Antonio Vivaldi Argippo Videos
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2024-03-28
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Michaela Gemrotová Helena Kaupová Andrew Lloyd Webber Webber Antonio Vivaldi Lalli Anh 1678 1679 1692 1730 1740 1741 2006 2013 2014 2016 2017 2021
01 00:00:00 Interview 02 00:02:19 Aria: Se Lento Ancora Il Fulmine (Zanaida) RV 697 Michaela Gemrotová: Born in South Bohemian Region of the Czech Republic, in Písek. She began her studies with a specialization in music, then continued at the Prague Conservatory. Michaela graduated in 2013 at the Academy of Performing Arts in Prague with Helena Kaupová (Czech opera singer and university teacher). As part of her opera and concert activities, Michaela Gemrotová performs on many European stages such as Italy, Germany, Austria, Slovakia, Hungary, France, England, Belgium, Bulgaria, etc. Since 2013, Michaela Gemrotová is guest soloist at the National Theater in Prague. Michaela Gemrotová produced recordings for Czech Radio, Slovak Radio, Italy Recording Studio and others. Since 2014, she has been working in the musical Phantom of the Opera by Andrew Lloyd Webber, where she plays the lead role of Christine Daaé. She also plays the main role of the musical Angelika on the boards of the Broadway Theater, and since 2017 he has been alternating the main role of the musical Dance of the Vampires. In April 21, 2021, Česká televize announced that Michaela Gemrotová (than 35) is 8 months pregnant and is looking forward to a baby girl. Se Lento Ancora Il Fulmine, Aria: Role: Zanaida, daughter of Tisifaro - Act I, Scene 1 From opera: Argippo, RV 697, c.1730 Composed by: Antonio Vivaldi (1678–1741) Libreto origin: Domenico Lalli +••.••(...)) Libreto adaptatioin: Claudio Nicola Stampa (c.1692-1740) Non-mastered recording, from Valtice Chateau, Lednice, Czech Republic (Lednicko|valtický hudební festival 2016). Performed by Michaela Gemrotová, Soprano and Vivaldi Collegium Prague. Until recently the opera "Argippo" was thought to be lost, but much of the work was found in autumn 2006 by the harpsichordist and musicologist Ondrej Macek. His discovery was recognized by the specialist public at an international conference in Venice. Antonio Vivaldi's Argippo, RV 697, based on Stampa's version of the libretto, was staged in two different versions in 1730, first in Vienna (RV 697-A), and later in Prague (RV 697-B). The music of both of these versions is lost. Vivaldi's setting of the Argippo libretto partially survives in a pasticcio, RV Anh. 137, which in the 21st century, was the basis for a reconstruction of the Prague version of Vivaldi's opera. Thanks to: ● All Television (Interview) ● Lednicko-valtického hudebního festival (Aria) ● Jana Garnsworthy DipTrans MCIL, (Interview translation from Czech) #RecordareDomine
Antonio Vivaldi Marianna Pizzolato Anh Lalli Sporck Fabio Biondi Europa Galante 1678 1730 1741
Antonio Vivaldi [1678-1741] Opera - Argippo RV Anh. 137 Libretto di Domenico Lalli Teatro Sporck, Praga, 1730 00:02 - Se la bella tortorella (Silvero) 05:35 - Che farai? (Osira) Marie Lys 06:33 - Del fallire il rimorso e la pena (Silvero) Marianna Pizzolato - contralto (Silvero) Marie Lys - soprano (Osira) Europa Galante Fabio Biondi - direttore Naïve
Antonio Vivaldi Antonio Denzio Anh Pescetti Hasse Amato Porpora Emőke Baráth Marianna Pizzolato Delphine Galou Fabio Biondi Europa Galante 1609 1654 1678 1689 1730 1741 1763
Antonio Vivaldi (1678 ~ 1741) / Antonio Denzio (1689 ~ 1763) Opera "Argippo" RV Anh. 137 (1730) 0:00 Sinfonia RV 112 - I. Allegro 1:47 Sinfonia RV 112 - II. Andante 3:35 Sinfonia RV 112 - III. Presto Atto I 3:58 Recitativo 5:16 Aria di Zanaida: Se lento ancora il fulmine (A. Vivaldi) 8:55 Recitativo 9:50 Aria di Tisifaro: Rege son che combattuto (Anonimo) 16:09 Recitativo 16:54 Aria di Silvero: Del fallire il rimorso è la pena (A. Vivaldi) 20:26 Coro: Di cingone il regnante sen viene (A. Vivaldi) 21:18 Recitativo 24:10 Aria di Argippo: Anche in mezzo a perigliosa (A. Vivaldi) 28:12 Recitativo 28:42 Aria di Osira: Qual disarmata nave (G. B. Pescetti) 34:02 Recitativo 36:22 Aria di Tisifaro: Dov’è la morte (G. B. Pescetti) Atto II 40:43 Recitativo 41:58 Aria di Zanaida: Che gran pena trafigge il mio core (J. A. Hasse) 48:09 Recitativo 48:55 Aria di Silvero: Non temer e datti pace (Anonimo) 54:24 Recitativo 55:09 Aria di Osira: Bell'idolo amato (N. Porpora) 1:00:00 Recitativo 1:00:29 Aria di Osira: Un cento non so che (A. Vivaldi) 1:03:34 Recitativo 1:04:54 Recitativo 1:08:05 Recitativo 1:09:07 Aria di Zanaida: Io son rea dell' onor mio (A. Vivaldi) 1:14:50 Recitativo 1:15:04 Aria di Tisifaro: A' piedi miei svenato (Anonimo) 1:18:51 Recitativo 1:19:32 Aria di Argippo: Da più venti combattuta (Anonimo) Atto III 1:24:55 Recitativo 1:25:53 Aria di Osira: Mi sento nel core (G. B. Pescetti) 1:29:58 Recitativo 1:32:19 Aria di Osira: Vado a morir per te (A. Vivaldi) 1:36:07 Recitativo 1:37:21 Aria di Argippo: Vi sarà stella clemente (G. B. Pescetti) 1:43:51 Recitativo 1:44:44 Aria di Zanaida: Se d'un amor tiranno (L. Vinci) 1:49:08 Recitativo 1:49:42 Aria di Silvero: Se la bella tortorella (Anonimo) 1:55:16 Recitativo 1:56:23 Recitativo 1:58:46 Aria di Osira: Che farai? (A. Vivaldi) 1:59:44 Recitativo 2:01:18 Coro: Se d'inganno amor si pasce (A. Vivaldi) Argippo: Emőke Baráth [Soprano] Osira: Marie Lys [Soprano] Silvero: Marianna Pizzolato [Mezzo-soprano] Zanaida: Delphine Galou [Contralto] Tisifaro: Luigi De Donato [Basso] Europa Galante Fabio Biondi [Violino, Direzione]
Antonio Vivaldi Lalli Lichtenstein Svoboda Růžička Sylva Verdi Francesco Mancini Giovanni Porta Fiore Costantini Mingotti Hesse Capella Regia Opera Graz 1675 1676 1679 1686 1690 1714 1717 1722 1730 1732 1741 1755 1762 1763 2006 2017
Argippo (Drama per musica) Antonio Denzi - Antonio Vivaldi (and others) after "Il Gran Mogol" by Domenico Lalli (= Sebastiano Biancardi, 1679 - 1741) Live performance in the Baroque theater at the Lichtenstein Castle in Valtice (Národní památkový ústav) on 5. 10. 2017 Reconstruction after Darmstadt score and Prague libretto (Abbreviated) Acknowledgment Many thakns to Ondřej Macek for providing us with his research on the reconstruction of Argippo. Many thanks to Richard Svoboda, Lenka Beránková and Zbyněk Šolc from Valtice Castle for the invitation to the project and collaborating on the production. ARGIPPO, King of Cingon - Dušan Růžička, tenore TISIFARO, Great Muggle - Ivo Hrachovec, basso ZANAIDA, Tisifaro´s daughter - Sylva Čmugrová, alto OSIRA, Argippo´s wife - Michaela Šrůmová, soprano SILVERO, Tisifaro´s nephew - Filip Dámec, soprano Capella Regia Praha Akademie staré hudby Ústavu hudební vědy Masarykovy univerzity Robert Hugo - conductor Stage director - Števo Capko and Robert Hugo Jan Neugebauer - Light design SCENE CHANGES I. Cabinet of the Great Muggle. II. The atrium of the royal palace with the city view and the river Yamuna. III. Royal Garden. IV. The colonnade of the royal palace. V. Tisifaro's chamber. VI. Garden the Osira´s dwelling. VII. Tribune of the god Kama in the middle of the forest in night lighting, adapted to perform the victim. It takes place in the Royal Palace in Agra, the capital and residence of the Great Muggle. Video: Emil Kopřiva, Radislav Babák, Robert Hugo The origin of Italian Baroque operas and the cultural environment associated with them can be imagined far more as today's film production than as an opera under Verdi or Wagner. The authorship was often collective and partial artists were often not featured in the production, including the authors of the music. The same libretto was usually set to music many times and was more like a film theme than a fixed text in a later opera. The libretto was edited over and over again for the respective version, and the same or similar text was played under different names. The similarity with the film was that the success of the opera was measured to a large extent according to how it managed to fill the box office of the relevant impresario. It can therefore be said that the principle of Baroque opera was the so-called pasticcio (pate) - an opera composed of already finished components. The libretto called "Il gran mogol" by Domenico Lalli was first set to music by the Neapolitan composer Francesco Mancini and performed at the theater of San Bartolomeo in 1714. The other two operas on the same text come from Venice from 1717 and 1722 by Giovanni Porta (ca. 1675 - 1755) and Andrea Stefano Fiore +••.••(...)). This is followed by a Prague (and probably also Vienna) version from 1730, with music by Antonio Vivaldi, commissioned by the impresario Antonio Denzi (ca. 1690 - 1763). Here, also, Vivaldi used some arias from his older operas, according to contemporary practice. The libretto was further set to music by Antonio Costantini for Mingotti's company in Brno, some musicologists also mention the performance in Vienna. Mingotti's opera company later performed opera in Graz and Copenhagen. In 2006, Ondřej Macek discovered the arias from Argippo in the Thun - Taxis court library in Regensburg. It is obvious that it is a pasticcio, in which many original Vivaldi arias from the original Prague version are used. A complete score of this pasticcio with the same structure of arias as the Regensburg source, has also been found in the archives of the University of Darmstadt. Recitatives that are missing in the Thun-Taxis library are preserved here. They exactly agree with the Prague libretto. Our current version is based on a source in Darmstadt and, based on the Prague libretto, is supplemented by several original Vivaldi arias. The opera apparently remained in Denzi's archive after its release in Prague and was further modified. How its copy became the property of Ernst Christian Hesse +••.••(...)) in Darmstadt is not clear. Obviously, not all arias in this score are from Vivaldi. The continuity of the keys (tonalities) of the recitatives, on the other hand, suggests that some recitatives may be from the original version. (Robert Hugo)
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