Anton Bruckner Herbstkummer Videos
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2024-05-04
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Provided to YouTube by NAXOS of America Herbstkummer, WAB 72 (Arr. for Soprano) (Live) · Elisabeth Wimmer · Daniel Linton-France Böck liest Bruckner, Vol. 2: Briefe und Musik (Live) ℗ 2020 Gramola Records Released on: 2020-11-20 Artist: Elisabeth Wimmer Artist: Daniel Linton-France Composer: Anton Bruckner Auto-generated by YouTube.
Josef Anton Bruckner 1816 1824 1882 1884 1896
Josef Anton Bruckner (German: [ˈantoːn ˈbʁʊknɐ]; 4 September 1824 – 11 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. Performers: Soprano: Elisabeth Wimmer. Piano: Daniel Linton-France. Painting: Arthur Perigal the Younger (British painter, 1816-1884) - Lake Scene with Figures in a Boat (1882).
Josef Anton Bruckner Richard Wagner Hugo Wolf Bülow Eduard Hanslick Johannes Brahms Gustav Mahler 1824 1896
Try the interactive tutorial, or download the sheet music here: (http•••) Josef Anton Bruckner ( 4 September 1824 – 11 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the person and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was self-critical of his work, and often reworked his compositions. There are several versions of many of his works. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler.
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