Arturo Saco del Valle Videos
Komponist
- Zarzuela
- Spanien
Letzte Aktualisierung
2024-06-16
Aktualisieren
John Dowland Julian Bream Griswold Dahl Ling Stringer Sanger Lawson Abbot Nielsen Scott Thompson Kline Travis 1500 1563 1624
In this episode I discuss the Music of Renaissance Songwriter and Lute virtuoso John Dowland +••.••(...)). Damien Kelly (http•••) Julian Bream - (http•••) Spring Sale: Get all educational products I have ever created in ONE bundle for just $99.99 ⇢ (http•••) To donate to the channel go here: (http•••) THE BEATO CLUB → (http•••) MY HELIX PRESETS →(http•••) SUBSCRIBE HERE → (http•••) For recurring support go here: (http•••) —————————————————————————————————————— My Links to Follow: YouTube - (http•••) Follow my Instagram - (http•••) —————————————————————————————— Special Thanks to My Supporters: Catherine Sundvall Clark Griswold Ryan Twigg LAWRENCE WANG Martin Small Kevin Wu Robert Zapolis Jeremy Kreamer Sean Munding Nat Linville Bobby Alcott Peter Glen Robert Marqusee James Hurster John Nieradka Grey Tarkenton Joe Armstrong Brian Smith Robert Hickerty comboy Peter DeVault Phil Mingin Tal Harber Rick Taylor Bill Miller Gabriel Karaffa Brett Bottomley Frederick Humphrey Nathan Hanna Stephen Dahl Scott McCroskey Dave Ling Rick Walker Jason Lowman Jake Stringer steven crawford Piush Dahal Jim Sanger Brian Lawson Eddie Khoriaty Vinny Piana J.I. Abbot Kyle Dandurand Michael Krugman Vinicius Almeida Lars Nielsen Kyle Duvall Alex Zuzin tom gilberts Paul Noonan Scott Thompson Kaeordic Industries LLC Duane Blake Kai Ellis Zack Kirkorian Joe Ansaldi Pzz Marc Alan Rob Kline Calvin Wells David Trapani Will Elrics Debbie Valle JP Rosato Orion Letizi Mike Voloshen Peter Pillitteri Jeremy Hickerson Travis Ahrenholtz
Maria Callas Giuseppe Stefano Bellini Berruti Robertson Rosa Rimoch Palacio Bellas Artes 1350 1756 1952
Maria Callas and Giuseppe di Stefano deliver like meteors falling from space in the final act of Bellini's I Puritani. Live recording from Mexico, May 29, 1952. 0:00 Introduzione 2:48 Son salvo! Alfin son salvo! 4:50 A una fonte afflitto e solo 9:40 Corre a valle, corre a monte 11:30 Finì… me lassa [triste]! 13:50 Nel mirarti un solo instante 17:56 Vieni, vieni fra queste braccia 25:42 Credeasi, misera! 29:19 Suon d’araldi? 31:15 Surprise High Note I have re-equalized and stereoized Pablo Berruti's magnificent transfer available on DivinaRecords. Please visit and support his work here: (http•••) Full cast: Elvira: Maria Callas Arturo: Giuseppe di Stefano Riccardo: Piero Campolonghi Giorgio: Roberto Silva Gualtiero Valton: Ignacio Ruffino Sir Bruno Robertson: Tanis Lugo Enrichetta di Francia: Rosa Rimoch Orchestra and Chorus of the Palacio de Bellas Artes Guido Picco, conductor Palacio de Bellas Artes, México City
Gaetano Donizetti Ferretti Giorgio Ronconi Giuseppe Verdi Domenico Ronconi Bellini Padilla Gioachino Rossini Felice Varesi Leone Giraldoni Francesco Graziani Graziani Antonio Cotogni Testi Scala 1755 1784 1797 1809 1810 1817 1824 1827 1831 1832 1833 1836 1837 1838 1840 1841 1842 1843 1848 1852 1890 1999
"Perché dell'aure in sen" - "Torquato Tasso" (1833) - G. Donizetti +••.••(...)) - Live 1999 - Berlin. Luca Casagrande Baritone Jessica Nardon Piano - Piano Erard XIX cen.. "Torquato Tasso" is a melodramma semiserio, or 'semi-serious' opera, in three acts by Gaetano Donizetti and based on the life of the great poet Torquato Tasso. The Italian libretto was written by Jacopo Ferretti, who used a number of sources for his text, including works by Giovanni Rosini, Goethe, Goldoni, and Lord Byron as well as Tasso's actual poetry. It premiered on 9 September 1833 at the Teatro Valle, Rome. The work has been criticized for "its odd deployment of vocal types" characteristic of the semiseria genre. The role of the poet Torquato Tasso was written by Jacopo Ferretti, and the music was composed by Gaetano Donizetti, for Giorgio Ronconi a high baritone, almost a tenor. Giorgio Ronconi (6 August 1810 - 8 January 1890) was an Italian operatic baritone celebrated for his brilliant acting and compelling stage presence. In 1842, he created the title-role in Giuseppe Verdi's Nabucco at La Scala, Milan. Ronconi was born in Milan and had been taught to sing by his father, Domenico Ronconi, who was a leading tenor. He made his operatic debut at Pavia in 1831, as Valdeburgo in Bellini's La straniera, and went on to sing at La Scala and elsewhere in Italy. In the 1830s and 1840s, he appeared in the first performances of seven operas by Donizetti. They were in: 1833, as Cardenio in "Il furioso all'isola di San Domingo"; 1833, in the title role in "Torquato Tasso"; 1836, as Enrico in "Il campanello"; 1837, as Nello Dello Pietra in "Pia de' Tolomei"; 1838, as Corrado Waldorf in "Maria de Rudenz"; 1841, as Don Pedro in "Maria Padilla"; and 1843, as Enrico, Duke of Chevreuse, in "Maria di Rohan". The genius of Ronconi's acting and the strength of his personality atoned for his vocal defects. He was equally at home in comedy and tragedy, and the two parts by which he is best remembered, Giuseppe Verdi's Rigoletto and Gioachino Rossini's Figaro, showed the spread of his talent. A large section is devoted to descriptions of Ronconi's powers in the critic Henry Fothergill Chorley's Recollections. In his later years, Ronconi founded a school of singing in Granada, Spain, and also accepted a teacher role at the Royal Conservatory of Madrid. Ronconi inspired many great Italian baritones: the most esteemed of his contemporaries/immediate successors were probably Felice Varesi, Leone Giraldoni, Francesco Graziani and Antonio Cotogni, all of whom were outstanding Verdi singers. "Torquato Tasso" è un'opera semiseria in tre atti, composta nell'estate del 1833 e rappresentata per la prima volta a Roma, al Teatro Valle, il 9 settembre dello stesso anno. Il libretto è opera di Jacopo Ferretti +••.••(...)), già librettista di Rossini per "La cenerentola" e per "Matilde di Shabran". Per Donizetti scrisse i testi dei libretti de "L'ajo nell'imbarazzo" (1824), di "Olivo e Pasquale" (1827) e de "Il furioso all'isola di Santo Domingo" (1833). Il libretto è basato su "Torquato Tasso" di Giovanni Rosini (Pisa, 1832) e "Tasso" di Carlo Goldoni (1755), "Tasso" di Goethe (1809) e "The lament of Tasso" di Byron (1817). La partitura manoscritta autografa dell'opera è conservata presso l'Archivio Ricordi, a Milano. La parte del Tasso fu composta per essere il cavallo di battaglia del baritono Giorgio Ronconi (Milano 1810- Madrid 1890), di voce acuta e "chiara", già protagonista de "Il furioso..." e destinato a ricoprire una mezza dozzina di ruoli di protagonista, o comunque di primo piano, nell'ambito della produzione operistica donizettiana, fino al 1843, e a diventare uno dei baritoni più rappresentativi della sua epoca, incarnando, a partire dal 1840 circa il prototipo del baritono verdiano, capace di stupefacenti effetti drammatici, e, al tempo stesso, di un canto elegiaco caratterizzato da mezze voci, piani e pianissimi in tessitura acutissima, praticamente tenorile.
Franco Corelli Corelli Francesco Paolo Tosti Virginia Zeani Jerome Hines Ferruccio Tagliavini Klara Barlow Barlow Fiore Vecchi Menta Baci New Jersey State Opera 1980 1981
Playlist from Corelli's 1980-1981 return appearances: (http•••) Franco Corelli, tenor April 25, 1981 Newark, New Jersey, Symphony Hall (Corelli retired in '76 but gave a couple of return concerts in '80-'81 - this is the first official one) Gala Concert with Virginia Zeani, Franco Corelli, Jerome Hines, Ferruccio Tagliavini and Klara Barlow Pianist and conductor: Alfredo Silipigni New Jersey State Opera Orchestra Digitized from vinyl LP (published in 1981): Legendary Recordings LR-152 "Virginia Zeani and Franco Corelli - Gala Concert 1981" With on screen Italian and English text. There are multiple instances of the videotaped version of this same clip uploaded to YouTube which I higly recommend you to watch, but hopefully the better sound quality, nice pictures and the lyrics make worth watching this version as well. Music by Francesco Paolo Tosti Lyrics by Francesco Cimmino Translation by Antonio Giuliano / My uploads serve non-profit, educational purposes only. No copyright infringement intended. If you're the rights owner and you wish your content to be removed from my channel, please before reporting, let me know and I take it down. Follow me on Facebook: (http•••) / M'han detto che domani Nina vi fate sposa, Ed io vi canto ancor la serenata. Là nei deserti piani Là, ne la valle ombrosa, Oh quante volte a voi l'ho ricantata! Foglia di rosa O fiore d'amaranto Se ti fai sposa Io ti sto sempre accanto. Domani avrete intorno Feste sorrisi e fiori Nè penserete ai nostri vecchi amori. Ma sempre notte e giorno Piena di passione Verrà gemendo a voi la mia canzone. Foglia di menta O fiore di granato, Nina, rammenta I baci che t'ho dato! . . . They told me that tomorrow Nina, you will be a bride. yet still I sing my serenade to you! Up on the barren plateau, down in the shady valley, Oh, how often I have sung it to you! Rose-petal O flower of amaranth, though you marry, I shall be always near. Tomorrow you'll be surrounded by celebration, smiles and flowers, and will not spare a thought for our past love; yet always, by day and by night, with passionate moan my song will sigh to you. Mint-flower, O flower of pomegranate, Nina, remember the kisses I gave you!
oder
- Zeitleiste: Komponisten (Europa).
- Indizes (in alphabetischer Reihenfolge): V...