Johannes Brahms Sinfonie Nr. 4 in e-Moll, Op. 98 Videos
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2024-04-15
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Gewandhausorchester Leipzig Herbert Blomstedt Johannes Brahms 2022
Provided to YouTube by NAXOS of America Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo · Gewandhausorchester Leipzig · Herbert Blomstedt Brahms: Symphonies Nos. 3 & 4 ℗ 2022 PENTATONE Released on: 2022-05-13 Orchestra: Gewandhausorchester Leipzig Conductor: Herbert Blomstedt Composer: Johannes Brahms Auto-generated by YouTube.
Berliner Philharmoniker Sir Simon Rattle Johannes Brahms 2009
Provided to YouTube by Warner Classics UK Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo · Berliner Philharmoniker · Sir Simon Rattle Brahms: The Symphonies ℗ A Warner Classics release, ℗ 2009 Parlophone Records Limited Orchestra: Berliner Philharmoniker Conductor: Sir Simon Rattle Composer: Johannes Brahms Auto-generated by YouTube.
John Axelrod Brahms Kyoto Concert Hall 2021
Principal Guest Conductor John Axelrod leads the City of Kyoto Symphony Orchestra, 3rd movement from Brahms Symphony 4 in E minor, op. 98, from Kyoto Concert Hall on April 23, 2021.
Johannes Brahms Murray Perahia Chopin 1884 1885
Pf: Murray Perahia The two Rhapsodies, Op. 79, are strong, dramatic works that date from Brahms' full compositional maturity. They differ from each other in their formal layouts much more than in their expressive mode, for which reason they are rarely performed together. The first of the pair, in B minor, is in the ABA form of a scherzo; indeed, there is a palpable affinity between the Rhapsody and Chopin's Scherzo in B minor, Op. 20. As in Chopin's work, the main section of the Rhapsody is an emotional cry for which the much quieter middle section provides needed relief; here, Brahms invests the harmonies with a particular subtlety. The second Rhapsody, in G minor, is one of the composer's most popular and effective piano works, tautly written and darkly dramatic. It is cast in a sonata-allegro form; the cascading chords of the first subject cloud the work's tonality in ambiguity, while the second subject, which unfolds in the piano's lower registers, provides a dramatic contrast rather than a lyrical one. This six-minute work, only half as long as its predecessor, foreshadows the tragic but proud mode of larger-scale works like the Symphony No. 4 in E minor, Op. 98 +••.••(...)). (Source: AllMusic) 0:00 - Rhapsody No. 1 in B minor 9:02 - Rhapsody No. 2 in G minor
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