Johann Strauss Strauss Grillenbanner, Op. 247 Videos
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2024-04-30
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Johann Strauss II: Immer Heiterer, Waltz, Op.235 Immer heiterer. Walzer im Ländlerstyle (Ever more cheerful. Waltz in Ländler-style) op. 235 Like Johann's dances Die Zillerthaler (op. 30), Dorfgeschichten (op. 47), D'Woaldbuama, Die Waldbuben (op. 66), Volkssänger (op. 119), Man lebt nur einmal! (op.167) and Grillenbanner (op. 247), Immer heiterer is designated by the composer as a "Waltz in Ländler-style", a typical 'peasant waltz' harking back to one of the true antecedents of the Viennese Waltz – the rustic Ländler of Lower Austria. The rather ungainly hopping and stamping steps from this generally alfresco dance are demonstrated by the couples pictured on the cover of the first piano edition of Immer heiterer. The work was one of a clutch of new dance pieces written by Johann for the 1860 Vienna Carnival, during which the 34-year-old "Herr Musikdirektor" once more reigned supreme despite the musical activities of his younger brother, Josef. Wherever there was dancing, people wanted Johann Strauss. An article in a Viennese newspaper from 21 February 1860 attempted to capture the magic of his presence at the head of his orchestra: "How the couples fly along in tempestuous haste and passionate delight when Strauss, his violin supported against his rhythmically moving knee, stands on the conductor's rostrum; when he himself begins to play, his violin held high far above the horizontal, twisting his body in endless undulations, drawing his bow in swift strokes across the strings – that inflames the hearts, sends electric currents through the legs!" Johann conducted the Strauss Orchestra in the first performance of Immer heiterer on 20 February 1860 at a genial "Strauss Ball" in the 'Sperl' dance hall in the Viennese suburb of Leopoldstadt. The event was to prove the last festivity of that description, and while the new composition did not meet with the same success as some of Johann's other carnival novelties, notably the waltz Accelerationen (op. 234), it is nevertheless worthy of attention. Particularly effective is Waltz 3B, where Strauss unexpectedly introduces a soaring legato melody entrusted to the cello and bassoon sections. In keeping with the jovial sentiment expressed in the work's title, Johann even calls for the members of the orchestra to exercise their vocal chords in a chorus of laughter during the course of the Coda! Good listening by MikoNatt!
Schneider Carl Lorens Josef Franz Wagner Wagner Schönfeld Carl Michael Ziehrer John Philip Sousa Dostal Blon Lindemann Ambros
MARSCH MIT SPASS March with fun * Mars avec l'amusement Potpourri von Walter Schwanzer Intro: Radetzky Marsch von Johann Strauss Erzherzog Albrecht Defiliermarsch von Hermann Josef Schneider Regimentskinder von Julius Fucik, unterbrochen von „Jetzt trink man no a Flascherl Wein“ von Carl Lorens Überleitung: 47er Regimentsmarsch von Josef Franz Wagner Schönfeld Marsch von Carl Michael Ziehrer Überleitung: Stars and stripes forever von John Philip Sousa Zauber der Montur von Carl Michael Ziehrer Überleitung: Radetzky Marsch Fahnengruß von Walter Schwanzer (2.x Klarinetten-Gegenmelodie „Der Klarinettenmuckl“) Tiroler Holzhackerbuab’n von Josef Franz Wagner ( 2.x Trompeten-Gegenmelodie „Zillertaler Hochzeitsmarsch“) Unter dem Doppeladler von Josef Franz Wagner (Einwürfe aus dem Fliegermarsch & Radetzkymarsch) Fliegermarsch von Hermann Dostal Überleitung: Unter dem Siegesbanner von Franz von Blon Grillenbanner Marsch von Wilhelm Lindemann (2.x Posaunen-Gegenmelodie „Hoch soll er leben“) Paradedefilier Marsch von Anton Ambros (mit Klari-Solo Deutschmeister Regimentsmarsch) Deutschmeister Regimentsmarsch von August Wilhelm Jurek
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