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Salzburger Festspiele Tareq Nazmi Mauro Peter Brenda Rae Delfs Regula Mühlemann Ilse Eerens Sophie Rennert Rennert Peter Tantsits Schulman Simon Bode Bode Wiener Sängerknaben 2022
Erzählen als Schlüssel des Weltverstehens. Die Fantasie der „Zauberflöte“ wird noch bis zum 27. August im Haus für Mozart in der Regie von Lydia Steier und unter der Musikalischen Leitung von Joana Mallwitz zu sehen sein Mehr zu der Oper: bit.ly/353E9D8/ Storytelling as the key to understanding the world. The fantasy of "Die Zauberflöte" will be shown at the Haus für Mozart through 27 August, directed by Lydia Steier and conducted by Joana Mallwitz. More on the opera: (http•••) Mit/With Joana Mallwitz (Musikalische Leitung) Lydia Steier (Regie) Tareq Nazmi (Sarastro), Mauro Peter (Tamino), Brenda Rae (Königin der Nacht), Jasmin Delfs (Königin der Nacht (10. 8.)), Regula Mühlemann (Pamina), Ilse Eerens (Erste Dame), Sophie Rennert (Zweite Dame), Noa Beinart (Dritte Dame), Michael Nagl (Papageno), Maria Nazarova (Papagena), Peter Tantsits (Monostatos), Henning von Schulman (Sprecher / Erster Priester / Zweiter geharnischter Mann), Simon Bode (Zweiter Priester / Erster geharnischter Mann), Roland Koch (Großvater) und den Wiener Sängerknaben (Drei Knaben)
Salieri Joseph Shore Shore Motyka Curry Zakariasen Bruce Yarnell Nicolai Rimsky Korsakov Schulman Leighton Chamber Opera Theater New York 1981 1982
Joseph Shore is Salieri, Ron Gentry is Mozart; Tad Motyka was the stage director and Henry Molicone conducted for THE CHAMBER OPERA THEATRE OF NEW YORK. "Chamber Opera Theatre's performance and production were thoroughly admirable, including the staging by Thaddeus Motyka. Both operas (sung clearly in good English translations) were cast with splendid singing actors, including Ron Gentry as a Mozart not far removed from Tim Curry and Joseph Shore as a Salieri on an Ian McKellen level. Indeed when Shore broke down while reading the opening of Mozart's Requiem after giving his rival poison, it was a moving moment of truth comparable to anything in AMADEUS." Bill Zakariasen, NEW YORK DAILY NEWS “Baritone Joseph Shore was superb as Salieri, his voice full and flexible, his acting on a level rarely seen on the operatic stage." Peter Goodman, NEWSDAY “MOZART AMD SALIERI is almost a monologue for Salieri and it was handled beautifully here, both musically and dramatically, by Joseph Shore, the 1981 winner of the Bruce Yarnell Memorial Award for Baritones." Glenne Currie,UNITED PRESS INTERNATIONAL "Joseph Shore...gave a fully engrossing, richly characterful portrayal, breaking into very convincing desolation at the climactic moment when Mozart's Requiem wells up from the orchestra." Jack Heimenz, MUSICAL AMERICA "The one-act, two role opera is Rimsky-Korsakov's setting of Pushkin's dramatic poem in which Salieri, not Mozart, is the leading figure, a role both commandingly and sensitively dominated at the opening performance last night by baritone Joseph Shore." Dave Spangler, THE BERGEN RECORD "The dominant role is that of Salieri, with Joseph Shore giving a really awesome portrayal of the court musician who can never fathom or hope to gain one spark of Mozart's genius. Jennie Schulman, BACKSTAGE "Joseph Shore excels in his role of Salieri. He is as fine an actor as he is a singer, and both talents combine in an altogether convincing and moving performance...one would want to attend the production as much for the theatrical value of their performance as for any other reason." Louis Morra, WKCR RADIO “Joseph Shore's Salieri provided the evening’s finest singing and one hopes to hear much more of him in the future." Byron Belt, NEWHOUSE NEWSPAPERS “The only voice I can single out for distinction is the sonorous baritone of Joseph Shore." Noah Tree, AFTER DARK "...an uncluttered, serious and moving account of Rimsky-Korsakov's one act MOZART AND SALIERI... Baritone Joseph Shore sang and acted a powerfully tragic Salieri." Leighton Kerner, THE VILLAGE VOICE "The singers in Mozart and Salieri were Ron Gentry, as the young genius, and Joseph Shore, as his jealous rival. They fulfilled their assignments so expertly that one flinched inwardly at the implication that Salieri murdered Mozart....." Allen Hughes, THE NEW YORK TIMES "Mozart and Salieri was so highly acclaimed when Chamber Opera performed it last season, that they decided to bring it back with the original principals, Joseph Shore as Salieri and Ron Gentry as Mozart. Both were perfectly cast to the extent where you feel no one will ever be equal to their flawless characterizations. Shore, in particular, possesses a dramatic baritone voice of limitless range. In contrast, Gentry displays a clear, crisp tenor which suits ideally. Both gentlemen conveyed convincing historical portraits of the rival Maestri/Composers." Jennie Schulman, BACKSTAGE ".... a very satisfying work .... Good acting blended well with good singing; the characters came alive. It was a wonderful production." FESTA, The First Guide to the Performing Arts in the U.S.A. ".... Chamber Opera Theater of New York ... focuses on rarely done works. All of its productions are meticulously rehearsed and minutely detailed. They have to be: in this intimate setting, everything appears close up ... the strong baritone voice of Joseph Shore (Salieri) and the silvery tenor of Ron Gentry (Mozart) complemented each other nicely ,.. The success of such groups is heartening...." Annalyn Swan, NEWSWEEK "Chamber Opera Theater of New York revived its hit production of Nicolai Rimsky-Korsakov's Mozart and Salieri at the Marymount Manhattan Theater Wednesday night ... Mozart and Salieri’s expert production and performance (once again starring Ron Gentry and Joseph Shore in the leads) were fully up to last season's high musical and dramatic standards." Bill Zakariasen, NEW YORK DAILY NEWS Joseph Shore presents Salieri as a sort of Everyman turned bad, capable of arousing sympathy and self-recognition from the audience. He also sings the part beautifully, which doesn't hurt. THE FORT WORTH STAR TELEGRAM
Schulman Wolfgang Amadeus Mozart Ravel 1996 2011
Provided to YouTube by The Orchard Enterprises W.A.Mozart. PIano Concerto No.18 in B flat major, K.456. II - Andante un poco sostenuto · Basinia Schulman · Wolfgang Amadeus Mozart · The Moscow Orchestra · Roland Freisitzer Classical Assembly. Basinia Schulman - Mozart, Ravel ℗ 2011 Russian Compact Disc Released on: 1996-06-19 Auto-generated by YouTube.
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