Niccolò Paganini Violinkonzert Nr. 4 in d-Moll Videos
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Niccolò Paganini Henryk Szeryng Alexander Gibson London Symphony Orchestra 1976
Provided to YouTube by Universal Music Group Paganini: Violin Concerto No. 4 in D Minor, MS. 60 - 1. Allegro maestoso · Henryk Szeryng · London Symphony Orchestra · Sir Alexander Gibson Paganini: Violin Concertos Nos. 1 & 4 ℗ 1976 Universal International Music B.V. Released on: 1976-01-01 Producer, Studio Personnel, Balance Engineer: Vittorio Negri Composer: Niccolò Paganini Auto-generated by YouTube.
Charles Auguste Bériot Albrecht Breuninger Frank Beermann Giovanni Battista Viotti Andre Robberechts Pierre Baillot Maria Malibran Paganini Henri Vieuxtemps Henryk Wieniawski Nordwestdeutsche Philharmonie 1802 1821 1826 1829 1836 1842 1852 1858 1870 1986
Charles Auguste de Bériot - Violin Concerto No. 4 in D minor, Op. 46, Laurent Albrecht Breuninger – violin, Nordwestdeutsche Philharmonie, Frank Beermann “Charles Auguste de Bériot was born in Louvain, Belgium in 1802 and died in Brussels in 1870. His first violin lessons were imparted by Jean-François Tiby. He was so gifted that at the age of nine he performed a Giovanni Battista Viotti concerto in public. Later he undertook instruction from the noted Belgian violinist Andre Robberechts who had been a pupil of Viotti. In 1821, at the age of nineteen, Bériot travelled to Paris to play for Viotti. He was praised by Viotti for the individuality of his style, but because of Viotti's duties as director of the Paris Opera, he was unable to teach Beriot. As a result, Beriot sought instruction from Pierre Baillot. Bériot was unable to submit to the rigors of Baillot's teaching; moreover, Bériot had developed a distinctive personal style that Baillot disliked. Without seeking the approval of Baillot, Beriot embarked on a solo career, making a successful debut in Paris, followed by equal success in London, where in 1826 he played his Concertino at the Philharmonic Society (the Concertino is, in fact, the First Concerto, referred to as a concertino because of its single-movement structure). In 1829 Bériot met the renowned singer Maria Malibran whom he eventually married in 1836 (she died within six months of their long-awaited union). During their six years together they toured Europe giving joint recitals. It was also during this time that Beriot heard Paganini and was inspired to incorporate Paganini's technical brilliance into his playing and compositions. In 1842 Bériot was offered a position at the Paris Conservatoire as successor to Baillot. This he declined, and instead accepted a position the following year at the Brussels Conservatoire, serving as the head of the violin faculty until 1852, when he was forced to retire due to failing eyesight (Bériot became totally blind in 1858). The ten concertos of Charles-Auguste de Bériot are significant for their role in the evolution of the violin concerto in the nineteenth century. His most direct influence can be seen in the playing and compositions of his most important pupil, Henri Vieuxtemps, who studied with Bériot as a child. More indirectly, Bériot’s influence is evident upon other virtuosos of the century, such as Henryk Wieniawski, Heinrich Ernst, and indeed most composers for the violin in the nineteenth century. Beriot's works are not as difficult as a number of the later virtuosic concertos, but they contain many challenges and serve as excellent preparatory pieces. Beriot's Concerto No. 4 in D Minor, op. 46, is like the First Concerto in that it consists of a single movement and is relatively short. It employs an A B A' structure, without the return of the first theme in the A' section.” (from “A Pedagogical Study” by Nicole De Carteret Hammill, Northern Illinois University, 1986)
Niccolò Paganini Gidon Kremer Riccardo Muti Wiener Philharmoniker 1997
Provided to YouTube by Universal Music Group Paganini: Violin Concerto No. 4 in D Minor, MS. 60 - 1. Allegro maestoso · Gidon Kremer · Wiener Philharmoniker · Riccardo Muti Paganini: Violin Concerto No.4/Suonata Varsavia ℗ 1997 Universal International Music B.V. Released on: 1997-01-01 Producer: Costa Pilavachi Producer: Hermine Sterringa Producer: Wilhelm Hellweg Associated Performer, Violin: Gidon Kremer Orchestra: Wiener Philharmoniker Conductor: Riccardo Muti Studio Personnel, Balance Engineer: Onno Scholtze Studio Personnel, Editor: Thijs Hoekstra Studio Personnel, Editor: Everett Porter Studio Personnel, Editor: Matthijs Ruijter Composer: Niccolò Paganini Composer, Cadenzor: Gidon Kremer Auto-generated by YouTube.
Niccolò Paganini Arthur Grumiaux Orchestre National Opéra Monte Carlo Opéra Monte Carlo 1972 1999
Provided to YouTube by Universal Music Group Paganini: Violin Concerto No. 4 in D Minor, MS. 60 - II. Adagio flebile con sentimento · Arthur Grumiaux · Orchestre National de l'Opéra de Monte-Carlo · Piero Bellugi · Niccolò Paganini The Best of Paganini ℗ 1972 Universal International Music B.V. Released on: 1999-01-01 Composer: Niccolò Paganini Auto-generated by YouTube.
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