Francisco Nisticó Videos
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Sarasota Opera Sarasota Orchestra Donizetti Malatesta 1300 2016
Come see what happens when three friends play a prank on a foolish old man! Performed by Sarasota Opera in partnership with Sarasota Orchestra, Don Pasquale is Donizetti’s last comic opera, and one of the funniest you’ll ever see. The foolish, but rich Don Pasquale wants to force his nephew to marry a wealthy girl, but Ernesto’s plans are to marry his beloved Norina. So Pasquale decides to disinherit Ernesto and marry a young woman to produce an heir of his own. But losing all that money would prevent Ernesto and his beloved Norina from being happy together. That’s when the clever Dr. Malatesta helps with a plan that will save the day! Conducted by Maestro Victor DeRenzi, and Directed by Stephanie Sundine, Don Pasquale features a cast that includes favorite artists Angela Mortellaro and Marco Nisticò. You’ll also enjoy the outstanding musicians of Sarasota Orchestra in the orchestra pit. Donizetti’s Don Pasquale October 28, November 2, 7, 10 at 7:30 pm October 30 and November 13 at 1:30 pm Tickets start at just $19 Get your tickets today by calling +••.••(...), online at sarasotaopera.org or in person at 61 N. Pineapple Avenue.
Sarasota Opera Giuseppe Verdi Kevin Short Burton Mary Phillips 2009 2015
Don Carlos Opera in Five Acts by Giuseppe Verdi Words by Méry and Camille du Locle based on the play Don Carlos, Infant von Spaniel by Friedrich Schiller 2009 production created by Sarasota Opera and revised in 2015 CONDUCTOR Victor DeRenzi STAGE DIRECTOR Stephanie Sundine SCENIC DESIGNER David P. Gordon COSTUME COORDINATOR Howard Tsvi Kaplan LIGHTING DESIGNER Ken Yunker CAST PHILIPPE II, King of Spain Kevin Short DON CARLOS, Infante of Spain Jonathan Burton RODRIGUE, Marquis de Posa Marco Nisticò THE GRAND INQUISITOR Young Bok Kim ÉLISABETH DE VALOIS Michelle Johnson THE PRINCESS EBOLI Mary Phillips Sarasota Opera Orchestra Chorus: Sarasota Opera Apprentice and Studio Artists
Arcas Aguado Gassmann Fischer 1844
"The musical diversity of Jose Vinas is impressive. Although Jose Broca dedicated himself completely to the guitar, Vinas, thanks to his extraordinary musical talent, was also a singer and composer- and, above all, a conductor at a great variety of theaters in Spain- in addition to his career as a guitarist. Together with Julian Arcas, Vinas is esteemed as one of his age’s most significant guitar virtuosos. His interpretation of the works of Aguado and Broca were considered to be exemplary, and he appeared as a guest performer in a number of European countries with much success in 1844. The home residence in Barcelona increasingly became the meeting place for both local guitarists and those giving guest performances. Here they met, talked, played for and listened to each other. This is where the young Francisco Tarrega presumably also introduced his first works. Vinas' altogether ambitious compositions demonstrate that they are completely rooted in the dance forms typical of those times: polka and mazurka, waltz and tango are his favorite forms. In addition to these, the fantasias are of equal importance." - From the booklet of: Joachim Gassmann: La Leona, Spanische Gitarrenmusik des 19. Jahrhunderts, Amb 97964, contributed by Norbert Fischer of Germany. (Information taken from: (http•••) Download the score: (http•••) Dr. Daniel Nistico is a passionate performer, author and educator who specializes in the performance practice of 18th and 19th century guitar music. Daniel's teaching and research aims to revitalize the concept of being a well-rounded musician, with emphasis on topics like harmony that can lead to deeper musical understanding and provide tools for composing and improvising. Learn more about me at: (http•••) Check out my online harmony school: (http•••) Here are some eBooks you can purchase for download: Fundamental Harmony - (http•••) The 19th Century Arpeggio Bible - (http•••)
Peter Sculthorpe John Williams 1983 1988
From Kakadu (1983) "This work is in four sections: Grave; Comodo; Misterioso; Cantando. The first and third sections are based upon the main theme of my orchestral piece Kakadu (1988) melody; and the fourth section grows from it into a long, singing line. The work is an intimate one, being concerned with the deep contentment that I feel whenever I return to Australia’s outback. This feeling is ever-present in the dance-like second section, and in the singing line, and its counterpoint, of the final Cantando section. Commissioned by the Shell Darwin International Guitar Festival, with assistance from the Performing Arts Board of Australia Council, From Kakadu is dedicated to John Williams." / Peter Sculthorpe Visit Daniel's website for free resources that cover many aspects of guitar playing. (http•••) Photos of Kakadu National Park sourced from Wikipedia Commons 1. By Toursim NT - Imagegallery Tourism NT, Copyrighted free use, (http•••) 2. By Toursim NT - Imagegallery Tourism NT, Copyrighted free use, (http•••) 3. By Toursim NT - Imagegallery Tourism NT, Copyrighted free use, (http•••) 4. By Toursim NT - Imagegallery Tourism NT, Copyrighted free use, (http•••) 5. By Toursim NT - Imagegallery Tourism NT, Copyrighted free use, (http•••) Dr. Daniel Nistico is a passionate performer, author and educator who specializes in the performance practice of 18th and 19th century guitar music. Daniel's teaching and research aims to revitalize the concept of being a well-rounded musician, with emphasis on topics like harmony that can lead to deeper musical understanding and provide tools for composing and improvising. Learn more about me at: (http•••) Check out my online harmony school: (http•••) Here are some eBooks you can purchase for download: Fundamental Harmony - (http•••) The 19th Century Arpeggio Bible - (http•••)
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