Alexandra Flood Videos
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2024-05-01
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Louis Joseph Andriessen Reinbert Leeuw Susan Narucki Susan Bickley Vries Barbara Hannigan Sweelinck Witt Asko Ensemble Dutch National Opera 1003 1603 1939 1940 1998 2021
Composer: Louis Joseph Andriessen (June 6, 1939 – July 1, 2021) Electronic inserts by: Michel van der Aa Libretto: Peter Greenaway Orchestra: Schönberg Ensemble and Asko Ensemble conducted by Reinbert de Leeuw Catharina Bolnes, Vermeer's Wife: Susan Narucki Maria Thins, Vermeer's Mother-in-Law: Susan Bickley Saskia de Vries, Vermeer's Model: Barbara Hannigan Chorus: Dutch National Opera 00:00 Scene 1: Vermeer is away in The Hague. 03:09 Catharina's first letter to Vermeer: Saskia is returning to her home in Dordrecht. 06:12 Maria's first letter to Vermeer: She asks him to return soon. (7:53) Insert: "Violence" 08:17 She describes how the family misses Saskia (8:45) 10:03 And when Johannes met Catharina. 11:15 Catharina gave Saskia a shawl, once a gift from Johannes. 13:16 End of the letter: Catharina will write tomorrow about Cornelia's birthday. (14:19) Signatures 16:03 Scene 2: Cornelia's Birthday 19:40 Catharina's and Maria's second letters: Cornelia has turned 9. Maria is trying to have Saskia come back. (22:01) Insert: "explosion" 22:33 Catharina talks about the children: Gertruyd cut her hair to send to Saskia to get her to come back. 24:10 Maria describes her plan to get Saskia back. 25:50 Saskia's first letter to Johannes: she has arrived safely in Dordrecht. 29:36 Catharina and the family are excited for Johannes's return (30:27) Signatures 31:28 Scene 3 - 1 33:51 2 36:15 3 - Cornelia has swallowed varnish. (37:24) Chorus: Maria has bought ultramarine for Johannes. 38:37 4 - Duet of Maria and Saskia: Catharina is displaying symptoms of pregnancy. 41:03 5 - Catharina: Cornelia is sick from the varnish. 43:19 6 - Saskia: the baby will be a boy because of the blue Catharina is wearing. 45:46 7 - Maria: Catharina seems sicker this time. 48:04 8 - Saskia's signature (49:51) Catharina's signature 50:42 Scene 4 - 1 - Saskia's second letter: she asks how the children are doing 52:57 2 - Catharina worries about the family's finances. (54:23) Insert. Maria comments on the women in Johannes' paintings. 55:34 3 - Maria: "It's all women that you paint." (57:04) (57:35) Insert 58:24 4 - Catharina writes about how much they miss Johannes, and about their future. 1:00:49 5 - French invasion (1:02:13) Insert: "interruption streetfights" 1:03:16 6 - Saskia sings Sweelinck's "Mein junges Leben" 1:04:43 7 - "My mother bought me some music sheets..." (1:06:14) Maria sees Catharina writing 1:07:02 8 - Maria: "You paint us all writing so often." (1:07:47) Saskia tried to convince her father to visit cousins who live near Johannes. 1:08:58 Scene 5 - A little dance with the children 1:12:05 Catharina's fifth letter: a family outing at the fortifications (1:14:30) Insert: "halberds savagery" 1:15:14 Saskia: Her father introduces her to a potential suitor. (1:16:15) Joachim and Abraham show up to meet Saskia as part of Maria's plan. 1:17:34 Saskia's outing with Abraham. Maria hopes her plan is working. (1:19:24) Insert: "riots in snow" 1:20:08 (1:21:03) Maria: Saskia is coming back. (1:22:23) "Come back, Saskia." 1:23:35 Scene 6 1:26:21 Catharina and Maria's final letters: Johannes is coming home soon 1:28:31 Catharina worries what would happen if Johannes never came back (1:29:20) Insert: "The murder of Johan de Witt" 1:31:08 Catharina: "I would buy myself a mirror." Maria tells him about the gifts the children have made for his return. 1:33:24 They ask Johannes to come back quickly. (1:35:14) Maria's signature 1:35:40 A knock at the door 1:37:06 Saskia's final letter: she is coming back. (1:38:31) Saskia and Catharina are excited to see Johannes again. 1:39:14 Catharina's and Saskia's signatures. A flood envelops the city. Score available here: (http•••)
Last month the Intergovernmental Panel on Climate Change released a report finding that climate change is already causing widespread damage, with much worse to come in the decades ahead if emissions continue to climb. UN Secretary General Antonio Guterres called the report “a damning indictment of failed climate leadership.” In the first paragraph of his new book Fire and Flood, award-winning journalist Eugene Linden echoes Secretary General Guterres, asking “What were the decisions, or lack thereof, the missed opportunities, the political failures that caused a technologically advanced civilization to continue to alter earth’s climate even as its leaders knew better?” Linden explores climate policy from 1979 to the present, recounting the growth in scientific understanding, political forces that shaped decision making, and more. Based on this history, he concludes with recommendations for “a livable future.” The Center on Global Energy Policy hosted Eugene Linden for a discussion on his new book, Fire and Flood, followed by a dialogue between Linden and CGEP Inaugural Fellow David Sandalow.
Igor Stravinsky Oliver Knussen Wuorinen Eberhardt London Sinfonietta 1965 1995
Provided to YouTube by Universal Music Group Stravinsky: Requiem Canticles +••.••(...)) - Libera me (II) · London Sinfonietta · Oliver Knussen · New London Chamber Choir Stravinsky: The Flood; Abraham and Isaac; Variations; Requiem Canticles / Wuorinen: A Reliquary for Igor Stravinsky ℗ 1995 Deutsche Grammophon GmbH, Berlin Released on: 1995-01-01 Producer: Oliver Knussen Producer, Studio Personnel, Balance Engineer: Tryggvi Tryggvason Studio Personnel, Balance Engineer: Gregor Zielinsky Producer: Jobst Eberhardt Producer: Hans-Rudolf Müller Composer: Igor Stravinsky Auto-generated by YouTube.
Stravinsky Scriabin Stockhausen Xenakis Luigi Nono Pierre Boulez Milton Babbitt Arnold Schoenberg
Patreon: (http•••) Instagram: (http•••) Ko-Fi: (http•••) Soundcloud: (http•••) DEBUT SINGLE Julius Caesar: (http•••) And so my friends we have to the final video in the Stravinsky Trilogy of "How To Compose Like" In this final video we take a loo at Stravinsky's late in look turn towards serialism, and more specifically, Dodecaphony. While serialism can encompass multiple different styles of row-based music (everything from some parts of early Scriabin, Stockhausen, Xenakis, Luigi Nono, Pierre Boulez, Milton Babbitt and others) 12 tone row composition or "Dodecaphony" is a specific style of composition, pioneered by Arnold Schoenberg, of constructing a row from all 12 chromatic notes with no repeating notes in said row. During the early and middle part of his life Stravinsky's life he was often at odds with Schoenberg and dismissed 12 tone composition. However, as he aged he came to use almost exclusively 12 tone rows as his main composing device. From the late 1950s until the end of his life, Stravinsky composed almost exclusively in serialist techniques, and never again returned to his early Russian style or his neoclassicism. In this video we analyze perhaps the apex of Stravinsky's 12 tone ouevre, "The Flood" 00:00 - 00:42 Introduction 00:42 - 04:28 Brief Overview of Serialism/Dodecaphony 04:28 - 23:54 The Flood: Te Deum Analysis 23:54 - 40:15 The Flood: Choreography Analysis 40:15 - 41:12 Conclusion
- Zeitleiste: Lyrische Sänger (Nordamerika).
- Indizes (in alphabetischer Reihenfolge): F...