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Gatti Liszt Bach Luigi Gatti Michael Haydn Haydn Mozart Charles Burney Satie Tchaikovsky Beethoven Chopin Ravel Debussy Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff Wagner 1783
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): (http•••) Physical Purchase: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New classical releases: (http•••) The best of Liszt: (http•••) The best of Bach: (http•••) Most popular piano music: (http•••) Beautiful classical Music: (http•••) Classical music for dinnertime: (http•••) Composer & Artist: Composer: Luigi Gatti Artists: Paolo Ghidoni (violin), Alfredo Zamarra (viola) About this Album: The sonatas presented in this recording, labelled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gatti’s stay in Salzburg. The autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 335–38, and W. A. Mozart, K 423–24. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a “good performer on the violin” according to Charles Burney. The archbishop was also said to “enjoy performing on the violin, which he played very well” and to be in the habit of “mingling with the court musicians and playing the violin with them” before dinner. Tracklist: 00:00:00 Sonata in B-Flat Major, No. 1: Allegro aperto 00:07:59 Sonata in B-Flat Major, No. 1: Adagio 00:11:01 Sonata in B-Flat Major, No. 1: Rondo: Allegro con moto 00:16:49 Sonata in D Major, No. 2: Andante 00:23:08 Sonata in D Major, No. 2: Adagio cantabile 00:25:49 Sonata in D Major, No. 2: Tempo di minuetto 00:31:28 Sonata in A Major, No. 3: Allegro aperto 00:35:05 Sonata in A Major, No. 3: Adagio 00:38:13 Sonata in A Major, No. 3: Rondo: Allegretto 00:42:40 Sonata in F Major, No. 4: Cantabile - Allegro con spirito 00:48:50 Sonata in F Major, No. 4: Minuetto 00:57:45 Sonata in F Major, No. 4: Finale: Allegro assai 01:00:46 Sonata in E-Flat Major, No. 5: Moderato 01:04:01 Sonata in E-Flat Major, No. 5: Larghetto espressivo 01:07:13 Sonata in E-Flat Major, No. 5: Allegretto grazioso 01:11:01 Sonata in C Major, No. 6: Un allegro vivace 01:17:13 Sonata in C Major, No. 6: Adagio cantabile 01:22:46 Sonata in C Major, No. 6: Rondo: Allegretto Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #LuigiGatti #PaoloGhidoni #AlfredoZamarra #viola #Violin #Classical #BrilliantClassics #Music #Composer #ClassicalMusic
Bach Camille Saint Saëns Camillo Sivori Satie Mozart Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Brahms Liszt Schubert Mendelssohn Rachmaninoff Wagner
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Tidal, Google Play): (http•••) Physical Purchase: (http•••) Social media: Facebook: (http•••) Instagram: (http•••) Spotify: (http•••) Spotify Playlists: New Classical Releases: (http•••) Beautiful Piano Music: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful classical Melodies: (http•••) Composer: Camille Saint-Saëns Artists: Mauro Tortorelli (violin) , Angela Meluso (piano) About this Album: Although sometimes disregarded as a conservative composer, looking back at a time when other composers were looking to the future, Saint-Saëns’s output towards the end of his life actually remained highly original. His music for violin and piano is no exception. An experienced traveller, Saint-Saëns was inspired by his voyages in East Asia, particularly China, and these exotic elements come to the fore in Triptyque Op.136, the ‘almost sonata’, which was the last of the composer’s major works for violin and piano. The three sections, Prémice, Vision congolaise and Joyeuseté, are a tribute to the composer’s fascination with the East, a popular topic in France at the time. The earlier works, the two violin sonatas and Berceuse, or ‘lullaby’, are also less indicative of Saint-Saëns’s conservatism than many would believe. Indeed, the listener is treated to a variety of innovations, such as frequent cross-accents in the second sonata and the rapid changes of metre that appear in various phrases in the first sonata. It is true, though, that Saint-Saëns refused to allow his output to be engulfed by the Wagnerian tradition gathering pace in Germany, and this means that his music remains characteristically and unabashedly French. Mauro Tortorelli and Angela Meluso have been performing together for years and are experienced interpreters of Saint-Saëns and his contemporaries. Their critically acclaimed recording of Camillo Sivori’s works for violin and piano was praised in both Gramophone and Amadeus, with Angela Meluso singled out for her ‘lively and responsive’ playing. Both performers have their moments to shine in the recordings on this new release, and their lengthy musical partnership leads to a perfect balance between violin and piano. Tracklist: 00:00:00 Violin Sonata No. 1 in D Minor, Op. 75: I. Allegro agitato – 00:07:27 Violin Sonata No. 1 in D Minor, Op. 75: II. Adagio 00:14:09 Violin Sonata No. 1 in D Minor, Op. 75: III. Allegretto moderato – 00:18:07 Violin Sonata No. 1 in D Minor, Op. 75: IV. Allegro molto 00:24:24 Berceuse in B-Flat, Op. 38 00:30:04 Violin Sonata No. 2 in E-Flat, Op. 102: I. Poco allegro più tosto moderato 00:37:18 Violin Sonata No. 2 in E-Flat, Op. 102: II. Scherzo: Vivace 00:41:07Violin Sonata No. 2 in E-Flat, Op. 102: III. Andante 00:46:47 Violin Sonata No. 2 in E-Flat, Op. 102: IV. Allegro grazioso, non presto 00:51:25 Triptyque, Op. 136: I. Prémice 00:56:54 Triptyque, Op. 136: II. Vision congolaise 01:01:37 Triptyque, Op. 136: III. Joyeuseté Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #Classical #BrilliantClassics #Music #Composer #ClassicalMusic #saintsaens
Liszt Bach Andres Segovia Boris Asafiev Edison Denisov Glinka Rimsky Korsakov Kozlov Ivanov Gubaidulina Oleg Timofeyev Satie Mozart Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff Wagner 1790 1926
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Social media: Brilliant Classics Facebook: (http•••) Brilliant Classics Instagram: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Artists: @Cristiano Porqueddu (Guitar) Of all Cristiano Porqueddu’s adventurous guitar-music surveys on record for Brilliant Classics, the latest may be the most invaluable and enlightening for listeners who may never even have suspected that Russia had a rich guitar tradition of its own. As a detailed booklet essay complementing this new recording explains, the guitar flourished during the first half of the 19th century in Russia. Towards the turn of the 20th century, it became more of a folk instrument, a trend further exaggerated by the cultural demands of the Russian revolution which repurposed both instruments and musicians to vernacular ends for songs and marches to raise the spirits. However, a renaissance took place in classical guitar composition following the triumphant tour of Andres Segovia across Soviet Russia in 1926. The impact of that event may be felt not only in the work of Boris Asafiev, who saw Segovia play, but even two generations later in the Hispanic flair of Edison Denisov’s Sonata, with its edgy opening Toccata, gently swaying Berceuse and picture-postcard ‘Souvenir d’Espagne’; in itself this revives the kind of naturalistic love-affair of Russian artists with the country that had produced Glinka’s Jota aragonesa and Rimsky-Korsakov’s Capriccio Espagnol. But there is much more here than picture-postcard imitation and love in a cold climate. Local Georgian rhythms and traditions may be savoured in the sonata of Gherman Dzhaparidze; there are two early, vibrant miniatures of Sofia Gudaidulina; the work of more guitar-specialised composers such as Vitaly Kharisov, Valeri Kikta and Viktor Kozlov is much less well-known outside their native land. To all of them Cristiano Porqueddu brings the technical mastery and interpretative conviction which has distinguished his work for Brilliant Classics, in boxes such as the set of 20th-century guitar sonatas (BC9455) which includes an earlier recording of the First Sonata by Evgeny Baev. Although one would not automatically associate the guitar with Russia, the history of the Russian guitar goes far back, as early as 1790 the tradition starts with a 7-string instrument, continuing to flourish in the 19th century as a salon instrument, and gaining the status of a serious concert instrument in the 20th century. This 4CD set offers a fascinating musical journey presenting known and lesser known composers Asafiev, Baev, Dzhaparidze, Denisov, Ivanov-Kramskoi, Kharisov, Gubaidulina, Kikta, Kozlov, Poplyanova, Rudnev. Another innovating and stimulating issue by great Italian guitarist Cristiano Porqueddu, who already issued more than 50 CD’s with Brilliant Classics covering a vast amount of great and neglected guitar repertoire. The excellent and extensive liner notes are written by renowned guitarist Oleg Timofeyev. Tracklist in comments Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #CristianoPorqueddu #Guitar #Russian #RussianGuitar #BrilliantClassics #ClassicalMusic
Debussy Nazareth 1917 1918 2012
Lauren Beikirch performing on violin, Dr. Kevin Nitsch on piano Nazareth College, Spring 2012 Senior Honors Recital (2 of 5) Written in 1917, Debussy's violin sonata was the final worked composed before his death in 1918. It was the third Sonata written in what was supposed to be a cycle of 6 Sonatas for various instruments (the first Sonata was written for cello and the second for Flute, Viola and Harp). After being diagnosed with terminal cancer, Debussy continued to write despite his failing health, partly for financial reasons. Debussy's Violin Sonata presents a superb balance of sweetness, fire, humor, and nostalgia. It is a work expressing deep melancholy that also embodies other characteristic traits that make Debussy's work distinguishable from others: a sense of fantasy, freedom, and affective depth. Unlike most sonatas where the violin and piano accompany each other, Debussy composes in a way where one instrument leads with a pulling energy against the counter melody or motif of the other. Ultimately, this creates a different kind of feeling and texture; the two instruments challenge one another but their arguments ultimately bring them closer together.
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