Georg Philipp Telemann 6 Paris Quartets Videos
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2024-03-29
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Georg Philipp Telemann Carl Philipp Emanuel Bach Bach Handel Michel Blavet Jean Pierre Guignon Antoine Forqueray 1681 1701 1703 1721 1730 1737 1738 1767 2011
Doctoral Chamber Recital - Kelly Nivison Roudabush; April 15th, 2011, Ford Hall, Indiana University Kelly Roudabush - traverso J.A. - baroque violin Chris Briden - viola da gamba M.S.G. - harpsichord Georg Philipp Telemann was born in 1681 to a family with close ties to the Lutheran Church. Many of his family members were clergymen, and initially disapproved of a career path in music. Despite his early showing of musical talent on the violin, flute, zither, and keyboard, he chose to study law at Leipzig University starting in 1701. Within a year he founded the student Collegium Musicum, and was appointed director of the Leipzig Opera in 1703. He did not stay long in Leipzig, and went through several other appointments in the coming years. In 1721 he became Kantor of the Hamburg Johanneum where he had teaching responsibilities in addition to directing the music of the five main churches of Hamburg. During his time in Hamburg, Telemann visited Berlin many times, and went to Paris in 1737. He remained in Hamburg until his death in 1767. Upon his death, he was succeeded in his position by his godson, Carl Philipp Emanuel Bach, son of J.S. Bach. Telemann engaged in a continued friendship with Handel, which Handel once wrote that Telemann "could write a church piece in eight parts with the same expedition another would write a letter." Telemann published a set of 6 quartets in 1730, which showed up in a pirated published copy from a French publisher. The pirated quartets became so popular in France that Telemann was invited to France, spending 8 months there. The first set of quartets are known as the Hamburg quartets, and are written in the French, Italian, and Northern German styles. During his 8 month trip to Paris in 1737, he composed and published a set of quartets in French style, which were performed by flutist Michel Blavet, violinist Jean-Pierre Guignon, gambist Antoine Forqueray, cellist Edouard, and Telemann on the harpsichord. There were separate cello and gamba parts so that the players could alternate between playing the obbligato and the conintuo lines. The second set, written in Paris are in the French style, and include movements modeled after dances rhythms and forms. The list of subscribers for Telemann's 1738 print of the Paris Quartets includes mostly French names, but also a "Mr. Bach de Leipzig." All of the movement headings in his e minor quartet are in French, but are more mood descriptors than actual tempo words mostly, with titles such as A descrètion, and Distrait. His 6th Paris Quartet in e minor includes 6 movements in suite form, opening with a French overture. Other dances utilized include a gavotte, forlane, loure, and chaconne.
Georg Philipp Telemann Carl Philipp Emanuel Bach Bach Handel Michel Blavet Jean Pierre Guignon Antoine Forqueray 1681 1701 1703 1721 1730 1737 1738 1767 2011
Doctoral Chamber Recital - Kelly Nivison Roudabush; April 15th, 2011, Ford Hall, Indiana University Kelly Roudabush - traverso J.A. - baroque violin Chris Briden - viola da gamba M.S.G. - harpsichord Georg Philipp Telemann was born in 1681 to a family with close ties to the Lutheran Church. Many of his family members were clergymen, and initially disapproved of a career path in music. Despite his early showing of musical talent on the violin, flute, zither, and keyboard, he chose to study law at Leipzig University starting in 1701. Within a year he founded the student Collegium Musicum, and was appointed director of the Leipzig Opera in 1703. He did not stay long in Leipzig, and went through several other appointments in the coming years. In 1721 he became Kantor of the Hamburg Johanneum where he had teaching responsibilities in addition to directing the music of the five main churches of Hamburg. During his time in Hamburg, Telemann visited Berlin many times, and went to Paris in 1737. He remained in Hamburg until his death in 1767. Upon his death, he was succeeded in his position by his godson, Carl Philipp Emanuel Bach, son of J.S. Bach. Telemann engaged in a continued friendship with Handel, which Handel once wrote that Telemann "could write a church piece in eight parts with the same expedition another would write a letter." Telemann published a set of 6 quartets in 1730, which showed up in a pirated published copy from a French publisher. The pirated quartets became so popular in France that Telemann was invited to France, spending 8 months there. The first set of quartets are known as the Hamburg quartets, and are written in the French, Italian, and Northern German styles. During his 8 month trip to Paris in 1737, he composed and published a set of quartets in French style, which were performed by flutist Michel Blavet, violinist Jean-Pierre Guignon, gambist Antoine Forqueray, cellist Edouard, and Telemann on the harpsichord. There were separate cello and gamba parts so that the players could alternate between playing the obbligato and the conintuo lines. The second set, written in Paris are in the French style, and include movements modeled after dances rhythms and forms. The list of subscribers for Telemann's 1738 print of the Paris Quartets includes mostly French names, but also a "Mr. Bach de Leipzig." All of the movement headings in his e minor quartet are in French, but are more mood descriptors than actual tempo words mostly, with titles such as A descrètion, and Distrait. His 6th Paris Quartet in e minor includes 6 movements in suite form, opening with a French overture. Other dances utilized include a gavotte, forlane, loure, and chaconne.
Georg Philipp Telemann Carl Philipp Emanuel Bach Bach Handel Michel Blavet Jean Pierre Guignon Antoine Forqueray 1681 1701 1703 1721 1730 1737 1738 1767 2011
Doctoral Chamber Recital - Kelly Nivison Roudabush; April 15th, 2011, Ford Hall, Indiana University Kelly Roudabush - traverso J.A. - baroque violin Chris Briden - viola da gamba M.S.G. - harpsichord Georg Philipp Telemann was born in 1681 to a family with close ties to the Lutheran Church. Many of his family members were clergymen, and initially disapproved of a career path in music. Despite his early showing of musical talent on the violin, flute, zither, and keyboard, he chose to study law at Leipzig University starting in 1701. Within a year he founded the student Collegium Musicum, and was appointed director of the Leipzig Opera in 1703. He did not stay long in Leipzig, and went through several other appointments in the coming years. In 1721 he became Kantor of the Hamburg Johanneum where he had teaching responsibilities in addition to directing the music of the five main churches of Hamburg. During his time in Hamburg, Telemann visited Berlin many times, and went to Paris in 1737. He remained in Hamburg until his death in 1767. Upon his death, he was succeeded in his position by his godson, Carl Philipp Emanuel Bach, son of J.S. Bach. Telemann engaged in a continued friendship with Handel, which Handel once wrote that Telemann "could write a church piece in eight parts with the same expedition another would write a letter." Telemann published a set of 6 quartets in 1730, which showed up in a pirated published copy from a French publisher. The pirated quartets became so popular in France that Telemann was invited to France, spending 8 months there. The first set of quartets are known as the Hamburg quartets, and are written in the French, Italian, and Northern German styles. During his 8 month trip to Paris in 1737, he composed and published a set of quartets in French style, which were performed by flutist Michel Blavet, violinist Jean-Pierre Guignon, gambist Antoine Forqueray, cellist Edouard, and Telemann on the harpsichord. There were separate cello and gamba parts so that the players could alternate between playing the obbligato and the conintuo lines. The second set, written in Paris are in the French style, and include movements modeled after dances rhythms and forms. The list of subscribers for Telemann's 1738 print of the Paris Quartets includes mostly French names, but also a "Mr. Bach de Leipzig." All of the movement headings in his e minor quartet are in French, but are more mood descriptors than actual tempo words mostly, with titles such as A descrètion, and Distrait. His 6th Paris Quartet in e minor includes 6 movements in suite form, opening with a French overture. Other dances utilized include a gavotte, forlane, loure, and chaconne.
Georg Philipp Telemann Guillemain Jean Rondeau 1737 2017
Release date → October 2017 Stream//Download//Buy → (http•••) After their first recording on Alpha, ‘Conversations’, featuring rarely heard pieces by Quentin and Guillemain, Anna Besson (flute), Louis Creac’h (violin), Robin Pharo (viola da gamba) and Jean Rondeau (harpsichord) continue to introduce the public to the riches of a repertory that has been too long ignored, with this recording of Georg Philipp Telemann’s Nouveaux Quatuors parisiens. At the height of his glory, the German composer left Hamburg in 1737 to spend time in Paris and appreciate the city’s vibrant musical life. There he composed a new set of quartets that came to be called the ‘Paris Quartets’ and in which he celebrated the union of the European styles of his time, at the zenith of the Baroque. The four musicians and friends of Nevermind pursue their exuberant conversation, as virtuosic and eloquent as ever. Après un premier enregistrement chez Alpha, « Conversations » consacré aux rares Quentin et Guillemain, Anna Besson à la flûte, Louis Creac’h au violon, Robin Pharo à la viole de gambe et Jean Rondeau au clavecin continuent à faire découvrir au public les richesses d’un répertoire ignoré trop longtemps, en enregistrant les Nouveaux Quatuors parisiens de Georg Philipp Telemann. Au sommet de sa gloire, le compositeur allemand quitte Hambourg en 1737 pour s’installer à Paris et y apprécier la riche vie musicale. Il y compose un nouveau recueil de quatuors qu’on appellera les « Quatuors Parisiens » : il y célèbre la réunion des langages européens de son temps, à l’apogée du baroque. Les quatre musiciens et amis de Nevermind poursuivent ici leur conversation joyeuse, toujours aussi virtuose et éloquente. Video direction → Joachim Olaya FACEBOOK→ www.facebook.com/alphaclassics TWITTER → www.twitter.com/alpha_classics INSTAGRAM → www.instagram.com/alpha_classics/ YOUTUBE → www.youtube.com/c/alphaclassics WEBSITE → www.outhere-music.com/alphaclassics
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