Maurice Ravel Pantomime, Op. 57b Nr. 2 Videos
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Park Avenue Chamber Symphony Maurice Ravel Copland Stravinsky 2019
Provided to YouTube by The Orchard Enterprises Daphnis et Chloé Suite No. 2, M. 57b: II. Pantomime · David Bernard · Park Avenue Chamber Symphony · Maurice Ravel Copland, Ravel & Stravinsky: Symphonic Dances ℗ 2019 Recursive Classics Released on: 2019-04-05 Auto-generated by YouTube.
Ravel Orchestre Philharmonique Royal Orchestre Philharmonique Royal Liège
Pièce maîtresse de l’impressionnisme, Daphnis et Chloé est un monument pour chœur et orchestre d’une sensualité ardente dans lequel Ravel livre sa vision idéalisée de la Grèce antique. Sous la direction de Gergely Madaras, nouveau directeur musical de l’Orchestre Philharmonique Royal de Liège. Abonnez-vous à Szenik: (http•••) Orchestre Philharmonique Royal de Liège Direction musicale : Gergely Madaras Choeur de Radio France Direction de choeur : Lionel Sow L’histoire de Chloé et Daphnis: Abandonnés dans leur enfance et élevés par des bergers, Daphnis et Chloé tombent amoureux (Daphnis séduit Chloé en jouant de la flûte de Pan). Dans le Premier Tableau, Daphnis obtient un baiser de Chloé, mais des pirates accostent et enlèvent Chloé. Dans le Deuxième Tableau, Chloé est ramenée en guise de butin par les pirates dans leur camp, puis sauvée par l’intervention du dieu Pan. Le Troisième Tableau voit les amants enfin réunis. Le Lever du jour, qui ouvre cet ultime volet, est l’un des plus beaux moments de l’histoire de la musique. Dans un fourmillement sonore d’un extrême raffinement émergent progressivement des chants d’oiseaux. Tandis que la pantomime où Daphnis et Chloé miment les amours de Pan et Syrinx donne lieu à l’un des plus célèbres solos de flûte de l’histoire, l’œuvre s’achève par une Danse finale endiablée que Ravel mit plus d’un an à peaufiner. La métrique à cinq temps, si enivrante pour l’auditeur, fit problème aux danseurs de la création, qui durent, sur la suggestion de Ravel, répéter inlassable-ment les cinq syllabes Ser/gei/Dia/ghi/lev.
Béla Bartók Isaac Stern Yefim Bronfman Debussy Ravel Auner Eduard Steuermann 1921 1922
Sonata for violin & piano No. 1 in C sharp minor, Sz. 75, BB 84 (Op. 21), (1921) I. Allegro appassionato II. Adagio III. Allegro Isaac Stern violin Yefim Bronfman, piano Béla Bartók wrote both of his violin sonatas for the Hungarian violinist Jelly d'Aranyi. Of the two works, the Sonata No. 1, Op. 21, is more traditional, both in structure and temperament; its three clearly delineated movements are marked by a character that is alternately rhapsodic and violent, but always virtuosic. Despite any appearance of conventionality, however, the sonata represents one of Bartók's most radical statements in its expressionistic rhetoric and its near-atonal harmonic and melodic language (notwithstanding the nominal indication that it is in the key of C sharp minor). The arresting opening bars are underpinned by fast, dissonant arpeggios from the piano that evoke the sounds of the cimbalom, a dulcimer-like instrument from Bartók's native Hungary. The violinist's first statement is broad and chromatic, a passionate declamation in a setting of nocturnal fantasy. Both harmonically and melodically, these opposing elements recall Bartók's contemporaneous stage pantomime The Miraculous Mandarin, completed in piano score two years previously. The movement is discursive and often impulsive; while there is confluence and cooperation between the two instruments throughout, thematic material is rarely shared. In this highly dissonant context, the occasional consonance sounds peculiar. A subsidiary theme, for instance, features the interval of a major sixth; often perceived as almost cloyingly sweet, it here emerges in an entirely different light. A searching cadenza-like solo passage for the violin opens the second movement. The piano eventually joins in with a series of ascending chords, no less unsettled for their limpid, impressionistic sonority; even in the turbulent setting of this work, Bartók's debt to the music of Debussy and Ravel is evident. A middle section is ominous and imposing, with frightening, arpeggiated octaves in the piano, increasing in volume as if some catastrophe were imminent; the violin, meanwhile, cries out in double stops and chords. The octaves recede, giving way to the desolate air of the opening. The finale is a series of increasingly wild dances, folk-like in style but wholly expressionistic. Bartók here makes his greatest demands upon the players' virtuosity and stamina as he leads them through a series of episodes that, however abstract in nature, arrange themselves roughly into a rondo form. Midway through is a grotesque pesante section marked by a thick and heavy stamping tread in the piano and detached skirlings from the violin in diffident response. The frenetic dance rhythms return, bringing the work to a grim conclusion. The Sonata No. 1 was premiered in Vienna by violinist Mary Dickenson-Auner and pianist Eduard Steuermann; d'Aranyi and Bartók first performed it at a private recital in London's Hungarian Legation in March 1922. [allmusic.com] Art by Wolf Vostell
Maurice Ravel Cincinnati Symphony Orchestra 1875 1937
Please consider subscribing for more score videos! Support my work: (http•••) Maurice Ravel +••.••(...)) second suite from the ballet 'Daphnis and Chloe' with audio and full orchestral score. Timecodes: 00:00 Lever Du Jour 07:08 Pantomime 11:55 Danse Generale Performed by the Cincinnati Symphony Orchestra Conductor: Paavo Jarvi The score in this video is in the public domain, and was downloaded from imslp.org The audio used is still protected by copyright, so advertisements may run on this video, with all revenue going directly to the copyright holder. See the 'Music in this video' section below for more information. Hey, I’m a music student who designs these videos in my little free time to help my studies, and hopefully to help you too. If you have any recommendations I’d love to hear from you in the comments, or email me through my channel - in most cases out of copyright I do my best to upload as soon as possible. Thank you for watching! If you enjoyed this video, and are able to, I'd be very grateful if you can donate to my channel, at (http•••) - Thank you! :)
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