Alphonse Cary Videos
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- Vereinigtes Königreich Großbritannien und Nordirland
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2024-06-01
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Joseph Gungl Virginia Naumann Gungl Naumann Cary 1809 1889
Joseph Gungl, correct: Josef Gung'l (1 December 1809 – 1 February 1889), was an Austrian composer, bandmaster, and conductor. He was soprano Virginia Naumann-Gungl's father. Performers: The Peterhoff Orchestra · Leo Korkhin. Painting: WM. Montagne Cary - The Last Buffalo.
Staatsschauspiel Dresden Makarenko Cary Gebel Aschenbrenner Séjourné Ackermann Bär Brümmer Drechsler Feldmann Frenzel Jacobs Klose Melzer Roth Stein Weber Winkler 2017
nach Zeitzeugenberichten und unter Verwendung von Dokumenten sowie Texten von Anton Makarenko u. a. | Spielfassung von Jörg Bochow und Volker Lösch | URAUFFÜHRUNG am 23.09.2017 im Schauspielhaus | REGIE Volker Lösch | BÜHNE Cary Gayler | KOSTÜME Carola Reuther |MUSIK FM Einheit | DRAMATURGIE Jörg Bochow | LICHT Michael Gööck | MIT Ilona Enskat, Anette Gebel-Kozian, Stefan Lauter, Andreas Richter, Detlev Sadrinna (Zeitzeugen), Luise Aschenbrenner, Jannik Hinsch, Malte Homfeldt, Hannah Jaitner, Moritz Kienemann, Deleila Piasko, Daniel Séjourné, Nadja Stübiger, Yassin Trabelsi, Viktor Tremmel sowie Inge Ackermann, Yuna Anders, Tom Arnold, Eduard Bär, Emely Beck, Fritz Bergert, Ireen Bernhard, Lennart Brümmer, Fynn R. Drechsler, Friederike Feldmann, Vanessa Frenzel, Tabea Günther, Clara Haines, Lissy Jacobs, Dominic Jarmer, Clara Koschine, Wieland König, Miriam Kaden, Leticia Klose, Georg Kurze, Dorothee Linßner, Liselotte Maune, Vincent Melzer, Sarah Muschalek, Clemens Müller, Eric Netzschwitz, Ronja Oehler, Elias Ose, Sara Paulisch, Philipp Rahn, Franz Rölz, Jannis Roth, Kim-Elia Samaga, Sophie Scholta, Elisabeth Helene Sperfeld, Leonore Sperfeld, Marek Anton Stein, Anton Stock, Melissa Stock, Theresa Tippmann, Maxima Walthes, Fee Weber, Arthur Leo Weinhold, Maria Winkler | KARTEN 0351.49 13-555 | INTERNET www.staatsschauspiel-dresden.de | Ein Theatertrailer von artgenossen.tv
Richard Wagner Daniel Barenboim Cary Janes Gallardo Bayreuth Kupfer Hohlfeld John Tomlinson Kannen Graham Clark Linda Finnie Eva Johansson Brinkmann Kurt Schreibmayer Birgitta Svendén Matthias Hölle Kang Helmut Pampuch Turner Bayreuth Festspielhaus 1992 2001
Part 1 of "Das Rheingold", from "The Ring Of The Nibelung" series of graphic novels by P. Craig Russell. These graphic novels are an adaptation of the tetralogy of operas "Der Ring des Nibelungen" by Richard Wagner. These videos present a whole new way to experience and enjoy both P. Craig Russell's beautiful work and Richard Wagner's precious music: now you can read the graphic novels while listening to the operas they are based on! An extremely careful process was done while making these videos: the timing, illumination and presentation of the images was adjusted to the dialogues, music and arrangements on the operas. An intensive investigation about leitmotives, their significance and their many variants was done to better understand the moments and subtle overtones the images from the graphic novels are invoking from the operas. Lastly, it was meant that these videos had the recordings of the Ring production with the best cast of all time, and so the 1992 Barenboim production was chosen. All in all, in this way, by treating both P. Craig Russell's graphic novels and Richard Wagner's operas with the utmost respect and fidelity, one can enjoy their exquisite works at the same time and with the highest quality! Credits: Graphic novel: Author: P. Craig Russell Publisher: Dark Horse Comics Year: 2001 Translation & Text: Patrick Mason Colors: Lovern Kindzierski Letters: Galen Showman Design: Cary Grazzini Edited by: Peet Janes & Scott Allie Assistant Editors: Adam Gallardo & Mike Carriglitto Published by: Mike Richardson Opera: Author: Richard Wagner Orchestra: Orchester der Bayreuth Festspiele Recorded in: Bayreuth Festspielhaus Conductor: Daniel Barenboim Stage director: Harry Kupfer Producer: Horant H. Hohlfeld Year: 1992 Cast: Wotan: John Tomlinson Alberich: Günter von Kannen Loge: Graham Clark Fricka: Linda Finnie Freia: Eva Johansson Donner: Bodo Brinkmann Froh: Kurt Schreibmayer Erda: Birgitta Svendén Fasolt: Matthias Hölle Fafner: Philip Kang Mime: Helmut Pampuch Woglinde: Hilde Leidland Wellgunde: Annette Küttenbaum Flosshilde: Jane Turner
Elwes Roger Quilter Cary Jacques Bouhy Henry Russell Agnes Nicholls Engelbert Humperdinck Handel Westmorland Charles Villiers Stanford Villiers Hubert Parry Kruse Edward Elgar Beethoven Harry Plunket Greene Greene Johannes Brahms Freed Ralph Vaughan Williams Thomas Dunhill Frank Bridge 1866 1885 1901 1903 1904 1912 1916 1921
The fine English tenor Gervase Elwes sings 'Cuckoo Song,' recorded c. June 1916. From Wikipedia:Gervase Henry Cary-Elwes, DL (15 November 1866 – 12 January 1921), better known as Gervase Elwes, was an English tenor of great distinction, who exercised a powerful influence over the development of English music from the early 1900s up until his death in 1921 due to a railroad accident in Boston at the height of his career. Elwes was born in Billing Hall, Northampton... Of the Northamptonshire and Lincolnshire landed gentry, he was educated at The Oratory School (a Roman Catholic school) and Woburn School, Weybridge, where he arrived in 1885, and finally at Christ Church, Oxford, where he was active as a cricketer and violinist. At the age of 22 he married Lady Winifride Mary Elizabeth Feilding... After Oxford he trained as a lawyer and diplomat, spending some years in Brussels, where he began his first formal singing lessons at the age of 28. However, he had to overcome a social convention which resisted a member of the upper classes becoming a professional singer, and it was not until the early 1900s, in his late thirties, that he gave his first professional performances in London. His principal teachers were Jacques Bouhy in Paris (1901–03), and in London Henry Russell and Victor Biegel, who remained his friend and teacher throughout his life. Bouhy asked him to decide between a baritone career in opera or a tenor career in oratorio and concert, and he chose the latter. His first professional appearance in London was opposite Agnes Nicholls, in Wallfahrt nach Kevlaar by Engelbert Humperdinck at the St James's Hall, with the Handel Society under J. S. Liddle in late April 1903, and immediately afterwards he appeared at the Westmorland Festival. In June 1903 he was auditioned at the Royal College of Music in London by Charles Villiers Stanford, who left the room and brought Hubert Parry in to hear him as well. The violinist Professor Kruse, who was then attempting to revive the Saturday 'Pops' at the St James's Hall jumped out of his chair and promptly engaged him, and it was Kruse who arranged for his first appearance in Edward Elgar's The Dream of Gerontius early in 1904 as an addition to his Beethoven Festival. Harry Plunket Greene, who had encouraged Elwes through this audition, also remained his lifelong friend. Elwes had a voice entirely in the English colouring, but with an unusual quality of sincerity and passion, and of considerable power. His diction and intonation were very secure, his delivery somewhat 'gentlemanly' but his phrasing long in conception and serving intense melodic inflections. His singing possessed a spiritual fervour... Victor Biegel, a 'little round, bald Viennese,' was for some time accompanist to the celebrated German lieder singer Raimund von zur-Mühlen and had a special understanding of the songs of Johannes Brahms, which he imparted to Elwes. There was a great rapport, and his teaching, especially during his six-month residence at Billing Hall (an Elwes estate) in 1903, completely freed and relaxed Elwes' voice, opening the way for the sustained power and brilliance of his upper register, and the vocal stamina which enabled him to maintain great oratorio roles (for which he was much in demand) with absolute conviction through a singing career of nearly two decades... But it was as singer of English art-song, and the friend of many leading English composers, that Elwes left his most permanent legacy. He was the dedicatee and first performer of (and the first person to record) Ralph Vaughan Williams song cycle On Wenlock Edge and many of the finest songs of Roger Quilter (including the cycle To Julia), both of whom wrote with his voice in mind. In 1912 he gave the first performance of Thomas Dunhill's song-cycle The Wind Among the Reeds for the Philharmonic Society. He had the wholehearted admiration of every generation from Charles Villiers Stanford to Frank Bridge, and their successors still acknowledge the authority of his influence. He was also a wonderful inspiration to leading British singers of his time, as their many private and published memorials testify... On 12 January 1921, Elwes was killed in a horrific accident at Back Bay railway station in Boston, Massachusetts, in the midst of a high-profile recital tour of the United States at the height of his powers. Elwes and his wife had alighted on the platform when the singer attempted to return to the conductor an overcoat that had fallen off the train. He leaned over too far and was hit by the train, falling between the moving carriages and the platform. He died of his injuries a few hours later. He was 54 years old. A week after the event, Edward Elgar wrote to Percy Hull, 'my personal loss is greater than I can bear to think upon, but this is nothing – or I must call it so – compared to the general artistic loss – a gap impossible to fill – in the musical world.'
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- Zeitleiste: Komponisten (Europa).
- Indizes (in alphabetischer Reihenfolge): C...