphonie Concertante" (1932) I. Moderato. Tempo comodo [0:00] II. Andante molto sostenuto [9:51] III. Allegro non troppo, ma agitato ad ansioso [18:06] Leif Ove Andsnes, piano City of Birmingham Symphony Orchestra, Simon Rattle (1996) Symphony No. 4, Op. 60, "Symphonie Concertante" is a work by Karol Szymanowski for piano and orchestra. The work was dedicated to Arthur Rubinstein, and it was premiered by the Poznań City Orchestra, conducted by Grzegorz Fitelberg, with Szymanowski himself at the piano. The piece is in three movements and typically lasts around 25 minutes. "There was a gap of 16 years between Szymanowski’s Third Symphony ‘Song of the Night’ (1914–16) and his next orchestral work, the Fourth Symphony (1932). In the intervening years, he had composed his opera Król Roger (King Roger), in which he consummated his passion for Mediterranean culture and tussled with the Dionysian and Apollonian impulses that both drove him forward creatively and marked him personally. In 1921, during the composition of King Roger, he wrote his first work drawing on Polish sources, and this turn of direction dominated his composition for the last 16 years. Where the Third Symphony refashioned the genre into a single-movement work for solo tenor, chorus and orchestra, the Fourth broke with tradition in a different way. It is, effectively, a piano concerto in three movements. The ‘concertante’ aspect refers to Szymanowski’s wish to write a companionable work that he could perform himself. He was a good pianist, but not by nature a soloist. The Fourth Symphony makes an interesting comparison with the understated Third Piano Concerto (1945) by Béla Bartók, because they both demonstrate a simplification of musical idiom and also because they begin in strikingly similar ways. The first movement opens with a repeated F major chord over which the soloist elaborates a beguiling theme in double octaves. Its origins in the exuberant folk idioms of the Tatra Mountains, where Szymanowski had a home, soon become apparent in the polyphony with horns and wind instruments. The lyrical high violin lines and the intense climaxes from his earlier music are still present, although now he uses a more modestly sized orchestra. There is a new earthiness, a new edge to his treatment of the musical world that he had found on his doorstep. The opening of the Andante molto sostenuto could hardly provide a greater contrast. The soloist provides background figuration for a flute melody, later taken up by solo violin. An alternating minor third (initially C-A on the timpani) underpins the drive to the full-blooded central climax, where what had seemed so innocent on the flute at the start becomes impassioned in a way that would not have been out of place in the Straussian works of his first period. The flute returns, this time with the first theme of the first movement. A few piano flourishes tumble down to the start of the Finale. Szymanowski called the third movement ‘almost orgiastic in places’. It is his most thrilling evocation of the dance—he invariably had to repeat it in concert and it has served as a model for many subsequent Polish composers. It is cast as an oberek, a fast cousin of the mazurka. The timpani return to their minor third, now A-C, propelling the music to its first climax. Soloist and orchestra whirl and stamp vigorously, before a solo violin leads to the calmer central section, closer in tempo to the slower mazurka. But the undercurrent of energy cannot be contained and the movement—with extreme and almost grotesque elements thrown in for good measure (high violins sounding anything but lyrical)—hurtles heedlessly headlong." (source: Hyperion Records) Original audio: (http•••)
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- Zeitleiste: Komponisten (Nordamerika). Dirigenten (Nordamerika).
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