Giacomo Puccini Edgar Videos
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2024-04-16
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Alberto Ginastera Luciano Berio Iturralde Igor Stravinsky Puccini Bernstein Glazunov Piazzolla Bartók Edgar Varèse Messiaen Beethoven 1909 2015 2016 2018 2019
#Óperas #Ballet #Conciertos #TACEC #MúsicaDeCámara #TAEscuela El Teatro Argentino de La Plata presenta su temporada 2019, que se desarrollará en distintos espacios de su sede y el Teatro Coliseo Podestá de La Plata y en el CCK, Teatro Coliseo y Usina del Arte de la ciudad de Buenos Aires, ya que la Sala Alberto Ginastera se encuentra aún en reparaciones de acuerdo al plan de puesta en valor anunciado oportunamente y albergará programación a partir de noviembre del corriente año. Entre las propuestas se destacan el estreno nacional de Un re in ascolto, de Luciano Berio, que se presentará en La Usina del Arte con la participación, entre otros, de Víctor Torres y Hernán Iturralde; el estreno -en el CCK- de una obra de Igor Stravinsky llamada Canto fúnebre, una pieza sinfónica que se ejecutó en 1909 y nunca más pudo ser escuchada hasta 2016 ya que luego de la primera audición se extravió la partitura, que fue encontrada de casualidad en 2015 durante la mudanza de un conservatorio de San Petersburgo; la presentación en el Teatro Coliseo -coproducción con el SODRE de Montevideo- de la ópera Madama Butterfly de Puccini, con puesta de Pablo Maritano y con Daniela Tabernig como Cio-Cio San; la reposición en la reinaugurada Sala Ginastera del Teatro Argentino de la elogiada producción Candide de Bernstein con puesta de Rubén Szuchmacher que fuera estrenada en 2018 y, en esa misma sala, el estreno nacional de la versión integral del ballet Raymonda de Glazunov-Petipa, con reposición de Martín Miranda. Asimismo, el Ciclo Anual de Conciertos abarcará un repertorio del período clásico al contemporáneo, con cinco programas a interpretarse en el Teatro Coliseo Podestá, el CCK y la Sala Ginastera; el Ciclo La Orquesta Estable y sus Solistas contará con siete conciertos en la Sala Piazzolla, con autores que van desde Mozart hasta Bartók y Stravinsky, a los cuales se suman tres Conciertos Extraordinarios que se realizarán en el foyer de la Sala Ginastera, con la infrecuente ejecución de dos audaces creaciones de IannisXenakis, Terretêktorh y Nomos Gamma, en las que los instrumentistas tocan dispersos entre la audiencia, y -en la Sala Piazzolla- Integrales de Edgar Varèse, Oiseauxexotiques de Messiaen, Fratres de ArvoPärt y Divertimento para cuerdas de Bartók. Además se desarrollarán la habitual programación del Centro de Experimentación y Creación (TACEC) y las diferentes actividades que anualmente organiza la Escuela de Arte y Oficios del Teatro Argentino (TA-E). La Camerata Académica presentará su habitual ciclo de conciertos y dos títulos líricos junto a los cantantes que participan del programa de perfeccionamiento Ópera Estudio. Habrá también una temporada de música de cámara en la Sala Piazzolla que comprenderá, entre otras obras, el ciclo integral de los Cuartetos de Beethoven.
Renata Scotto Scarlatti Cara Rossini Verdi Piave Arrigo Boito Liszt Angelici Respighi Puccini Mascagni 1844 1858 1863 1984
Händel Lascia ch'io pianga Rinaldo Scarlatti Cara e dolce....Bellezza che s'ama Rossini La promessa Rossini La pastorella Verdi La preghiera del poeta, (1858) Verdi Barcarola, "Al tuo bambino",F.M.Piave Verdi Il brigidino (1863) Verdi È la vita un mar d'affani (1844) Verdi Pietà Signor (adatt. da Arrigo Boito,1894) Verdi Stornello Verdi Tu che le vanità Don Carlo Liszt Pace non trovo Sonetti di Petrarca Liszt Io vidi in terra angelici costumi Sonetti di Petrarca Respighi Soupir Respighi Au milieu du jardin Puccini Sole e amore Puccini Nel villaggio d'Edgar Edgar Mascagni Senti, bambino Zanetto Puccini Vissì d'arte Tosca Mascagni M'ama, non m'ama Puccini Tu ? Tu? Piccolo Iddio! Madama Butterfly Rossini La danza
Antonio Magini Coletti Coletti Tosti Giuseppe Verdi Richard Wagner Francesco Marconi Mattia Battistini Titta Ruffo Costanzi Gounod Puccini Meyerbeer Lilli Lehmann Lehmann Jean Reszke Alfio Mascagni Pizarro Beethoven Bizet Rossini Francesco Tamagno Weber Arturo Toscanini Giuseppe Borgatti Donizetti Maschera Berlioz Delibes Conservatorio Santa Cecilia Teatro Costanzi Scala Opéra Monte Carlo Covent Garden Metropolitan Opera 1855 1880 1887 1888 1889 1891 1892 1900 1901 1905 1912
Antonio Magini-Coletti - Non t'ama piu (Tosti) - Fonotipia 39375 enregistré le 11 novembre 1905 Antonio Magini-Coletti (17 February 1855 - 21 July 1912) was a leading Italian baritone who had a prolific career in Europe and the United States during the late 19th century and the early part of the 20th century. A versatile artist, he appeared in several opera world premieres but was particularly associated with the works of Giuseppe Verdi, Richard Wagner and the verismo composers. He was also an accomplished exponent of the bel canto repertoire.[1] Magini-Coletti was born in 1855 in the medieval town of Jesi (or Iesi), which is situated inland from Ancona on central Italy's east coast. Published details of his early life are scant but sources agree that he studied singing during the 1870s with the distinguished pedagogue Venceslao Persichini at Rome's Conservatorio di Santa Cecilia. (Persichini's other students included the lyric tenor Francesco Marconi and Magini-Coletti's fellow baritones Mattia Battistini, Giuseppe De Luca and Titta Ruffo.) In 1880, Magini-Colleti made his operatic debut at Rome's Teatro Costanzi, as Valentin in Gounod's Faust.[2] He continued to perform regularly at that opera house for the next seven years, in addition to making guest appearances in Venice, Florence, Naples and other Italian cities. In 1887 he joined the roster at La Scala, Milan, remaining there for three seasons and singing a variety of leading baritone roles. Most notably, he appeared as the character Frank in the world premiere of Puccini's second opera, Edgar, in 1889. A year later, he performed his first Count Di Luna in Verdi's Il trovatore at La Scala. This part became an especial favourite of his, and he reprised it in numerous houses during the remainder of his career.[1] Between 1888 and 1891, Magini-Coletti sang to acclaim in Spain, Portugal, Germany, Austria and France. He also crossed the Atlantic for a series of operatic engagements in Argentina, receiving further plaudits. In 1891 he joined the stellar roster of singers at the New York Metropolitan Opera, participating to begin with in a two-month North American tour. His first performance with the Met touring company occurred on November 9, in Chicago, as Telramund in Wagner's Lohengrin.[1] His other roles on the 1891 tour included Hoël in Meyerbeer's Dinorah, Count de Nevers in Meyerbeer's Les Huguenots and Amonasro in Verdi's Aida (opposite soprano Lilli Lehmann and tenor Jean de Reszke), not to mention the title part in Mozart's Don Giovanni. On December 14, 1891, Magini-Coletti made a successful debut at the Metropolitan Opera's headquarters in New York City, singing Capulet in Gounod's Roméo et Juliette. He performed numerous roles at that house over the next 12 months, including Count Di Luna, Alfio in Mascagni's Cavalleria rusticana, Don Pizarro in Beethoven's Fidelio, Escamillo in Bizet's Carmen and Figaro in Rossini's Il barbiere di Siviglia, among others.[2] Magini-Coletti left America in 1892. He proceeded to pursue a busy schedule of operatic performances in Italy and other European countries, venturing as far afield as Russia and becoming a frequent guest artist at both the Opéra de Monte-Carlo in Monaco and the Royal Opera, Covent Garden, in London.[1] In 1900, he rejoined the La Scala company, performing numerous roles there for three seasons. Most notably, he appeared in the premiere of Mascagni's Le maschere in 1901. Also in 1901, he sang at La Scala in a memorial concert held to mark the recent death of Verdi, partnering the heroic tenor Francesco Tamagno in a scene from La forza del destino. The following year, he participated in La Scala's first ever production of Weber's Euryanthe.[2] Magini-Colleti sang often under the baton of Arturo Toscanini, La Scala's principal conductor, during this period. Toscanini was an ardent advocate of Wagner's music and he conducted Magini-Coletti in performances of Tristan und Isolde, Die Walküre and Lohengrin. These landmark Wagnerian productions often featured Magini-Coletti's La Scala colleague Giuseppe Borgatti—Italy's best heldentenor. Other significant operas in which Magini-Coletti appeared during the course of his 30-year European and American career were Donizetti's Lucia di Lammermoor, L'elisir d'amore, La Favorita, Poliuto and Lucrezia Borgia, Verdi's Otello, Falstaff, Rigoletto, La forza del destino, Un ballo in maschera, Luisa Miller and La traviata, Puccini's La bohème, Berlioz's La Damnation de Faust and Delibes' Lakmé. He died in Rome, aged 57. Source Wikipedia
Festival Puccini Giacomo Puccini Torre
Promo Festival Puccini - Torre del Lago Puccini, Gran Teatro all'aperto "Giacomo Puccini", Madama Butterfly, Edgar, Tosca, Turandot, Fondazione Festival Pucciniano
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