Johann Strauss Strauss Aus den Bergen, Op. 292 Videos
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2024-05-02
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Richard Strauss Herbert Karajan Michel Schwalbé Berliner Philharmoniker 1864 1870 1949
Richard Strauss +••.••(...)) Conductor: Herbert von Karajan Berliner Philharmoniker Solo-Violine: Michel Schwalbé The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of Friedrich Nietzsche's philosophical novel of the same name: 1. Einleitung, oder Sonnenaufgang (Introduction, or Sunrise) [00:00] 2. Von den Hinterweltlern (Of Those in Backwaters) [01:50] 3. Von der großen Sehnsucht (Of the Great Longing) [05:19] 4. Von den Freuden und Leidenschaften (Of Joys and Passions) [07:26] 5. Das Grablied (The Song of the Grave) [09:25] 6. Von der Wissenschaft (Of Science and Learning) [12:14] 7. Der Genesende (The Convalescent) [16:46] 8. Das Tanzlied (The Dance Song) [22:01] 9. Nachtwandlerlied (Song of the Night Wanderer) [30:01] Painting by Albert Bierstadt: Storm in the Mountains, c. 1870
Bedřich Smetana Liszt Bach Theodore Kuchar Satie Mozart Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff Wagner Janacek Janáček Philharmonic Orchestra 1420
Online purchase or streaming: (http•••) Also available for licensing: (http•••) More Information: (http•••) Social media: Brilliant Classics Facebook: (http•••) Brilliant Classics Instagram: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Composer: Bedřich Smetana Artists: Janáček Philharmonic Orchestra, Theodore Kuchar (conductor) Bedřich Smetana was a forerunner of the Nationalist music movement in 19th-century Czechoslovakia, and played a large part in developing the country’s musical identity. This disc comprises Smetana’s most renowned work, the inimitable Má vlast (My Homeland), a series of six tone poems – composed over five years – that depict different elements of the landscape of the composer’s native country. Vyšehrad, or The High Castle, is the first movement, based on the castle in Prague – the residence of early Czech kings. It opens with arpeggios played by a duo of harps, and later a military element is portrayed with the help of a march theme. The second movement Vltava (The Moldau), depicts the route of the river from the mountains to its end. Šárka, the third movement, explores the Czech folklore centred on the Bohemian Amazon maiden of the same name. This is followed by Z českých luhů a hájů (From Bohemia’s Meadows and Fields); a depiction of a beautiful landscape on a sunny day. These first four movements were intended to complete the work, but after a gap of four years Smetana composed another two: Tábor, portraying the Hussite warriors who founded and defended the city of Tábor in 1420, and Blaník, named after the mountain in central Bohemia. This, the final movement, begins with the same driving rhythms as Tábor and later relents into a joyful hymn. It is easy to see how this work paved the way for Smetana to be heralded as one of Czechoslovakia’s greatest composers and patriots. The works are performed by the Janáček Philharmonic Orchestra under the baton of Theodore Kuchar. Tracklist 00:00:00 Bedrich Smetana: Má Vlast, JB 1:112: I. Vyšehrad 00:14:57 Bedrich Smetana: Má Vlast, JB 1:112: II. Vltava (The Moldau) 00:26:36 Bedrich Smetana: Má Vlast, JB 1:112: III. Šárka 00:36:16 Bedrich Smetana: Má Vlast, JB 1:112: IV. From Bohemia’s Meadows and Forests 00:48:43 Bedrich Smetana: Má Vlast, JB 1:112: V. Tábor 01:00:16 Bedrich Smetana: Má Vlast, JB 1:112: VI. Blaník Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #BrilliantClassics #Music #Composer #Classical #Bedrich #Smetana #Janacek #Philharmonic #Orchestra #Theodore #Kuchar #Conductor #Chzechoslovakia #19th-century #Movements #Má #Vlast #My #Homeland
Ada Sari Mieczysław Karłowicz Stanisław Barcewicz Zygmunt Noskowski Piotr Maszyński Gustaw Roguski Heinrich Urban Richard Strauss Karol Szymanowski Tosti 1865 1876 1883 1884 1886 1888 1889 1893 1894 1895 1896 1901 1903 1904 1906 1909 1912 1921 1934 1940 1986 2010
For the days of mourning in my country, Poland, April 2010, a three minutes „meeting" of three great Polish artists of the past: Ada Sari - soprano singer Mieczysław Karłowicz - composer Kazimierz Przerwa-Tetmajer - poet Ada Sari +••.••(...)) - more about her is included to the info of my video: (http•••) Mieczysław Karłowicz +••.••(...)) Brought up in a music-loving environment from early childhood. In 1889-95 he was a student of Stanisław Barcewicz. At the same time he learned harmony from Zygmunt Noskowski and Piotr Maszyński, and later took up counterpoint and musical forms with Gustaw Roguski. It was at that time that he started to compose. His first surviving work, a piano composition "Chant de mai", dates from 1893-4. In 1893-4 Karłowicz also attended lectures at the Department of Nature, Warsaw University. In 1895 he left for Berlin with the intention of studying violin. It was then that he decided to become a composer and enrolled as a student with Heinrich Urban, simultaneously attending lectures in the history of music, history of philosophy, psychology and physics at the University of Berlin. Indeed, most of Karłowicz's twenty-two solo songs were composed between the end of 1895 and the end of 1896. In the late 1890s Karłowicz got involved in the "Revival Symphony" project, which he completed on his own after he had graduated and returned to Warsaw in 1901. In 1903 he sat on the Board of the Warsaw Music Society, where he organised and ran a symphony orchestra. At that time Karłowicz devoted himself exclusively to one musical form, that of the symphonic poem. From 1904 to 1909 he composed six symphonic poems Opus 9-14. In 1906 he settled down in Zakopane, the resort in the Tatra Mountains with which he had felt a special affinity for years. He joined the Tatra Society, published accounts of hiking trips, and became a passionate mountaineer, skier and photographer. What would Karłowicz's output have looked like had he not been killed by an avalanche at the age of thirty three? It would obviously have been richer, although his symphonic achievement remains unsurpassed, anyway and elevated him to a top position in the neo-Romantic movement of the early twentieth century. Karłowicz was looking for a new artistic direction and he regarded Richard Strauss as the avant-garde prophet. It was in Strauss's work that he saw "the prophetic glimpse into the future". Nowadays we no longer get upset with the "modernistic chaos" or chide Karłowicz for "eclecticism". His symphony music remains a truly "precious musical gem shining like a rainbow" and gives a great deal of aesthetic pleasure. Kazimierz Przerwa-Tetmajer +••.••(...)) Born in the Nowy Targ district. In 1883 he moved to Kraków along with his family. He attended St. Annes Grammar School, then in 1884 he commenced his studies at the Faculty of Philosophy at the Jagiellonian University. In 1888 he started to co-operate with weekly newspapers. After he had published his second series of "Poezja" (Poetry) (1894) he took an active part in the literary life of Kraków, where he was the embodiment of a Young Poland poet. In 1895 he was in Heidelberg, where he worked as a personal secretary of Adam Krasiński. He travelled abroad, he visited Italy, Switzerland, France and Germany. In 1912, the twenty-fifth anniversary of the start of his literary career was celebrated in Warsaw. At this time the first symptoms of mental illness appeared. During the First World War he was a supporter of Piłsudskis Legions. After the war he lived in Kraków and Zakopane, until finally he settled down in the capital. In 1921 he became the chairman of The Society of Polish Writers and Journalists, then in 1934 he became an honorary member of the Polish Academy of Literature. The loss of sight and his deepening mental illness forced him to withdraw from social life and deprived him of the possibility to create. He existed thanks to social generosity. In the first months of the Second World War he was evicted from the Europejski Hotel, where he had been granted board and lodging. He died on 18th January 1940 in the Hospital of the Infant Jesus. In the second and third series of Poezja he introduced problems pertinent to the modernism period; the philosophies of Arthur Schopenhauer and Friedrich Nietzsche as well as his fascination with Indian philosophy found their reflection in this poetry. He was the author of bold erotic poems and also of poems dedicated to the beauty of the Tatras. Mieczyslaw Karłowicz and Karol Szymanowski, among others, composed music to his poetry. Musical introduction to the recording of the main song: Tosti's "Addio". Record, sound and visuals belong to JP's, author of the video, collection. The sound of this recording is accompanied, unfortunately, by a "sandy hiss", typical and characteristic for HMV records of that period; not removed.
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