Alexander Nikolajewitsch Skrjabin Videos
russischer Pianist und Komponist (1872-1915)
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Gedenken 2025 (Tod: Alexander Nikolajewitsch Skrjabin)
- Klavier
- klassische Musik, Sinfonie, Sonate, Symbolismus
- Russisches Kaiserreich
- Komponist, Pianist, Hochschullehrer
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2024-06-08
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Sergei Taneiev Natalia Iretskaya Pauline Viardot Fyodor Chaliapin Scriabin Mariinsky Theatre Covent Garden Scala 1875 1905 1915 1976
Oda Slobdskaya sings "My heart is beating" by Sergei Taneiev. Disclaimer- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. If for any reason, you deem that a video appearing in this channel violates copyright, please inform us immediately before you submit a claim to YouTube and we will take care to remove it Slobodskaya was born in Vilnius, then part of Russia, and studied with the formidable Natalia Iretskaya, herself a pupil of Pauline Viardot Garcia. She sang major roles in the Mariinsky theatre St Petersburg but after the Revolution and subsequent famine, she left Russia with Fyodor Chaliapin when he brought his own opera company to the west. She went on to sing major roles at Covent Garden, La Scala Milan and other major houses. She eventually married and settled in London where she enjoyed great success as both a concert and opera singer. She continued to give entertaining recitals of Russian songs well into her seventies and was a witty and characterful narrator of Peter and the Wolf. The photograph of the statuette is reproduced by kind permission of stuartliff If you can post a synopsis or translation it would be most welcome. Sergei Taneiev was born in1856 and graduated from the Moscow Conservtory in 1875, the first student in the history of the Conservatory to win the gold medal both for composition and for performing (piano). He was also the first person ever to be awarded the Conservatory's Great Gold Medal. In 1905, the revolution and its consequent effect on the Moscow Conservatory led Taneyev to resign from the staff there. He resumed his career as a concert pianist, both as soloist and chamber musician. He died in 1915 from pneumonia contracted whilst attending the funeral of Scriabin.
Sergei Taneiev Natalia Iretskaya Pauline Viardot Fyodor Chaliapin Scriabin Mariinsky Theatre Covent Garden Scala 1875 1905 1915 1976
Oda Slobdskaya sings "Nocturne?" by Sergei Taneiev. Slobodskaya was born in Vilnius, then part of Russia, and studied with the formidable Natalia Iretskaya, herself a pupil of Pauline Viardot Garcia. She sang major roles in the Mariinsky theatre St Petersburg but after the Revolution and subsequent famine, she left Russia with Fyodor Chaliapin when he brought his own opera company to the west. She went on to sing major roles at Covent Garden, La Scala Milan and other major houses. She eventually married and settled in London where she enjoyed great success as both a concert and opera singer. She continued to give entertaining recitals of Russian songs well into her seventies and was a witty and characterful narrator of Peter and the Wolf. If you can post a synopsis or translation it would be most welcome. Sergei Taneiev was born in1856 and graduated from the Moscow Conservtory in 1875, the first student in the history of the Conservatory to win the gold medal both for composition and for performing (piano). He was also the first person ever to be awarded the Conservatory's Great Gold Medal. In 1905, the revolution and its consequent effect on the Moscow Conservatory led Taneyev to resign from the staff there. He resumed his career as a concert pianist, both as soloist and chamber musician. He died in 1915 from pneumonia contracted whilst attending the funeral of Scriabin. Disclaimer- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. If for any reason, you deem that a video appearing in this channel violates copyright, please inform us immediately before you submit a claim to YouTube and we will take care to remove it
Vladimir Samoylovich Horowitz Chopin Bach Debussy Schumann Alexander Scriabin Sergei Rachmaninoff Tchaikovsky Thomas Beecham Liszt Toscanini Brahms Scarlatti Haydn Clementi Beethoven Samuel Barber Prokofiev Kabalevsky Schonberg Carnegie Hall 1757 1903 1915 1925 1928 1932 1933 1936 1940 1950 1953 1965 1985 1987 1989
LIKE and SUBSCRIBE for more videos ! (http•••) SUBSCRIBE to my PATREON ! → (http•••) Vladimir Horowiz : Carnegie Hall Rehearsal, 7 January 1965 (Bach, Chopin, Debussy, Schumann, Conversations etc...) Performer : Vladimir Horowitz, piano Date : 7 January 1965 Place : Carnegie Hall Program : Rehearsal 00:00 Horowitz improvising 03:24 Conversation and Horowitz testing the piano 05:24 Horowitz improvising II 10:31 Conversation I 11:28 Bach : Toccata Adagio and Fugue in C Major, BWV 564, I Preludio 17:57 II Intermezzo Adagio 22:15 III Fuga Moderamente scherzando un poco umoristico 27:19 Conversation II 28:15 Chopin - Polonaise Fantaisie in A Flat Major Op. 61 41:19 Conversation III 41:42 Debussy : Etudes Livre II No. 11 Pour les arpeges composés 45:45 Conversation IV 47:12 Schumann : Fantasie in C Major Op. 17 I Durchaus phantastisch und leidenschaftlich vorzutragen fragment 58:08 Conversation V 58:24 Chopin : Nocturne No. 15 in F Minor Op. 55 No. 1 BIOGRAPHY The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev. Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism. He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.” Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41. Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky. Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older. Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever. In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism. Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events. The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall. But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio. A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff. The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow. In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
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