John Corigliano Videos
US-amerikanischer Komponist
- Klavier
- klassische Musik, sinfonische Musik, Instrumentalkonzert, Kammermusik, Oper, Filmmusik
- Vereinigte Staaten
- Komponist klassischer Musik, Hochschullehrer, Konzertmeister, Filmkomponist, Professor für Musikkomposition
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2024-06-10
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Isidor Edmond Philipp Georges Mathias Frédéric Chopin Friedrich Kalkbrenner Camille Saint Saëns Stephen Heller Carl Czerny Beethoven Théodore Ritter Ritter Franz Liszt Claude Debussy Lamoureux Anton Rubinstein Rubinstein Charles Valentin Alkan Pall John Corigliano César Franck New York Philharmonic 1863 1883 1888 1890 1893 1896 1901 1921 1933 1934 1940 1955 1958
Isidor Edmond Philipp (first name sometimes spelled Isidore) (2 September 1863 – 20 February 1958) was a French pianist, composer, and pedagogue of Jewish Hungarian descent. He was born in Budapest and died in Paris. Isidor Philipp studied piano under Georges Mathias (a pupil of Frédéric Chopin and Friedrich Kalkbrenner) at the Conservatoire de Paris and won First Prize in piano performance in 1883. Other teachers included Camille Saint-Saëns, Stephen Heller (a pupil of Carl Czerny, one of Beethoven's students) and Théodore Ritter (a pupil of Franz Liszt). At the Conservatoire, he met fellow student Claude Debussy. They remained lifelong friends, and Philipp often played his compositions. After Debussy's death, Philipp was regarded as the leading authority on his piano music. After graduating from the Conservatoire, Philipp commenced a career which took him to various European countries, and he was a regular performer at the Colonne, Lamoureux and Conservatoire concerts in Paris. He was able to hear concerts, recitals or master classes by many of the leading pianists of the day, including Liszt and Anton Rubinstein. He knew Charles-Valentin Alkan and was a pall-bearer at the latter's funeral in 1888; he subsequently edited many of Alkan's works for republication. In 1890, Philipp formed a trio with Loeb and Bertelier which toured for about a decade. He revived the Société des Instruments à Vent from 1896 to 1901. However, he eventually curtailed his concertizing, as he found lasting satisfaction in teaching. He returned to the Conservatoire de Paris, where he was a pre-eminent professor of piano from 1893 to 1934, one of the youngest ever appointed to that institution. From 1921 to 1933, Philipp was also the head of the piano section at the American Conservatory of Fontainebleau, which became famous for starting the careers of many notable American composers. His home in Paris contained many ancient and unusual instruments and other musical artifacts. When the Nazis entered Paris in World War II and Philipp fled to the United States in 1940, the Nazis confiscated the contents of his apartment. During the war, he taught piano in New York and at the Conservatoire de musique du Québec à Montréal. While he was in New York, he gave recitals with the violinist John Corigliano, Sr. (Corigliano was the longtime concertmaster of the New York Philharmonic). After the war, he spent the rest of his life between New York and Paris. Philipp married once but he obtained a divorce shortly afterwards. On 20 March 1955, aged 91, he played the piano part in both Saint-Saëns' D minor Sonata and César Franck's Violin Sonata in New York, returning to Paris a year later. He gave his farewell recital at the age of 92, in Paris. He died there in 1958 after a fall on the Paris metro. He is buried in the Père Lachaise Cemetery. (Wikipedia) Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience. Original audio: Julian Zalla (@Gamma1734) ((http•••) Original sheet music: imslp.org/wiki/Album_Leaf_(Philipp%2C_Isidor) (Theodore Presser, 1901)
Cleveland Quartet Beethoven Quartet Cleveland Orchestra Beethoven Weilerstein Katz Samuel Adler Adler John Harbison Libby Larsen Stephen Paulus Christopher Rouse Dan Welcher Osvaldo Golijov John Corigliano Mostly Mozart Festival 1969 1995 1996
Donald Weilerstein, Peter Salaff, Violin. Martha Strongin Katz, Viola. Paul Katz, Cello. For more than a quarter of a century, the Cleveland Quartet was hailed as one of the premier string quartets of our time. Since their inception in 1969, they played more than 2,500 concerts (including appearances in music capitals throughout the world), created award-winning recordings of more than 60 chamber works, presented premiers and repeat performances of new music by contemporary composers, and spent countless hours as dedicated conservatory teacher-performers (initially at the Cleveland Institute of Music, then at the State University of New York at Buffalo, and finally at the Eastman School of Music in Rochester). During 26 years of intensive music-making as one of the most admired ensembles on the international scene, the Cleveland Quartet performed nearly 30 complete Beethoven quartet cycles in cities such as New York, Washington D.C., San Francisco, Paris, Rome, London, Florence, and Tokyo. They had undertaken a regular series of recital tours throughout the United States, Canada, Europe, and Japan, and had also performed in the former Soviet Union, South America, Australia, New Zealand, the Middle East, and Eastern Asia. Other highlights included repeated appearances at such prestigious music festivals as Salzburg, Edinburgh, Lucerne, Berlin, and Helsinki, as well as annual appearances at New York's Mostly Mozart Festival and 20 years of summer residencies at the Aspen Festival in Colorado. In addition, they made numerous radio and television appearances, and performed in a Presidential Inaugural Concert. As 20th-century musicians, the Cleveland Quartet was always deeply committed to the performance of contemporary music. Since its founding in 1969, it regularly commissioned and premiered works by American composers, including Samuel Adler, John Harbison, Libby Larsen, Stephen Paulus, Christopher Rouse, and Dan Welcher. In its last year the Cleveland Quartet gave the world premier of Osvaldo Golijov's Dreams and Prayers of Isaak the Blind. In the course of its final months as an ensemble, the Cleveland Quartet performed the world premiers of two works written by prominent American composers specifically for the group: Stephen Paulus's concerto for string quartet and orchestra, Three Places of Enlightnement, with The Cleveland Orchestra at Severance Hall, and a "Farewell Quartet" by John Corigliano, a work given its premier by the Cleveland Quartet in the Fall of 1995, whose subsequent recording with Telarc won the 1996 Grammy for "Best Chamber Music Performance."
Cleveland Quartet Beethoven Quartet Cleveland Orchestra Beethoven Weilerstein Katz Samuel Adler Adler John Harbison Libby Larsen Stephen Paulus Christopher Rouse Dan Welcher Osvaldo Golijov John Corigliano Mostly Mozart Festival 1969 1995 1996
Donald Weilerstein, Peter Salaff, Violin. Martha Strongin Katz, Viola. Paul Katz, Cello. For more than a quarter of a century, the Cleveland Quartet was hailed as one of the premier string quartets of our time. Since their inception in 1969, they played more than 2,500 concerts (including appearances in music capitals throughout the world), created award-winning recordings of more than 60 chamber works, presented premiers and repeat performances of new music by contemporary composers, and spent countless hours as dedicated conservatory teacher-performers (initially at the Cleveland Institute of Music, then at the State University of New York at Buffalo, and finally at the Eastman School of Music in Rochester). During 26 years of intensive music-making as one of the most admired ensembles on the international scene, the Cleveland Quartet performed nearly 30 complete Beethoven quartet cycles in cities such as New York, Washington D.C., San Francisco, Paris, Rome, London, Florence, and Tokyo. They had undertaken a regular series of recital tours throughout the United States, Canada, Europe, and Japan, and had also performed in the former Soviet Union, South America, Australia, New Zealand, the Middle East, and Eastern Asia. Other highlights included repeated appearances at such prestigious music festivals as Salzburg, Edinburgh, Lucerne, Berlin, and Helsinki, as well as annual appearances at New York's Mostly Mozart Festival and 20 years of summer residencies at the Aspen Festival in Colorado. In addition, they made numerous radio and television appearances, and performed in a Presidential Inaugural Concert. As 20th-century musicians, the Cleveland Quartet was always deeply committed to the performance of contemporary music. Since its founding in 1969, it regularly commissioned and premiered works by American composers, including Samuel Adler, John Harbison, Libby Larsen, Stephen Paulus, Christopher Rouse, and Dan Welcher. In its last year the Cleveland Quartet gave the world premier of Osvaldo Golijov's Dreams and Prayers of Isaak the Blind. In the course of its final months as an ensemble, the Cleveland Quartet performed the world premiers of two works written by prominent American composers specifically for the group: Stephen Paulus's concerto for string quartet and orchestra, Three Places of Enlightnement, with The Cleveland Orchestra at Severance Hall, and a "Farewell Quartet" by John Corigliano, a work given its premier by the Cleveland Quartet in the Fall of 1995, whose subsequent recording with Telarc won the 1996 Grammy for "Best Chamber Music Performance."
Cleveland Quartet Beethoven Quartet Cleveland Orchestra Beethoven Weilerstein Katz Samuel Adler Adler John Harbison Libby Larsen Stephen Paulus Christopher Rouse Dan Welcher Osvaldo Golijov John Corigliano Mostly Mozart Festival 1969 1995 1996
Donald Weilerstein, Peter Salaff, Violin. Martha Strongin Katz, Viola. Paul Katz, Cello. For more than a quarter of a century, the Cleveland Quartet was hailed as one of the premier string quartets of our time. Since their inception in 1969, they played more than 2,500 concerts (including appearances in music capitals throughout the world), created award-winning recordings of more than 60 chamber works, presented premiers and repeat performances of new music by contemporary composers, and spent countless hours as dedicated conservatory teacher-performers (initially at the Cleveland Institute of Music, then at the State University of New York at Buffalo, and finally at the Eastman School of Music in Rochester). During 26 years of intensive music-making as one of the most admired ensembles on the international scene, the Cleveland Quartet performed nearly 30 complete Beethoven quartet cycles in cities such as New York, Washington D.C., San Francisco, Paris, Rome, London, Florence, and Tokyo. They had undertaken a regular series of recital tours throughout the United States, Canada, Europe, and Japan, and had also performed in the former Soviet Union, South America, Australia, New Zealand, the Middle East, and Eastern Asia. Other highlights included repeated appearances at such prestigious music festivals as Salzburg, Edinburgh, Lucerne, Berlin, and Helsinki, as well as annual appearances at New York's Mostly Mozart Festival and 20 years of summer residencies at the Aspen Festival in Colorado. In addition, they made numerous radio and television appearances, and performed in a Presidential Inaugural Concert. As 20th-century musicians, the Cleveland Quartet was always deeply committed to the performance of contemporary music. Since its founding in 1969, it regularly commissioned and premiered works by American composers, including Samuel Adler, John Harbison, Libby Larsen, Stephen Paulus, Christopher Rouse, and Dan Welcher. In its last year the Cleveland Quartet gave the world premier of Osvaldo Golijov's Dreams and Prayers of Isaak the Blind. In the course of its final months as an ensemble, the Cleveland Quartet performed the world premiers of two works written by prominent American composers specifically for the group: Stephen Paulus's concerto for string quartet and orchestra, Three Places of Enlightnement, with The Cleveland Orchestra at Severance Hall, and a "Farewell Quartet" by John Corigliano, a work given its premier by the Cleveland Quartet in the Fall of 1995, whose subsequent recording with Telarc won the 1996 Grammy for "Best Chamber Music Performance."
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- Zeitleiste: Komponisten (Nordamerika). Interpreten (Nordamerika).
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