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2024-06-15
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Nicolas Gombert Clément Janequin Dominique Visse Agnès Mellon Mellon Saito Bothwell Bellocq Ensemble Clément Janequin 1490 1556
Source: "Une Fête chez Rabelais: Chansons et pièces instrumentales" Ensemble Clément Janequin - Dominique Visse, dir. Info: (http•••) Je prens congies [congés) de mes amours Des quelles me fault partir hellas Nul ne me vient donner secours hellas Dont dois plourer el bien gemir Nul ne me vient donner secours Dont dois plourer el bien gemir Si suis ie mis en plus decent martire Je dis adieu a mes amours Soudainement me voye morir. / I take leave of my loves From those, alas, from whom I needs must part Nothing comes to bring me succour, alas, And since there's no help, I must weep and groan indeed Nothing comes to bring me succour And since there's no help, I must weep an groan indeed Yet I suffer a most decent martyrdom I bid forewell to my loves And promptly see me die. / Agnès Mellon (soprano), Dominique Visse (countertenor), Bruno Boterf (tenor), Vincent Bouchot (baritone), François Fauché (baritone), Marc Busnel (bass), Yuka Saito (viol), Malcom Bothwell (viol), Matthieu Lusson (viol), Eric Bellocq (lute, organ), Andrea Perugi (organ, viol)
Nicolas Gombert Clément Janequin Dominique Visse Prins Paine Agnès Mellon Mellon Saito Bothwell Bellocq Ensemble Clément Janequin 1490 1556
Source: "Une Fête chez Rabelais: Chansons et pièces instrumentales" Ensemble Clément Janequin - Dominique Visse, dir. Info: (http•••) Puisqu'ainsi est que continue mon malheur El que rigueur a prins [pris) possession sur [de) moy Si tresavant que plaisirs ny ont place' en riens Souvenir me travaille qui ne me veult ce bien le languis en grant paine sans nul bien esperer Si non la mort qui trop my faict tarder. / For thus my misfortune continues And misery has taken possession of me So utterly that pleasures no longer exist for me Memory torments me so, that there is not even this comfort left I languish in agony without hope for any relief Unless it be death, that too long keeps me waiting. / Agnès Mellon (soprano), Dominique Visse (countertenor), Bruno Boterf (tenor), Vincent Bouchot (baritone), François Fauché (baritone), Marc Busnel (bass), Yuka Saito (viol), Malcom Bothwell (viol), Matthieu Lusson (viol), Eric Bellocq (lute, organ), Andrea Perugi (organ, viol)
Benjamin Britten Olivier Messiaen Machaut David Munrow Clement Janequin Conlon Nancarrow Anton Webern Ensemble Clement Janequin 1500 1750 1787 1932 1941 1945 1989 1990 1995 2001 2003 2004 2005 2006 2008 2012
Show notes and images of Swiss Roll: (http•••) Listen on iTunes: (http•••) Correction! At 1:10:35, Sam says “one third the speed” when he meant “one third the note-length” (i.e. three times the speed) Music discussed in this episode: Jay Foreman, Singing one syllable out-of-sync, (http•••) Jay Foreman, MORE singing one syllable out-of-sync, (http•••) The Music, “Freedom Fighters”. Track 2 from Welcome to the North. Virgin Records, 2004. (http•••) W.A. Mozart, Don Giovanni, Act I, Finale, 1787 Recording: Hungarian Radio Chorus, and Nicolaus Estherházy Sinfonia. Mozart: Don Giovanni. Naxos, 2001. (Disc 2, Track 11 from 1m30) (http•••) Benjamin Britten, Passacaglia Op. 33b (from Peter Grimes), 1945. Recording: New Zealand Symphony Orchestra, and Myer Fredman. Britten: Sinfonia Da Requiem, Op. 20 / 4 Sea Interludes. Naxos, 1995. (Track (http•••) Meshuggah, “Do Not Look Down”. Track 3 from Koloss. Nuclear Blast, 2012. (http•••) Olivier Messiaen, “Crystal liturgy” 1st movement of Quartet for the End of Time, 1941. Recording: Amici Ensemble. Messiaen: Quartet for the End of Time / Theme and Variations. Naxos, 2001. (Track 1) (http•••) Guillame de Machaut, Puis que la douce rousee/De bon espoir, 14th century. Recording: The Early Music Consort of London, and David Munrow. The Art of Courtly Love. Erato - Parlophone, 2005. (Track 13) (http•••) Tool, “Jambi”. Track 2 from 10,000 Days. Tool Dissectional & Volcano Entertainment, 2006. Pierre de La Rue, 2nd “Agnus dei” from Missa l’homme armé c.1500. Facsimile: (http•••) Recording: Ensemble Clement Janequin. Pierre de La Rue: Missa l’homme arme / Missa pro defunctis. Harmonia Mundi, 1989 (Track 5, from 1m47) (http•••) Conlon Nancarrow, Study No. 40a for Player Piano Recording: Studies for Player Piano (The Original 1750 Arch Recordings). Other Minds, 2008. (Disc 2, Track 11) (http•••) Additional excerpts from: Anton Webern, 1st movement from Quartet op. 22, 1932. Recording: Webern, A: Works with Opus Numbers (Complete). Sony Classical, 1990. (Disc 2, Track 33) (http•••) Funeral for a Friend, “Rookie of the Year”. Track 1 from Casually Dressed & Deep in Conversation. Atlantic Records, 2003. (http•••)
Pierre Rue Josquin Prez Mercy Clement Janequin 1500 1518 1988
Pierre de la Rue (c. 1452 - 1518): Missa "L'homme armé I" (KYRIE) Pierre de la Rue was a Franco-Flemish composer and singer of the Renaissance. A member of the same generation as Josquin des Prez, he ranks as one of the most famous and influential composers in the Netherlands polyphonic style in the decades around 1500. This Kyrie is part of the first of two masses, which he wrote based upon the then famous tune "L'homme armé", which made its appearance in the 15th century in the Burgundian cultural sphere. Kyrie eleison. Christe eleison. Kyrie eleison. Lord, have mercy. Christ, have mercy. Lord, have mercy. Ensemble Clement Janequin (1988) Here you can listen to the next part ("Gloria") from the same mass: (http•••)
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