Frédéric Duvernoy Videos
französischer Hornist, Komponist und Musikpädagoge
Gedenken 2025 (Geburt: Frédéric Duvernoy)
- Naturhorn
- Frankreich
- Komponist, Professor, Hornist, Musikwissenschaftler, Musikpädagoge
Letzte Aktualisierung
2024-06-01
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Giusti Beyer Duvernoy Czerny Bach Scala
In questo primo video del corso avanzato di armonia jazz introduciamo le aree tonali, un concetto piuttosto semplice ma indispensabile per capire le lezioni successive: backdoor cadence, cadenza Ellington, accordi diminuiti di passaggio ed altro ancora. Il primo modulo del corso è infatti dedicato all'analisi armonica di uno standard jazz. Info su (http•••) Vuoi il mio aiuto con delle lezioni individuali? Se hai bisogno di aiuto posso essere il tuo maestro di musica e seguirti passo dopo passo. Avere un insegnante ti farà risparmiare un sacco di tempo, ti darò gli esercizi giusti per te e inizierai subito a migliorare. Se non hai mai preso lezioni online, ti stupirai di quanto è facile comunicare. Ti servono solo un computer o un tablet, ti spiegherò io come fare. Possiamo fare lezione nei giorni e orario per te più comodi, e ti fornirò io tutti i materiali di studio. Scrivimi un messaggio sul mio sito o su WhatsApp! (http•••) Vuoi imparare a suonare il piano, o migliorare, studiando da solo? Scopri i miei video corsi per imparare a suonare il piano e studiare musica quando vuoi, a casa tua. I corsi ti accompagnano partendo da zero sul pianoforte, fino allo studio dell’armonia e della musica jazz. Beyer op.101 (1° anno) (http•••) Mikrokosmos vol.1 (2° anno) (http•••) Duvernoy op.176 (2° anno) (http•••) Czerny op.299 (3° anno) (http•••) Corso di pianoforte moderno (3° anno) (http•••) Corso di pianoforte moderno parte 2 (4° anno) (http•••) Bach invenzioni a due voci (4° anno) (http•••) Corso di piano Jazz (4° anno) (http•••) Corso di armonia Jazz (http•••) Corso di improvvisazione Jazz (http•••) Le lezioni gratuite più seguite sul mio sito: Come si leggono le sigle degli accordi (http•••) Come imparare 100 standard jazz (http•••) Armonizzazione della scala maggiore (http•••) La differenza tra tonale e modale (http•••) Cadenza perfetta, plagale e cadenza minore (http•••) Che cos'è una scala musicale (http•••) La differenza tra tempi semplici e tempi composti (http•••)
Duvernoy Alberti Jean Baptiste Duvernoy Troiano
Etude, Op. 176, No. 3 by Jean-Baptiste Duvernoy For this lesson we'll be coupling a simple melody in the right hand with a common style of left hand bass accompaniment called an "Alberti bass." This is one of the most common styles of accompaniment to come out of the Baroque era, and is most commonly associated with Classical composers like Mozart. We're also going to take a look at a special technique available to us in this piece that every pianist should strive to master at some point... Liberty Park Music piano teacher West Troiano instructs. / Learn Piano Online: (http•••) Take online piano lessons with Liberty Park Music (LPM), an online music school teaching music through video tutorials and email/chat support from the teachers. Learn piano, guitar, music theory, and drums online with us: try the first 30 days for free, and you can cancel anytime! Try out a free trial and follow our well-designed course curriculum from experienced music teachers to reach your music learning goals. / New videos every Tuesday and Thursday! Request songs in the comments below or connect with us by using the hashtag #askLPM / Facebook: (http•••) Blog: (http•••) Twitter: (http•••) Instagram: (http•••)
Augustarello Affre Tamagno Edmond Duvernoy Duvernoy Pierre Gailhard Gaetano Donizetti Nellie Melba Gluck Jules Massenet Mage Gounod Georges Bizet Opéra Marseille French Opera House Opéra National Lyon 1858 1890 1891 1900 1909 1910 1911 1912 1913 1915 1931
Augustarello Affre - Mefistofele - Romance acte 1 - Pathé saphir N°8 enregistré en 1910-1911 Agustarello Affre (21 October 1858 - 27 December 1931) was a French operatic tenor. He possessed a powerful, firm and exceptionally beautiful voice which garnered him the nickname the "French Tamagno" in comparison to the great Italian tenor. He was one of the leading operatic tenors in Paris from 1890-1911. He spent the last years of his career singing and directing operas in the United States. After World War I, he lived in retirement in France. Born Auguste Affre in Saint-Chinian, Affre was trained at the Conservatoire de Toulouse and the Conservatoire de Paris. He studied singing with Edmond Duvernoy and Pierre Gailhard. After singing in theatres in the French provinces, he made his debut in Paris at the Opéra in 1890 as Edgardo in Gaetano Donizetti's Lucia di Lammermoor opposite Nellie Melba in the title role, who also made her debut. He remained a leading tenor at that opera house for the next 20 years, portraying such roles as Arnold Melchtal in William Tell, Belmonte in Die Entführung aus dem Serail, the Duke of Mantua in Rigoletto, Eléazar in La Juive, Fernand in La favorite, Jean de Leyde in Le prophète, Radames in Aida, Raoul de Nangis in Les Huguenots, Renaud in Gluck's Armide, Vasco da Gama in L'Africaine, and the title roles in Lohengrin and Sigurd.[1] He created the role of the Touranien prisoner in the world premiere of Jules Massenet's Le mage in 1891. Outside of Paris, Affre appeared as a guest artist at the Opéra de Marseille, Opéra National de Lyon, and the Théâtre du Grand Cercle in Aix-les-Bains. In 1900 he performed at La Monnaie in Brussels. In 1909 he appeared at the Royal Opera House in London as Samson in Samson et Dalila and in the title role of Gounod's Faust. He recorded extensively for Pathé, including the roles of Don José in Georges Bizet's Carmen (1911) and Roméo in Gounod's Roméo et Juliette (1912) in the company's "Le Théâtre chez soi" ("Your Theater at Home") full-length opera and drama series. In 1911 he moved to the United States where he was heard in operas in New Orleans, San Francisco, and in Havana. He became director of the French Opera House in New Orleans in 1913 when it came under the ownership of Tulane University, remaining there until 1915. He died in Cagnes-sur-Mer in 1931 at the age of 73. He is buried at the Père Lachaise Cemetery in Paris. In contemporary sources, including those written by the tenor himself, his stage name is spelled "Gustarello". The spelling "Agustarello" appears only posthumously, and is presumably an error. In contemporary reviews, on record labels and in the tenor's own spoken introductions to many of his sound recordings, he is simply "Monsieur Affre » Source : Wikipedia
Augustarello Affre Nellie Melba Tamagno Jules Massenet Edmond Duvernoy Duvernoy Pierre Gailhard Gaetano Donizetti Gluck Mage Gounod Georges Bizet Opéra Marseille French Opera House Opéra National Lyon 1858 1889 1890 1891 1900 1907 1909 1911 1912 1913 1915 1931
Augustarello Affre - Rigoletto - La donna e mobile en français - Association Phonique de Grands Artistes APGA 10012 enregistrée en 1912 « Né le 21 octobre 1858 à Saint-Chinian, il travailla le chant au conservatoire de Toulouse, puis à celui de Paris dont il sortit avec un premier prix en 1889. Engagé à l’Opéra de Paris, il débuta dans le rôle d’Edgar de Lucie de Lammermoor aux cotés de Nellie Melba le 21 janvier 1890. Il y resta jusqu’en 1907 et l’éventail de ses emplois s’étala de la tessiture du demi-caractère léger jusqu’à celle du fort-ténor. Il quitta l’Opéra de Paris en 1911 et se produisit à San Francisco, à la Nouvelle-Orléans et à la Havane « Nouveau dictionnaire des chanteurs de l’Opéra de Paris du 17ème siècle à nos jours » Jean Gourret Surnommé le « Tamagno français », il était admiré par Massenet « La voix d’Affre est aussi pure et transparente qu’une goutte d’eau après un orage et vibrant comme un pur cristal » Agustarello Affre (21 October 1858 - 27 December 1931) was a French operatic tenor. He possessed a powerful, firm and exceptionally beautiful voice which garnered him the nickname the "French Tamagno" in comparison to the great Italian tenor. He was one of the leading operatic tenors in Paris from 1890-1911. He spent the last years of his career singing and directing operas in the United States. After World War I, he lived in retirement in France. Born Auguste Affre in Saint-Chinian, Affre was trained at the Conservatoire de Toulouse and the Conservatoire de Paris. He studied singing with Edmond Duvernoy and Pierre Gailhard. After singing in theatres in the French provinces, he made his debut in Paris at the Opéra in 1890 as Edgardo in Gaetano Donizetti's Lucia di Lammermoor opposite Nellie Melba in the title role, who also made her debut. He remained a leading tenor at that opera house for the next 20 years, portraying such roles as Arnold Melchtal in William Tell, Belmonte in Die Entführung aus dem Serail, the Duke of Mantua in Rigoletto, Eléazar in La Juive, Fernand in La favorite, Jean de Leyde in Le prophète, Radames in Aida, Raoul de Nangis in Les Huguenots, Renaud in Gluck's Armide, Vasco da Gama in L'Africaine, and the title roles in Lohengrin and Sigurd.[1] He created the role of the Touranien prisoner in the world premiere of Jules Massenet's Le mage in 1891. Outside of Paris, Affre appeared as a guest artist at the Opéra de Marseille, Opéra National de Lyon, and the Théâtre du Grand Cercle in Aix-les-Bains. In 1900 he performed at La Monnaie in Brussels. In 1909 he appeared at the Royal Opera House in London as Samson in Samson et Dalila and in the title role of Gounod's Faust. He recorded extensively for Pathé, including the roles of Don José in Georges Bizet's Carmen (1911) and Roméo in Gounod's Roméo et Juliette (1912) in the company's "Le Théâtre chez soi" ("Your Theater at Home") full-length opera and drama series. In 1911 he moved to the United States where he was heard in operas in New Orleans, San Francisco, and in Havana. He became director of the French Opera House in New Orleans in 1913 when it came under the ownership of Tulane University, remaining there until 1915. He died in Cagnes-sur-Mer in 1931 at the age of 73. He is buried at the Père Lachaise Cemetery in Paris. In contemporary sources, including those written by the tenor himself, his stage name is spelled "Gustarello". The spelling "Agustarello" appears only posthumously, and is presumably an error. In contemporary reviews, on record labels and in the tenor's own spoken introductions to many of his sound recordings, he is simply "Monsieur Affre » Source : Wikipedia
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