Andrea Cogliati Videos
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2024-05-01
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Agricola Poggi Cogliati Ederle 2015
Per il primo appuntamento del 2015 di #cookingsanmattia ho scelto i vini dell'azienda agricola Le Fraghe di Matilde Poggi. Matilde titolare della sua azienda e Vignaiolo Indipendente FIVI è anche la presidentessa nazionale dell'associazione. Nella sua azienda a Cavaion Veronese (nelle vicinanze del Lago di Garda) produce cinque vini. A #cookingsanmattia ne conosceremo due: La Garganega e il Bardolino. Scopri di più su #cookingsanmattia, i corsi di cucina dello chef Alessandro Cogliati all'Agriturismo San Mattia di Giovanni Ederle, e iscriviti subito! #cookingsanmattia è già sulla bocca di tutti! questo è un video puramente amatoriale, fatto da Sissi con iPhone6, non pretende in alcun modo di essere un capolavoro cinematografico.
Esperienze e piccola inchiesta tra i supervisori sulle cose più necessarie per rendere il più possibile omogenei gli esami ECDL. Criticità da affrontare – In ascolto per migliorare Gloria Cogliati (Supervisore ECDL / Formatore ECDL – AICA / Formatore PNSD inserito nel registro formatori Aica) Mirco Loretoni (Diplomato in cerca di occupazione)
Giovanni Bottesini Zubin Mehta Crema Cogliati Luigi Rossi Paganini Verdi Arrigo Boito Luigi Mancinelli Bennett Teatro Sociale 1847 1849 1855 1856 1857 1859 1861 1862 1863 1870 1871 1879 1880 1887 1888 1889
Giovanni Bottesini Born in Crema, Lombardy, he was taught the rudiments of music by his father, an accomplished clarinetist and composer,[1] at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. His father sought a place for him in the Milan Conservatory, but due to the Bottesini family's lack of money, Bottesini needed a scholarship. Only two positions were available: double bass and bassoon. He prepared a successful audition for the double bass scholarship in a matter of weeks. At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso. Only four years later, a surprisingly short time by the standards of the day, he left with a prize of 300 francs for solo playing. This money financed the acquisition of an instrument of Carlo Giuseppe Testore, and a globe-trotting career as "the Paganini of the Double Bass" was launched.[1] On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director. Here his first opera, Cristoforo Colombo, was produced in 1847. In 1849 he made his first appearance in England, playing double bass solos at one of the Musical Union concerts. After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces. Apart from his triumphs as a performer, Bottesini was a conductor of European reputation, and was conductor at the Théâtre des Italiens in Paris from 1855 to 1857 where his second opera, L'Assedio di Firenze, was produced in 1856. In 1861 and 1862 he conducted in Palermo, supervising the production of his opera Marion Delorme in 1862, and in 1863 in Barcelona. During these years he diversified the toils of conducting by repeated concert tours through Europe. In 1871 he conducted a season of Italian opera at the Lyceum theatre in London, during which his opera Ali Babà was produced, and he was chosen by Verdi to conduct the first performance of Aida, which took place at Cairo on 24 December 1871. When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening's opera. His fantasies on Lucia di Lammermoor, I puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument. Venere's Temple, set design for Ero e Leandro act 1 (1879). Bottesini wrote three operas besides those previously mentioned: Il Diavolo della Notte (Milan, 1859); Vinciguerra (Paris, 1870); and Ero e Leandro (Turin, 1880), the last named to a libretto by Arrigo Boito, which was subsequently set by Luigi Mancinelli. He also wrote The Garden of Olivet, a devotional oratorio (libretto by Joseph Bennett), which was produced at the Norwich festival in 1887, eleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante (originally) for two double basses, Passione Amorosa for two double basses, numerous pieces for double bass and piano, and an instructional book ("Complete Method for Double Bass"). Shortly before his death, in 1888 he was appointed director of Parma Conservatory on Verdi's recommendation. Bottesini died in Parma on 7 July 1889. His solo works remain standard repertoire for accomplished double bassists to this day. Bottesini was a freemason, initiated 20 June 1849, in the Bank of England Lodge No. 263, London. #Bottesini 200th #DoubleBassPlayer #ZubinMehta (http•••) (http•••) (http•••)
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