Henry Purcell Welcome to all the pleasures Videos
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Michael Nyman Henry Purcell Henry Playford Playford William Croft 1695 1967 1982
Michael Nyman Music from The Draughtman’s Contract (1982) Chasing sheep is best left to shepherds* 00:00 The garden is becoming a robe room** 05:06 An eye for optical theory*** 11:15 Michael Nyman, piano and director Michael Nyman Band My music for The Draughtman’s Contract neatly draws together some musicological loose-ends of 1967 with some not-so-loose compositional ends (and means) of 1982. The setting of the film -England c.1695- suggested the use of (then) contemporary music, and immediately that of Henry Purcell not merely because he died in 1695 but because he was a better composer than anyone else in England at that time (and more or less ever since). […] One of the delights of working with Peter Greenaway is the possibilities it gives me of providing a ‘service’ and working precisely the same way I do when writing my ‘concert music’; but without The Draughtman’s Contract there would have been no opportunity to return, gratefully, to the music of my past, that of Henry Purcell. Michael Nyman Nyman's music is highly charged and persistently pushes the musicians to virtually impossible limits of technique which they respond to with rare dedication, offering original, imaginative solutions. But the mood, particularly in 'Chasing sheep is best left to shepherds', 'An eye for optical theory', is one of unutterable enjoyment and exuberant fun (a quality rare in contemporary music). By contrast, 'The garden is becoming a robe room' reveals a poignant, pleading, throbbing character where Nyman uses his musicians to paint dark, despairing colours, sometimes admitting a 'rude', maybe ironic baritone saxophone entry, but plumbing considerable depths of sorrow and anguish. Annette Morreau °According to Pwyll ap Siôn (The Music of Michael Nyman: text, context and intertext, page 96), these are the musical sources elaborated by Nyman: *King Arthur, Act III, Scene 2, Prelude [as Cupid descends]/ 'Here the deities approve' from 'Welcome to all the Pleasures' (Ode); E minor ground in Henry Playford's collection, Musick's Hand-Maid (Second Part)/ Ground in C minor (D221) [attributed to William Croft] From (http•••)
Henry Purcell Barr Zimmermann Macmillan Howard Ferguson Stainer Rondeau Benjamin Britten William Croft Jeremiah Clarke 1659 1695 1963 1964 1968
00:00 4 Pieces: A New Scotch Tune Z.655 - A New Ground Z.T.682 - Sefauchi´s Farewell Z.656 - Minuet Z.T.688 06:00 Suite of Lessons Z.665: Prelude - Almand - Saraband - Jigg 10:27 8 Pieces: March Z.T.687 - Jigg Z.T.686 - Air Z.641 - Aire Z.T.675 (696/1) - Minuet Z.T.696/2 - Air Z.T.692 - Canary ZT.677 - Ground Z.D.622 22:53 4 Pieces: Hornpipe Z.T.683 - Hornpipe Z.T.685 - Minuet Z.651 - Saraband with division Z.654 26:47 3 Pieces: Song Tune Z.T.694 - New Minuet Z.T.689 - Minuet Z.649 29:32 Suite No 1 in G major Z.660: Prelude - Almand - Corant - Minuet 33:20 Suite No 2 in G minor Z.661: Prelude - Almand - Corant - Saraband 42:46 7 Pieces: March Z.647 - March Z.648 - A New Irish Tune (Lilliburlero) Z.646 - Riggadoon Z.653 - March Z.T.687 - Trumpet Tune Z.T.698 - Chacone ZT.680 50:55 3 Pieces: Trumpet Tune (Called the Cibell) Z.T.678 - Trumpet Tune Z.T.697 - Air Z.T.676 54:07 8 Pieces: Air Z.T.693 - Air Z.T. 630/1 - Ground in gamut Z.645 - Ground Z.T.681 - Round-O Z.T.684 - Ground ZD.221 - Trumpet Minuet Z.D.220 - The Queen´s Dolour Z.670 1:08:11 Suite No 3 in G major Z.662: Prelude - Almand - (Corant) 1:15:05 Suite No 4 in A minor Z.663: Prelude - Almand - Corant 1:20:47 Suite No 5 in C major Z.664: Prelude - Almand - Corant - Saraband 1:27:38 Suite No 6 in D major Z.665: Prelude - Almand - Hornpipe 1:32:51 Suite No 7 in D minor Z.666: Almand (Bell-barr) - Corant - Hornpipe 1:39:51 Suite No 8 in F major Z.667: Prelude - Almand - Corant - Minuet Gerald Ranck: Harpsichord by Eric Herz, Cambridge, Mass. 1964 The present recording comprises all of Purcell’s music for solo harpsichord, and includes several pieces termed “doubtful” in the presently accepted, definitive thematic catalogue of Purcell’s music compiled by Prof. Franklin B. Zimmermann (Macmillan: London, 1963). The edition used for this recording was prepared by Howard Ferguson, and was published by Stainer and Bell, London: 1968. A substantial number of Purcell’s harpsichord works are transcriptions which he made from either his operatic or orchestral works: indeed, even the operatic transcriptions are seldom vocal. But the quality of the transcriptions is exceptional. Here follows a list of those transcriptions and their original sources: 1) Z.T.* 689: A New Minuet: an arrangement of the song ‘Who cannot resist such mighty charms?” from ‘Timon of Athens.”” NB: Ferguson considers this to be a mistaken listing by Prof. Zimmermann. 2) Z.T.682: “A New Ground”: Aria, “Here the Dieties Approve’ from ‘Welcome to all the pleasures’’ (the shorter “Ode for St. Cecilia’s Day,” Z. 339/3.) 3) Z.T.688: “Minuet”: Ritornello for 2 violins and continuo from “Raise the voice,” Z. 334/6. 4) Z.T. 687: “March”: from “The Married Beau,” Z. 603/8. 5) Z.T.698: “Trumpet Tune”: from “The Indian Queen,” Z. 630/4a. 6) 21; 686: ‘Jig’: from “Abdelazer,’"’ Z 570/7. 7) Z.T.680: Chacone: The Curtain Tune for Strings from “Timon of Athens,” Z 632/20. 8) Z.T.697: “Trumpet Tune’: The Trumpet Tune for 2 trumpets and bass from ‘‘Dioclesian,” Z 627/21. 9) Z.T, 675: ‘Aire’: Air for strings from “The Indian Queen,” Z 630/22. ? 10) Z.630/1: ‘Air’: The first music air for strings from “The Indian Queen,” Z 630/1. 11) Z.T.676: “Aire”: Minuet for Strings from “The Double Dealer,’ Z 592/7. 12) Z.T. 693/2: ‘Air’: Air for strings from “Abdelazer,” Z 570/6. 13) Z.T.677: “Canary”: Third Act tune from “The Indian Queen,” Z 630/16. 14) Z.T.681: “Ground”: Alto solo: “With him he brings the partner”: from ‘Ye Tuneful Muses,” Z 344/11. 15) Z.T. 683: “Hornpipe’: Hornpipe for strings from “Abdelazer,” Z570/8. 16) Z.T. 685: “Hornpipe”: Hornpipe for strings from ‘‘The Old Bachelor,” Z 607/4. 17) Z.T. 684: “‘Round-O”: Rondeau for Strings from ‘‘Abdelazer,”’ Z570/2. (Employed by Benjamin Britten in his ‘Variations and Fugue on a Theme by Purcell,” or as is better known, “Young Person’s Guide to the Orchestra.”’) Doubtful or Spurious Pieces (acc. Zimmermann) : 1) Z.D.* 221: “Ground”: probably by William Croft. — 2) Z.D. 230: “Trumpet Minuet’: probably by Jeremiah Clarke. 3) Z.670: “The Queen’s Dolour”’: doubtful, no other composer suggested. *ZT = transcription. *ZD = doubtful.
Purcell Enescu Carolyn Sampson James Gilchrist Robin Blaze David Wilson Johnson King s Consort 1683 2015
THE KING’S CONSORT – Orchestra and choir Conductor: ROBERT KING Soloists: CAROLYN SAMPSON – soprano JAMES GILCHRIST – tenor ROBIN BLAZE – countertenor DAVID WILSON-JOHNSON – bass-baritone Program: “Odes for St. Cecilia”: Purcell – Ode to St. Cecilia “Welcome to all the pleasures” (1683)
Suite for harpsichord No. 1 in G major (from "A Choice Collection of Lessons"), Z. 660 0:00:00 1 Prelude 0:00:30 2 Almand 0:01:50 3 Corant 0:02:50 4 (Minuet) 0:03:49 5 Ground in Gamut for harpsichord in G major, Z. 645 Suite for harpsichord No. 2 in G minor (from "A Choice Collection of Lessons"), Z. 661 0:05:35 6 Prelude 0:06:53 7 (Almand) 0:10:28 8 Corant 0:12:15 9 Saraband 0:13:52 10 Chaconne (Curtain tune from "Timon of Athens"), for harpsichord in G minor, ZT 680 Suite for harpsichord No. 3 in G major (from "A Choice Collection of Lessons"), Z. 662 0:16:52 11 Prelude 0:18:06 12 Almand 0:21:00 13 Courante 0:22:45 14 A New Scotch Tune, for harpsichord in G major, Z. 655 0:24:06 15 Air for harpsichord in G major, Z. 641 Suite for harpsichord No. 4 in A minor (from "A Choice Collection of Lessons"), Z. 663 0:25:17 16 Prelude 0:26:03 17 Almand 0:28:27 18 Corante 0:29:50 19 Saraband Suite for harpsichord No. 5 in C major (from "A Choice Collection of Lessons"), Z. 666 0:31:26 20 Prelude 0:32:40 21 Almand 0:34:48 22 Corant 0:35:48 23 Saraband 0:37:22 24 Jigg 0:38:26 25 Ground for harpsichord in C minor, ZD 221 (doubtful) Suite for harpsichord No. 6 in D major (from "A Choice Collection of Lessons"), Z. 667 0:41:14 26 Prelude 0:42:04 27 Almand 0:44:57 28 (Hornpipe) Suite for harpsichord No. 7 in D minor (from "A Choice Collection of Lessons"), Z. 668 0:46:01 29 Almand 0:49:34 30 Corant 0:51:06 31 Hornpipe 0:52:27 32 Ground for harpsichord in D minor, (from "Celebrate This Festival" Z. 321/2a), ZD 222 (doubtful) 0:54:10 33 Sefauchi's Farewell, for harpsichord in D minor, Z. 656 0:55:55 34 Hornpipe for harpsichord in D minor ("Round O" from "Abdelazar" Z. 570/2), ZT 684 Suite for harpsichord No. 8 in F major (from "A Choice Collection of Lessons"), Z. 669 0:57:29 35 Prelude 0:58:30 36 Almand 1:01:10 37 Courante 1:02:59 38 Minuet 1:03:45 39 A New Ground (from "Welcome to All the Pleasures"), for harpsichord in E minor, ZT 682 1:06:07 40 Hornpipe for harpsichord in E minor (from "The Old Bachelor" Z. 607/4), ZT 685
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