Georg Liban Videos
deutscher Philologe, Komponist und Musiktheoretiker
Gedenken 2024 (Geburt: Georg Liban)
- klassische Musik
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- Komponist, Hochschullehrer
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2024-05-04
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Johann Baptist Gänsbacher Herzog Stecher Abbé Vogler Albrechtsberger Weber Meyerbeer Joseph Weigl Preindl Anton Mitterwurzer Wilt Milka Ternina Leopold Demuth Brahms Schubert Musikverein Stephansdom Music Central 1751 1778 1795 1801 1803 1806 1810 1812 1813 1814 1815 1818 1823 1824 1829 1838 1844 1853 1855 1868 1872 1875 1897 1904 1911
Alles Gute zum Geburtstag Johann Baptist Gänsbacher! Composer: Johann Baptist Gänsbacher +••.••(...)) Work: Lauretanische Litanei (1812) Performers: Sabina von WaIthеr (soprano); Johanna Pradеr (alto); Otto RastbichIеr (tenor); MichaеI GrossIеrcher (bass); TiroIеr vocalensemble & Kammerorchester des Fеrdinandеums; Josеf Wеtzingеr (leitung) Painting: Joseph Mathias von Trenkwald +••.••(...)) - Herzog Leopolds des Glorreichen Einzug in Wien nach dem Kreuzzug von 1219 (1872) Image in high resolution: (http•••) Painting: Franz Anton Stecher +••.••(...)) - Der Komponist Johann Baptist Gänsbacher und seine Familie (c.1838) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Johann (Baptist Peter Joseph) Gänsbacher (Sterzing, [now Vipiteno], 8 May 1778 - Vienna, 13 July 1844) Austrian composer and conductor. He was the son of a choirmaster and teacher, Johann Gänsbacher +••.••(...)), and as a boy sang in church choirs in Sterzing, Innsbruck, Hall and Bolzano; he also had lessons in piano, organ, violin, cello and thoroughbass. In 1795 he went to the university at Innsbruck and studied first philosophy, then law, supporting himself by giving music lessons, playing the organ, singing in church choirs and playing in the theatre orchestra. His first compositions date from this period. While at university he took part in four campaigns against Napoleon. In 1801 he went to Vienna to continue his musical studies, and was relieved of financial worries when Count Firmian, who further promoted his career as a musician, took him into his family as a son in about 1803. In Vienna he had lessons from the Abbé Vogler +••.••(...)) and from Albrechtsberger (1806). A Mass in C, composed through the offices of Vogler for Nikolaus Esterhazy in 1806, established his reputation as a composer. Nevertheless, he returned to Vogler in Darmstadt for a short period in 1810, where his fellow-pupils and friends included Weber and Meyerbeer, who admitted him as a founder-member of the ‘Harmonische Verein’, for which he was active until 1813. In January 1813 he met Weber in Prague and recommended him for the post of Kapellmeister of the theatre. In the summer of the same year Gänsbacher returned to the Tyrol to join the fighting to liberate the province from the Bavarian occupation. After the end of the war he did not return to the Firmian family but joined the army as a first lieutenant (1814). He was stationed first in Italian garrisons, in Trient, Mantua and Padua then at Innsbruck in 1815, where he again tried to gain a foothold as a musician. He worked as a conductor and director of a church choir, and helped to found the Musikverein, though he did not gain the position of chief conductor. He did not accept the post of director of music in Dresden, offered him at the instigation of Weber in 1823, since (after representations against the election of Joseph Weigl), he was appointed Kapellmeister of the Stephansdom in Vienna as successor to Josef Preindl in September 1824. One of the choristers was his nephew Anton Mitterwurzer +••.••(...)), later famous as an opera singer. From this time on Gänsbacher composed mainly church music, and only a few homage cantatas. By the time of his death he was one of the most famous musicians in Vienna. Some of Gänsbacher's early instrumental compositions, such as the Clarinet Concertino and the sonatas in F major (1803) and G minor (1810), are remarkable for the individuality of their ideas and their unconventional structure, while his Italian canzonettas and terzetti are effective for their reticent simplicity. Yet the works he composed later for social performance clearly show a deterioration of quality. Even before his 20 years at the Stephansdom, sacred music was becoming central to his output. Starting with the masses in C and B and the Requiem (1812), he wrote some creditable and well-regarded works in this field. Although they do not stand out from the manner of their time, and show little stylistic innovation, they nonetheless show Gänsbacher's considerable skill as a composer. His son Josef Gänsbacher +••.••(...)) studied the piano, the cello and singing, and went to university to read law, graduating in 1855. He practised law for a number of years, but concurrently gave piano and singing lessons, and in 1868 devoted himself entirely to teaching singing. From 1875 to 1904 he was a tutor at the conservatory of the Gesellschaft der Musikfreunde, becoming by the turn of the century the most highly-regarded singing teacher in Vienna. Some of his pupils achieved international recognition, including Maria Wilt, Milka Ternina, Leopold Demuth and Julius Liban. Brahms dedicated his cello sonata op.38 to him. He was a composer, chiefly of songs but also of piano and choral pieces, and was a co-editor of the Schubert complete edition.
Roman Perucki Sweelinck 1985 2000 2019
SOL Semaine de l'Orgue au Liban Lebanese Pipe Organ Week 2019 Monday, February 4, 2019 Tripoli - El Mina – St. Francis’ Church (Terra Santa) Roman Perucki (Poland), organ Farid Rahmeh, recorder The program (http•••) Roman Perucki graduated in 1985 from the Music Academy in Gdansk in the organ class of Leon Bator. He is currently the organ teacher at the same academy, as well as other music institutions. He is the principal organist at the cathedral of Gdansk Oliwa, and the president’s counsellor of Gdansk City for organ music. He is managing director at the Baltic Philharmonic Orchestra, president of “Musica Sacra” Society, and president of the Society of Friends of the Cathedral of Gdansk Oliwa. He also contributed to building new organs in Gdansk and its neighborhood. Perucki is the manager of the International Organ Music Festival in the Cathedral of Oliwa, the International J.P. Sweelinck Competition in Gdansk, as well as other international organ- music events. He is a member of the jury of International Organ Competitions in Kaltern (Italy), Opava (Czech Republik), Kaliningrad (Russia), Paris (France), and Poland. So far, Perucki has performed over 2000 concerts around the world: solo recitals, chamber orchestras, symphony orchestras, as well as duets with his wife Maria Perucka (violinist). He performed in almost all European countries, Russia, Japan, Canada, USA and Australia. He also leads several master-classes in Poland, Portugal, Mexico, Russia and France. He has recorded for many international labels, as well as for Polish TV and Radio. He was awarded the Culture Prize from Ministry of Culture, in addition to many awards from the authorities of the Gdansk, as well as the highest Vatican’s distinction “Pro ecclesiae et pontifice”.
Orchestre Philharmonique Liban Mora 2014
Houtaf Khuory Symphony No.2 "Reminicenza" Orchestre Philharmonique du Liban Beirut 21.03.2014 Jordi Mora, conductor
Rima Tawil Pietro Mascagni 2012
Messe du Pape Benoît XVI: Beyrouth (Liban) avec 350 000 fidèles, 16 septembre 2012 قدَّاس البابا بندكتُس السّادس عشر, بيروت, الأحد 16 أيلول/سبتمبر 2012 Pope's Mass in Beirut City Center Waterfront (Lebanon) with 350,000 faithful, Sept 16th 2012 Santa Messa Medio Oriente al Beirut City Center Waterfront (Libano) con 350.000 seguaci, 16 settembre 2012 Ave Maria-Intermezzo : Pietro Mascagni Orchestre Philharmonique Libanais Choeurs : NDU-Antonins-Arméniens-Antoura Direction : P.Toufic Maatouk
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- Zeitleiste: Komponisten (Europa).
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