Friedrich Hollaender Videos
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2024-05-12
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Ruggero Leoncavallo Colin Davis Pierre Boulez Bernard Haitink Pereira Richard Rodney Bennett Jaroslav Kyzlink Smetana Montgomery Philip Glass Biel Schoenberg Britten Gluck Tchaikovsky Opernhaus Zürich Theater Wien Zürcher Kammerorchester
BVOF Conductor Darren Hargan explains the Ruggero Leoncavallo masterpiece Pagliacci. Darren was born in Ireland, Darren Hargan trained with a full scholarship at the Royal Academy of Music in London. He subsequently received a Master’s degree in conducting from the Conservatorio della Svizzera Italiana where he studied with renowned contemporary music specialist Arturo Tamayo, and Professor of conducting at the Zürcher Hochschule der Künste Marc Kissoczy. He has also participated in masterclasses with Colin Davis, Colin Metters, Pierre Boulez and Bernard Haitink. After conducting the world premiere of Gerard McBurney’s opera The Airman’s Tale in London, he was appointed to the position of assistant musical director at the Internationales Opernstudio, Zurich, and was engaged as pianist and vocal coach at the Opernhaus Zürich under Alexander Pereira. As assistant conductor he worked at the Wexford Opera Festival with Stewart Robinson for Richard Rodney Bennett’s The Mines of Sulphur, and with Jaroslav Kyzlink for Smetana’s Hubička. Later he assisted Kenneth Montgomery for Don Giovanni at Le Grand Théâtre de Genève, and Philip Glass for his opera In the Penal Colony with the Zürcher Kammerorchester. As a guest he has worked at the Theater Luzern and Theater Biel-Solothurn. His operatic repertoire includes Hansel and Gretel, La Bohème, Lucia di Lamermoor, L’Elisir d’amore, La Cenerentola, Le nozze di Figaro and La finta giardiniera, With his own ensemble he has conducted Schoenberg’s Pierrot Lunaire and Verklärte Nacht as well as Britten’s The Rape of Lucretia, The Turn of the Screw and a new production of A Midsummer Night’s Dream in Switzerland and England for the Britten Centenary. He has also conducted many projects with period instruments including a new production of Gluck’s Armide with French classical instruments. He has conducted the Karlsbader Sinfonieorchester in music by Tchaikovsky and stepped in at short notice to conduct Il barbiere di Siviglia in Lugano with an all-star cast. Darren was the assistant conductor for the production of Der fliegende Holländer at the Summer Opera Festival in Selzach. He has most recently worked as guest pianist and assistant conductor at Theater an der Wien.
Bayreuth Axel Kober Andreas Schager Steuermann Peter Rose Mayer Ricarda Merbeth Christa Mayer Benjamin Bruns Bruns 2016
debuts en sus papeles y en algunas ocasiones como unica vez en bayreuth y en sus roles de andreas schager como steuermann, nadine weissmann como mary ,peter rose como daland y thomas j. mayer como el holandez. Daland Peter Rose Senta Ricarda Merbeth Erik Andreas Schager Mary Christa Mayer Nadine Weissmann +••.••(...)) Der Steuermann Benjamin Bruns Der Holländer Thomas J. Mayer
Elizabeth Connell Franz Grundheber Richard Wagner Seemann Walter Fink Fink Jäger Michael Pabst Pabst Steuermann Torsten Kerl Leopold Hager Orchester Wiener Staatsoper Wiener Staatsoper 1998
DER FLIEGENDE HOLLÄNDER Romantische Oper in drei Akten von Richard Wagner. Daland, norwegischer Seemann: Walter Fink Senta, seine Tochter: Elizabeth Connell Erik, ein Jäger: Michael Pabst Mary, Sentas Amme: Waltraud Winsauer Der Steuermann Dalands: Torsten Kerl Der Holländer: Franz Grundheber Chor und Orchester der Wiener Staatsoper Leopold Hager Wiener Staatsoper, 31. Jänner 1998
Eugen Jochum Hilde Gueden Ernst Haefliger Martti Talvela Catherine Gayer Sieglinde Wagner Vogel Nagano Walter Dicks Werner Götz Bella Jasper Hans Beirer Ernst Krukowski Sellner Kühner Stark Heil Glück Stille Wolfgang Amadeus Mozart Emanuel Schikaneder Deutsche Oper Berlin 1791 1963 1966
Eugen Jochum, Orchester der Deutschen Oper Berlin (Recorded 24th October, 1966, Nissay Theatre, Tokyo) Tamino — Ernst Haefliger Papageno — Manfred Röhrl Pamina — Hilde Gueden Queen of the Night — Catherine Gayer Sarastro — Martti Talvela First lady — Annabelle Bernard Second lady — Gitta Mikes Third lady — Sieglinde Wagner Monostatos — Karl-Ernst Merker First boy — Barbara Vogel Second boy — Helga Wisniewska Third boy — Yonako Nagano Speaker — Gerd Feldhoff First priest — Walter Dicks Second priest — Werner Götz Papagena — Bella Jasper First armoured man — Hans Beirer Second armoured man — Ernst Krukowski The production was by Rudolf Sellner. / The Deutsche Oper Berlin first visited Tokyo in 1963, giving performances of Fidelio, Figaro, Tristan, and Wozzeck. This performance of Die Zauberflöte was given during the company’s second visit in 1966, when the other operas performed were La Traviata, Der fliegende Holländer, Die Entführung, and Elegie für junge Liebende. / ACT 1: 0:00:00 — Ouvertüre 0:07:13 — No. 1: “Zu Hilfe! Zu Hilfe! sonst bin ich verloren!” (Introduction) 0:14:08 — No. 2: “Der Vogelfänger bin ich ja” (Aria) 0:20:03 — No. 3: “Dies Bildnis ist bezaubernd schön” (Aria) 0:25:18 — No. 4: “O zitt’re nicht, mein lieber Sohn” (Recitative and Aria) 0:30:08 — No. 5: “Hm! Hm! Hm! Hm Hm Hm!” (Quintet) 0:36:38 — No. 6: “Du feines Täubchen, nur herein!” (Trio) 0:40:31 — No. 7: “Bei Männern, welche Liebe fühlen” (Duet) 0:43:43 — No. 8: “Zum Ziele führt dich diese Bahn” (Finale) 0:45:19 — No. 8: “Die Weisheitslehre dieser Knaben” (Finale) 0:47:14 — No. 8: “Wo willst du kühner Fremdling hin?” (Finale) 0:54:07 — No. 8: “Wie stark ist nicht dein Zauberton” (Finale) 0:56:58 — No. 8: “Schnelle Füße, rascher Mut!” (Finale) 1:01:45 — No. 8: “Herr, ich bin zwar Verbrecherin” (Finale) 1:05:11 — No. 8: “Nun, stolzer Jüngling; nur hierher!” (Finale) ACT 2: 1:08:47 — No. 9: Marsch der Priester 1:12:06 — No. 10: “O Isis und Osiris” (Aria and Chorus) 1:17:03 — No. 11: “Bewahret euch vor Weibertücken” (Duet) 1:18:08 — No. 12: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Quintet) 1:21:29 — No. 13: “Alles fühlt der Liebe Freuden” (Aria) 1:23:00 — No. 14: “Der Hölle Rache kocht in meinem Herzen” (Aria) 1:26:45 — No. 15: “In diesen heil’gen Hallen” (Aria) 1:33:06 — No. 16: “Seid uns zum zweiten Mal willkommen” (Trio) 1:35:39 — No. 17: “Ach, ich fühl’s, es ist verschwunden!” (Aria) 1:39:59 — No. 18: “O Isis und Osiris” (Chorus) 1:43:42 — No. 19: “Soll ich dich, Teurer, nicht mehr seh’n?” (Trio) 1:48:05 — No. 20: “Ein Mädchen oder Weibchen” (Aria) 1:53:27 — No. 21: “Bald prangt, den Morgen zu verkünden” (Finale) 1:59:27 — No. 21: “Der, welcher wandert diese Straße” (Finale) 2:04:15 — No. 21: “Tamino mein! O welch ein Glück!” (Finale) 2:07:49 — No. 21: “Wir wandelten durch Feuergluten” (Finale) 2:11:27 — No. 21: “Papagena! Papagena! Papagena!” (Finale) 2:16:49 — No. 21: “Pa-pa-pa”...”Pa-pa-pa” (Finale) 2:19:27 — No. 21: “Nur stille! Stille! Stille!” (Finale) 2:21:21 — No. 21: “Die Strahlen der Sonne” (Finale) / The Magic Flute (German: Die Zauberflöte) is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work was first performed at the Freihaus-Theater auf der Wieden in Vienna on 30th September, 1791, just two months before the composer's premature death.
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